Latin American & Caribbean Art
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 188 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
Katalog til udstilling på El Museo del Barrio, New York. March 4-July 25, 2004
Download Latin American Caribbean Art full books in PDF, epub, and Kindle. Read online free Latin American Caribbean Art ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Author | : Museum of Modern Art (New York, N.Y.) |
Publisher | : |
Total Pages | : 188 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
Katalog til udstilling på El Museo del Barrio, New York. March 4-July 25, 2004
Author | : Lisa Blackmore |
Publisher | : Routledge |
Total Pages | : 290 |
Release | : 2020-07-02 |
Genre | : Art |
ISBN | : 0429533888 |
This interdisciplinary book brings into dialogue research on how different fluids and bodies of water are mobilised as liquid ecologies in the arts in Latin America and the Caribbean. Examining the visual arts, including multimedia installations, performance, photography and film, the chapters place diverse fluids and systems of flow in art historical, ecocritical and cultural analytical contexts. The book will be of interest to scholars of art history, cultural studies, environmental humanities, blue humanities, ecocriticism, Latin American and Caribbean studies, and island studies. Chapter 7 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
Author | : Jane Turner |
Publisher | : Oxford University Press, USA |
Total Pages | : 856 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
For abstracts see: Caribbean Abstracts, no. 11, 1999-2000 (2001); p. 111.
Author | : Tatiana Flores |
Publisher | : Duke University Press |
Total Pages | : 352 |
Release | : 2017 |
Genre | : Art |
ISBN | : 9781934491577 |
Relational Undercurrents accompanies an exhibition by the same name that opens at the Museum of Latin American Art in Long Beach, California in September, 2017. The exhibition and edited volume call attention to the artistic production of the Caribbean islands and their diasporas, challenging the conventional geographic and conceptual boundaries of Latin America.
Author | : Veerle Poupeye |
Publisher | : Thames & Hudson |
Total Pages | : 458 |
Release | : 2022-04-07 |
Genre | : Art |
ISBN | : 0500776814 |
Caribbean Art presents and discusses the diverse, fascinating and highly accomplished work of Caribbean artists, whether indigenous or from the diaspora, popular or high culture, rural or urban based, politically radical or religious. This expanded edition has a new preface, and has been updated to reflect on recent challenges to the ideological premises and institutions of conventional art-historical practice and their connections to histories of colonialism, Eurocentricity and race. Two new chapters focus on public monuments linked to the history of the Caribbean, and the intersections between art and tourism, raising important questions about cultural representation. Featuring the work of internationally recognized artists such as Sonia Boyce, Christopher Cozier, Wifredo Lam, Ana Mendieta, Ebony G. Patterson, Hervé Télémaque, and more than 100 others working across a variety of media, this new edition makes an important contribution to the understanding of Caribbean art and its context, in ways that invite and encourage further explorations on the subject.
Author | : Eli Bartra |
Publisher | : Duke University Press |
Total Pages | : 260 |
Release | : 2003-10 |
Genre | : Art |
ISBN | : 9780822331704 |
DIVAnalyzes Latin American and Caribbean folk art from a feminist perspective, considering the issue of gender in the production and circulation of popular art produced by women./div
Author | : Oscar E. Vázquez |
Publisher | : Routledge |
Total Pages | : 311 |
Release | : 2020-05-28 |
Genre | : Art |
ISBN | : 1351187538 |
This edited volume’s chief aim is to bring together, in an English-language source, the principal histories and narratives of some of the most significant academies and national schools of art in South America, Mexico, and the Caribbean, from the late 18th to the early 20th centuries. The book highlights not only issues shared by Latin American academies of art but also those that differentiate them from their European counterparts. Authors examine issues including statutes, the influence of workshops and guilds, the importance of patronage, discourses of race and ethnicity in visual pedagogy, and European models versus the quest for national schools. It also offers first-time English translations of many foundational documents from several significant academies and schools. This book will be of interest to scholars in art history, Latin American and Hispanic studies, and modern visual cultures.
Author | : Steve Shipp |
Publisher | : McFarland |
Total Pages | : 930 |
Release | : 2003 |
Genre | : Art |
ISBN | : |
A large general bibliography is included."--BOOK JACKET.
Author | : Alejandro Anreus |
Publisher | : John Wiley & Sons |
Total Pages | : 612 |
Release | : 2021-11-09 |
Genre | : Art |
ISBN | : 1118475410 |
In-depth scholarship on the central artists, movements, and themes of Latin American art, from the Mexican revolution to the present A Companion to Modern and Contemporary Latin American and Latinx Art consists of over 30 never-before-published essays on the crucial historical and theoretical issues that have framed our understanding of art in Latin America. This book has a uniquely inclusive focus that includes both Spanish-speaking Caribbean and contemporary Latinx art in the United States. Influential critics of the 20th century are also covered, with an emphasis on their effect on the development of artistic movements. By providing in-depth explorations of central artists and issues, alongside cross-references to illustrations in major textbooks, this volume provides an excellent complement to wider surveys of Latin American and Latinx art. Readers will engage with the latest scholarship on each of five distinct historical periods, plus broader theoretical and historical trends that continue to influence how we understand Latinx, Indigenous, and Latin American art today. The book’s areas of focus include: The development of avant-garde art in the urban centers of Latin America from 1910-1945 The rise of abstraction during the Cold War and the internationalization of Latin American art from 1945-1959 The influence of the political upheavals of the 1960s on art and art theory in Latin America The rise of conceptual art as a response to dictatorship and social violence in the 1970s and 1980s The contemporary era of neoliberalism and globalization in Latin American and Latino Art, 1990-2010 With its comprehensive approach and informative structure, A Companion to Modern and Contemporary Latin American and Latinx Art is an excellent resource for advanced students in Latin American culture and art. It is also a valuable reference for aspiring scholars in the field.
Author | : Héctor Olea Galaviz |
Publisher | : Yale University Press |
Total Pages | : 618 |
Release | : 2004-01-01 |
Genre | : Art |
ISBN | : 0300102690 |
In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for