The African American Experience in Vietnam

The African American Experience in Vietnam
Author: James E. Westheider
Publisher: Rowman & Littlefield
Total Pages: 218
Release: 2008
Genre: History
ISBN: 9780742545328

In this book James E. Westheider explores the social and professional paradoxes facing African-American soldiers in Vietnam. Service in the military started as a demonstration of the merits of integration as blacks competed with whites on a near equal basis for the first time. Yet as the war in Vietnam progressed, many black recruits felt isolated and threatened in an institution controlled almost totally by whites. Consequently, many blacks no longer viewed the military as a professional opportunity, but an undue burden on the black community.

North Carolina Reports

North Carolina Reports
Author: North Carolina. Supreme Court
Publisher:
Total Pages: 858
Release: 1905
Genre: Law reports, digests, etc
ISBN:

Cases argued and determined in the Supreme Court of North Carolina.

Black Enterprise

Black Enterprise
Author:
Publisher:
Total Pages: 40
Release: 1975-02
Genre:
ISBN:

BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.

The Complete Book of 1950s Broadway Musicals

The Complete Book of 1950s Broadway Musicals
Author: Dan Dietz
Publisher: Rowman & Littlefield
Total Pages: 479
Release: 2014-07-02
Genre: Performing Arts
ISBN: 1442235055

The Broadway musical came of age in the 1950s, a period in which some of the greatest productions made their debuts. Shows produced on Broadway during this decade include such classics as Damn Yankees, Fiorello!, Guys and Dolls, The King and I, Kismet, The Most Happy Fella, My Fair Lady, The Pajama Game, Peter Pan, The Sound of Music, and West Side Story. Among the performers who made their marks were Julie Andrews, Bob Fosse, Carol Lawrence, and Gwen Verdon, while other talents who contributed to shows include Leonard Bernstein, Oscar Hammerstein II, Alan Jay Lerner, Frederick Loewe, Cole Porter, Jerome Robbins, Richard Rodgers, and Stephen Sondheim. In The Complete Book of 1950s Broadway Musicals, Dan Dietz examines in detail every musical and revue which opened on Broadway during the 1950s. In addition to providing details on every hit and flop that debuted during the decade, this book includes revivals, and one-man and one-woman shows. Each entry contains the following information: Opening and closing dates Plot summary Cast members Number of performances Names of all important personnel including writers, composers, directors, choreographers, producers, and musical directors Musical numbers and the names of performers who introduced the songs Production data, including information about tryouts Source material Critical commentary Tony awards and nominations Details about London and other foreign productions Besides separate entries for each production, the book offers numerous appendices, such as a discography, film and television versions, published scripts, Gilbert and Sullivan operettas, and lists of productions by the New York City Center Light Opera Company, and the New York City Opera Company. A treasure trove of information, The Complete Book of 1950s Broadway Musicals provides readers with a complete view of each show. This significant resource will be of use to scholars, historians, and casual fans of one of the greatest decades in musical theatre history.

Crucible of Cultures

Crucible of Cultures
Author: Marc Maufort
Publisher: P.I.E-Peter Lang S.A., Editions Scientifiques Internationales
Total Pages: 364
Release: 2002
Genre: Drama
ISBN:

The dawn of a new millennium offers an opportunity to reappraise the achievements of contemporary English-language theatre and drama in an increasingly cross-cultural age. New multicultural voices are gaining access to the international English stage, which today more than ever is becoming a crucible of cultures. The many challenging essays gathered in this volume reflect this developing mosaic. Written by prominent theatre scholars from Europe, the United States, Canada, Asia, and Australia, these contributions explore recent drama not only in the United Kingdom and the United States, but also in such countries of the former British Empire as Canada, South Africa, Australia, and New Zealand. Focusing on major Anglophone dramatists of the past few decades, these essays provide a fascinating survey of the myriad ways in which English-language drama in transition transcends traditional aesthetic and cultural boundaries.