The Law of Motion Pictures
Author | : Louis D. Frohlich |
Publisher | : |
Total Pages | : 1016 |
Release | : 1918 |
Genre | : Competition, Unfair |
ISBN | : |
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Author | : Louis D. Frohlich |
Publisher | : |
Total Pages | : 1016 |
Release | : 1918 |
Genre | : Competition, Unfair |
ISBN | : |
Author | : William T. Ford |
Publisher | : |
Total Pages | : 34 |
Release | : 1977 |
Genre | : Motion picture industry |
ISBN | : |
Author | : American Film Institute |
Publisher | : Univ of California Press |
Total Pages | : 1198 |
Release | : 1993 |
Genre | : Motion pictures |
ISBN | : 9780520079083 |
"The entire field of film historians awaits the AFI volumes with eagerness."--Eileen Bowser, Museum of Modern Art Film Department Comments on previous volumes: "The source of last resort for finding socially valuable . . . films that received such scant attention that they seem 'lost' until discovered in the AFI Catalog."--Thomas Cripps "Endlessly absorbing as an excursion into cultural history and national memory."--Arthur Schlesinger, Jr.
Author | : Michael Wood |
Publisher | : Oxford University Press, USA |
Total Pages | : 153 |
Release | : 2012-01-26 |
Genre | : Art |
ISBN | : 0192803530 |
Film is considered to be the dominant art form of the twentieth century. It can be considered many other things; a record of events, a modern mythology, a career, an industry, an art, a hobby, and much else. Michael Wood explores the history of film, its venture into the digital age, and its role and impact on modern society.
Author | : Gary Bettinson |
Publisher | : Univ. Press of Mississippi |
Total Pages | : 151 |
Release | : 2021-11-15 |
Genre | : Performing Arts |
ISBN | : 1496835239 |
Otto Preminger (1905–1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder’s Stalag 17 and as the diabolical Mr. Freeze in television’s Batman. He is remembered, too, for drastically transforming Hollywood’s industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled “Hollywood Ten.” Preminger, a committed liberal, consistently shattered Hollywood’s conventions. He routinely tackled socially progressive yet risqué subject matter, pressing the Production Code’s limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics—heroin addiction, rape, incest, homosexuality—that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Preminger’s career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.