Latex Fashion Photography
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Author | : Miki Bunge |
Publisher | : Goliath Publishing |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Latex garments |
ISBN | : 9783936709469 |
Brilliant Times for Skintight Outfits Whether vinyl, PVC, or patent, rubber, spandex or latex, shiny skintight clothing has mostly been seen as slutty, whorish and vulgar. But since international stars have been sporting extravagant latex attire, skintight and shiny is now worn on the street, at the club and even in audience with royalty. Musicians are on the cutting edge of this trend. Recent out of the closet latex fans include Katy Perry and Beyonce: one dancing on stage in a candy colored pleather mini dress, the other on TV in a revealing American flag inspired latex outfit. In her latest video Christina Aguilera sprawls in a dark rubber and leather costume, and in fat-positive defiance of the current ideal of beauty, Karl Lagerfeld's sex-cracker muse Beth Ditto, squeezes herself into a shocking pink latex cat suit. But music's most recognizable ambassador of the slick and tight is surely Lady Gaga. For her audience with the Queen of England, she audaciously decided to wear an opulent red latex dress by designer Atsuko Kudo. We can happily bid adieu to the days of baggy shirts and cotton leggings. Even Burlesque's nostalgia for the square days of old is giving way to this new love of extravagance and experimentation. What only turned on goths, new wave fans and fetishists is now consumed and adapted by the mainstream for itself. Even Vogue magazine takes up the cudgel for these formerly freakish and ghettoized materials. In an online article, they write: "Be naughty and you sit in the spotlight. Times change. Trends change. The fetish-look is no longer relegated to the silent room, but with raised head (it is) carrying a lot of style and a charming wink. The fun of fashion with previously taboo material such as latex paint and leather outfits is standing in the foreground." For Latex Fashion Photography GOLIATH PUBLISHING brought together the best and most interesting latex fashion labels from across the world, drawing from the trendy, the fashionable and the erotic. On 384 pages more than 60 photographers portray the unique creations and clothes of designers such as Atsuko Kudo (designer to Lady Gaga, Eva Mendes, Kate Moss and more), and Berlin label Tres Bonjour (designer to Katy Perry). Over 30 of the most famous fetish models, among them Ulorin Vex, Eden, Bianca Beauchamp and Mosh, present themselves as latex punks, rock n roll riot girls, modern pinups, and space girls and femmes fatales. !! Continues below at Section Contributors !!!!
Author | : |
Publisher | : Goliath Books |
Total Pages | : 0 |
Release | : 2005 |
Genre | : Glamour photography |
ISBN | : 9783936709162 |
Burlesque beauties, sizzling centrefolds, bondage babes and rubbery cuties give it up for readers' delectation and delight in this collection from James and James. James and James make sexy girls even sexier. Having worked as photographers for Bizarre Magazine, Penthouse, Maxim, FHM and Skin 2 they have photographed some of the most stunning women alive. In this debut collection the world's most famous pin-up stars have been compiled and the choicest morsels of womankind have been served up on this veritable platter of intimate images.
Author | : Sian-Kate Mooney |
Publisher | : Costume & Fashion Press |
Total Pages | : 136 |
Release | : 2004 |
Genre | : Crafts & Hobbies |
ISBN | : |
For dressmakers, fashion designers and costumers.
Author | : Christine Kessler |
Publisher | : Goliath Books |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Fetishism (Sexual behavior) |
ISBN | : 9783936709223 |
Rising fetish photo star Christine Kessler presents a portfolio of luscious images taken in vibrant digital colour. Kessler was discovered by legendary fetish mag Skin Two and has since gone on to become one of the most respected names in her industry - adored by both audiences and subjects alike. Her unique connection with her models allows her to direct them in situations and outfits not necessarily suggested by regular fetish photographers - the results are a joyful, 100% inside view of a glamorous universe.
Author | : Tony Mitchell |
Publisher | : |
Total Pages | : 222 |
Release | : 1999 |
Genre | : Fetishism in art |
ISBN | : 9781842223062 |
Author | : Lindsay Renee Adler |
Publisher | : Course Technology |
Total Pages | : 0 |
Release | : 2012 |
Genre | : Portrait photography |
ISBN | : 9781435458840 |
"Fashion Flair for Portrait and Wedding Photography teaches photographers how to take the concepts of fashion photography (including preparation, styling, props, lighting, posing and post-processing) and apply these techniques to their portrait and wedding photography. By adding fashion flair to their work, photographers can distinguish themselves from their competition and demand a higher price for their images and creativity. Fashion photographers use preparation, styling, props, lighting, posing and post-processing techniques to achieve the desired visual effects in their high-end shoots. Yet these very same techniques can be applied to the images of portrait and wedding photography to create outstanding work that will differentiate a photographer from the competition. Clients want to feel like they are models, and live in a fantasy and this book will help them feel edgy, striking and high-end through a unique approach to their portraits. This book is not about becoming a fashion photographer - it is about using fashion photography techniques for successful portrait and wedding photography."--Publisher's description.
Author | : Valerie Steele |
Publisher | : |
Total Pages | : 284 |
Release | : 1996 |
Genre | : Art |
ISBN | : |
Kinky boots, corsets, underwear as outerwear, second-skin garments of rubber and leather, uniforms, body piercing.... Today everything from a fetishist's dream appears on the fashion runways. Although some people regard fetish fashion as exploitative and misogynistic, others interpret it as a positive Amazonian statement--couture Catwoman. But the connection between fashion and fetishism goes far beyond a few couture collections. For the past thirty years, the iconography of sexual fetishism has been increasingly assimilated into popular culture. Before Michelle Pfeiffer's Catwoman, there was Mrs. Peel, heroine of the 1960s television show "The Avengers," who wore a black leather catsuit modeled on a real fetish costume. Street styles like punk and the gay "leatherman" look also testify to the influence of fetishism. The concept of fetishism has recently assumed a growing importance in critical thinking about the cultural construction of sexuality. Yet until now no scholar with an in-depth knowledge of fashion history has studied the actual clothing fetishes themselves. Nor has there been a serious exploration of the historical relationship between fashion and fetishism, although erotic styles have changed significantly and "sexual chic" has become increasingly conspicuous. Cultural historian Valerie Steele has devoted much of her career to the study of the relationship between clothing and sexuality, and is uniquely qualified to write this book. Marshalling a dazzling array of evidence from pornography, psychology, and history, as well as interviews with individuals involved in sexual fetishism, sadomasochism, and cross-dressing, Steele illuminates the complex relationship between appearance and identity. Based on years of research, her book Fetish: Fashion, Sex & Power explains how a paradigm shift in attitudes toward sex and gender has given rise to the phenomenon of fetish fashion. "Steele is to fetish dressing what Anne Rice is to vampires," writes Christa Worthington of Elle magazine, "the intellectual interpreter of...wishes beyond our ken." According to Steele, fetishism shows how human sexuality is never just a matter of doing what comes naturally; fantasy always plays an important role. Steele provides provocative answers to such questions as: Why is black regarded as the sexiest color? Is fetishizing the norm for males? Does fetish fashion reflect a fear of AIDS? And why do so many people love shoes?
Author | : |
Publisher | : |
Total Pages | : 100 |
Release | : 1994-09 |
Genre | : |
ISBN | : |
Author | : Alice Kettle |
Publisher | : Bloomsbury Publishing |
Total Pages | : 201 |
Release | : 2018-02-08 |
Genre | : Design |
ISBN | : 1474281737 |
Through their metaphorical and material qualities, textiles can be seductive, exciting, intimate and, at times, shocking and disquieting. This book is the first critical examination of the erotically charged relationship between the surface of the skin and the touch of cloth, exploring the ways in which textiles can seduce, conceal and reveal through their interactions with the body. From the beautiful cloth which is quietly suggestive, to bold expressions of deviant sexuality, cloth is a message carrier for both desiring and being desired. The drape, fold, touch and feel, the sound and look of cloth in motion, allow for the exploration of identity as a sensual, gendered or political experience. The book features contributions on the sensory rustle and drape of silk taffeta and the secret pleasures of embroidery, on fetishistic punk street-style and homoerotic intimacy in men's shirts on screen, and a new perspective on the role of cloth and skin in the classic film Blade Runner. In doing so, it interrogates experiences of cloth within social, historical, psychological and cultural contexts. Divided into four sections on representation, design, otherness and performance, The Erotic Cloth showcases a variety of debates that are at the heart of contemporary textile research, drawing on the fields of art, design, film, performance, culture and politics. Playful, provocative and beautifully illustrated with over 50 color images, it will appeal to students and scholars of textiles, fashion, gender, art and anthropology.
Author | : José Blanco F. |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 1679 |
Release | : 2015-11-23 |
Genre | : History |
ISBN | : 1610693108 |
This unique four-volume encyclopedia examines the historical significance of fashion trends, revealing the social and cultural connections of clothing from the precolonial times to the present day. This sweeping overview of fashion and apparel covers several centuries of American history as seen through the lens of the clothes we wear—from the Native American moccasin to Manolo Blahnik's contribution to stiletto heels. Through four detailed volumes, this work delves into what people wore in various periods in our country's past and why—from hand-crafted family garments in the 1600s, to the rough clothing of slaves, to the sophisticated textile designs of the 21st century. More than 100 fashion experts and clothing historians pay tribute to the most notable garments, accessories, and people comprising design and fashion. The four volumes contain more than 800 alphabetical entries, with each volume representing a different era. Content includes fascinating information such as that beginning in 1619 through 1654, every man in Virginia was required to plant a number of mulberry trees to support the silk industry in England; what is known about the clothing of enslaved African Americans; and that there were regulations placed on clothing design during World War II. The set also includes color inserts that better communicate the visual impact of clothing and fashion across eras.