Law and the Image

Law and the Image
Author: Costas Douzinas
Publisher: University of Chicago Press
Total Pages: 294
Release: 1999-08
Genre: Art
ISBN: 9780226569536

Discussing the diverse relationships between law and the artistic image, this book includes coverage of the history of the relationship between art and law, and the ways in which the visual is made subject to the force of the law.

Judging the Image

Judging the Image
Author: Alison Young
Publisher: Psychology Press
Total Pages: 205
Release: 2005
Genre: Art and morals
ISBN: 041530184X

This book extends the cultural turn in legal and criminological studies by interrogating our responses to the image. It provides a space to think through problems of ethics, social authority and the legal imagination.

The Oxford Handbook of Law and Humanities

The Oxford Handbook of Law and Humanities
Author: Simon Stern
Publisher:
Total Pages: 921
Release: 2020
Genre: Education
ISBN: 0190695625

How might law matter to the humanities? How might the humanities matter to law? In its approach to both of these questions, The Oxford Handbook of Law and Humanities shows how rich a resource the law is for humanistic study, as well as how and why the humanities are vital for understanding law. Tackling questions of method, key themes and concepts, and a variety of genres and areas of the law, this collection of essays by leading scholars from a variety of disciplines illuminates new questions and articulates an exciting new agenda for scholarship in law and humanities.

The Laws of Image

The Laws of Image
Author: Samantha Barbas
Publisher:
Total Pages: 0
Release: 2012
Genre: Privacy, Right of
ISBN:

We live in an image society. Since the turn of the 20th century if not earlier, Americans have been awash in a sea of images throughout the visual landscape. We have become highly image-conscious, attuned to first impressions and surface appearances, and deeply concerned with our own personal images – our looks, reputations, and the impressions we make on others. The advent of this image-consciousness has been a familiar subject of commentary by social and cultural historians, yet its legal implications have not been explored. This article argues that one significant legal consequence of the image society was the evolution of an area of law that I describe as the tort law of personal image. By the 1950s, a body of tort law – principally the privacy, publicity, and emotional distress torts, and a modernized defamation tort – had developed to protect a right to control one’s image and to be compensated for emotional and dignitary harms caused by interference with one’s public image. This law of image produced the phenomenon of the personal image lawsuit, in which individuals sued to vindicate or redress their images. The rise of personal image litigation over the course of the 20th century was driven by Americans’ increasing sense of protectiveness and possessiveness towards their public images and reputations. This article offers an overview of the development of the image torts and personal image litigation in the United States. It offers a novel, alternative account of the history of tort law by linking it to developments in American culture. It explains how the law became a stage for, and participant in, the modern preoccupation with personal image, and how legal models of personhood and identity in turn transformed understandings of the self. Through legal claims for libel, invasions of privacy, and other assaults to the image, the law was brought, both practically and imaginatively, into popular fantasies and struggles over personal identity and self-presentation.

The Image of Law

The Image of Law
Author: Alexandre Lefebvre
Publisher: Stanford University Press
Total Pages: 336
Release: 2008
Genre: Philosophy
ISBN: 0804759847

The Image of Law is the first book to examine law through the work of Gilles Deleuze, activating his thought within problems of jurisprudence and developing a concept of judgment that acknowledges its inherently creative capacity.

Contested Culture

Contested Culture
Author: Jane M. Gaines
Publisher: Univ of North Carolina Press
Total Pages: 361
Release: 2000-11-09
Genre: Literary Criticism
ISBN: 0807861642

Jane M. Gaines examines the phenomenon of images as property, focusing on the legal staus of mechanically produced visual and audio images from popular culture. Bridging the fields of critical legal studies and cultural studies, she analyzes copyright, trademark, and intellectual property law, asking how the law constructs works of authorship and who owns the country's cultural heritage.

No Law

No Law
Author: David L. Lange
Publisher: Stanford University Press
Total Pages: 613
Release: 2008-10-27
Genre: Law
ISBN: 0804763275

The original text of the Constitution grants Congress the power to create a regime of intellectual property protection. The first amendment, however, prohibits Congress from enacting any law that abridges the freedoms of speech and of the press. While many have long noted the tension between these provisions, recent legal and cultural developments have transformed mere tension into conflict. No Law offers a new way to approach these debates. In eloquent and passionate style, Lange and Powell argue that the First Amendment imposes absolute limits upon claims of exclusivity in intellectual property and expression, and strips Congress of the power to restrict personal thought and free expression in the name of intellectual property rights. Though the First Amendment does not repeal the Constitutional intellectual property clause in its entirety, copyright, patent, and trademark law cannot constitutionally license the private commodification of the public domain. The authors claim that while the exclusive rights currently reflected in intellectual property are not in truth needed to encourage intellectual productivity, they develop a compelling solution for how Congress, even within the limits imposed by an absolute First Amendment, can still regulate incentives for intellectual creations. Those interested in the impact copyright doctrines have on freedom of expression in the U.S. and the theoretical and practical aspects of intellectual property law will want to take a closer look at this bracing, resonant work.

Law's Moving Image

Law's Moving Image
Author: Leslie Moran
Publisher: Routledge
Total Pages: 335
Release: 2012-12-06
Genre: Law
ISBN: 1135311722

This book is an essential introduction to the complex issues and debates in the field of law and film. It explores interconnections that are usually ignored between law and film through three main themes: A Fantastic Jurisprudence explores representations of law in law Law, Aesthetics and Visual Technologies focuses on the visual aspects of law's moving image Regulation: Histories, Cultures, Practices brings together work on different dimensions and contexts of regulation, censorship, state subsidies and intellectual property to explore the complex inter-relationship between the state, industry and private regulation. Law's Moving Image is an innovative, multi-disciplinary contribution to the rapidly growing fields of study in law and film, law and visual culture, law and culture, criminology, social and cultural studies. It will be of interest to students and academics involved in these areas.

Role and Image of Law in India

Role and Image of Law in India
Author: Vasudha Dhagamwar
Publisher: SAGE
Total Pages: 424
Release: 2006-02-13
Genre: Social Science
ISBN: 9780761933946

The relationship between tribes and the state with reference to the Indian legal structure is the focus of this book which fills a gap in the literature. Examining three tribes of India, the author traces the historical roots of their dispossession, their engagement with and subjugation by the British, and how their ordeal of disempowerment continues, even after independence. The book offers new research data from a variety of sources and by bringing together insights from anthropology, ancient history and law, it draws political conclusions that are deeply relevant in today′s world.