Later Lays And Lyrics
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Author | : William Howe Cuyler Hosmer |
Publisher | : |
Total Pages | : 184 |
Release | : 1873 |
Genre | : Poetry |
ISBN | : |
William Henry Cuyler Hosmer (1814-1877) was a fairly accomplished lawyer, author, and poet, born to the prominent pioneering Hosmer family of Avon, N.Y. He authored several books in his lifetime, ranging from histories to verse, sometimes combining the two into one. His Later Lays and Lyrics is a potpourri of poems dealing largely but not entirely with local historical themes. "The Markham Elm," for example, eulogizes a "noble," ancient tree that long stood near the Rush-Avon town border. In a footnote regarding its fate, Hosmer writes: "Some wretch, who little regards what is venerable and historic, kindled a fire in its hollow boll. May the curse of the poet, and the malediction of God, rest on him forevermore!" He could be passionate.The poems contained in Later Lays and Lyrics are divided into five sections, including "War Lyrics" (primarily Hosmer's impressions in the recent aftermath of the American Civil War), "Bitter Memories" (personal, themes of loss), and "Cypress Leaves" (death, writ both small and large). As a whole, however, Hosmer's poetry is informed by his family's history of settling Avon, his love for the land, and his reverence for the natives and their lore. He wrote these verses from the vantage point of late life, having witnessed America's 19th-century genocidal first half, through slavery and the Civil War, and into ascendant industrialization. Later Lays and Lyrics casts the history and places of this region in a uniquely lyrical, impactful form. Indeed, in the opening "Sonnet Dedicatory" Hosmer writes: "Love for the Valley of the Genesee, / Of old the red man's favorite domain / Inspired in youth a high heroic strain ..." That inspiration endured, it seems, throughout Hosmer's life and writings.
Author | : Katharine W. Jager |
Publisher | : Springer |
Total Pages | : 314 |
Release | : 2019-07-03 |
Genre | : Literary Criticism |
ISBN | : 3030183343 |
Vernacular Aesthetics in the Later Middle Ages explores the formal composition, public performance, and popular reception of vernacular poetry, music, and prose within late medieval French and English cultures. This collection of essays considers the extra-literary and extra-textual methods by which vernacular forms and genres were obtained and examines the roles that performance and orality play in the reception and dissemination of those genres, arguing that late medieval vernacular forms can be used to delineate the interests and perspectives of the subaltern. Via an interdisciplinary approach, contributors use theories of multimodality, translation, manuscript studies, sound studies, gender studies, and activist New Formalism to address how and for whom popular, vernacular medieval forms were made.
Author | : Rikky Rooksby |
Publisher | : Hal Leonard Corporation |
Total Pages | : 190 |
Release | : 2006 |
Genre | : Music |
ISBN | : 9780879308858 |
Råd og vejledning til at skrive sangtekster til rock og popmusik
Author | : Tara López |
Publisher | : University of Texas Press |
Total Pages | : 184 |
Release | : 2024-06-04 |
Genre | : Music |
ISBN | : 147732481X |
An immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia. Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock.
Author | : Ingrid Nelson |
Publisher | : University of Pennsylvania Press |
Total Pages | : 224 |
Release | : 2017-01-13 |
Genre | : Literary Criticism |
ISBN | : 0812248791 |
In Lyric Tactics, Ingrid Nelson argues that the lyric poetry of later medieval England is a distinct genre defined not by its poetic features—rhyme, meter, and stanza forms—but by its modes of writing and performance, which are ad hoc, improvisatory, and situational.
Author | : Grosvenor Library |
Publisher | : |
Total Pages | : 136 |
Release | : 1902 |
Genre | : American poetry |
ISBN | : |
Author | : Edward Allen |
Publisher | : Oxford University Press |
Total Pages | : 312 |
Release | : 2021 |
Genre | : American poetry |
ISBN | : 1789622425 |
What do we mean when call something a lyric poem? How many kinds of lyric are there? Are there fewer now than there were in 1920 or 1820 or 1620? The purpose of Forms of Late Modernist Lyric is to show that our oldest styles of poetic articulation - the elegy, the ode, the hymn - have figured all too briefly in modern genealogies of lyric, and that they have proved especially seductive, curiously enough, to avant-garde practitioners in the Anglophone tradition. The poets in question - Jorie Graham, Frank O'Hara, Michael Haslam, J. H. Prynne, Claudia Rankine, and others - have thickened the texture of lyric practice at a time when the growing tendency in critical circles has been to dissolve points of difference within the genre itself. The broader aim of this volume is to demonstrate that experimental poets since 1945 have not always been rebarbative and anti-traditional, but rather that their recourse to familiar forms and shapes of thought should prompt us to reconsider late modernism as a crucial phase in the evolving history of lyric. CONTRIBUTORS: Ruth Abbott, Edward Allen, Gareth Farmer, Fiona Green, Drew Milne, Jeremy Noel-Tod, Sophie Read, Matthew Sperling, Esther Osorio Whewell, John Wilkinson
Author | : Philip Schuyler Allen |
Publisher | : |
Total Pages | : 404 |
Release | : 1928 |
Genre | : Classical poetry |
ISBN | : |
Author | : Raoul Granqvist |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 324 |
Release | : 1995 |
Genre | : Literary Criticism |
ISBN | : 9780838636398 |
Imitation as Resistance also offers American perspectives on the individual reputations of a number of British writers and their specific works, often down to the particular lines in plays and poems. The reader whose interest is limited, for example, to the singular reputation of a Dickens novel or a Byron poem may find the book functional for its broad bibliographical qualities. For cultural studies students, Americanists, and others, the book will demonstrate the complexity of cultural appropriation and the patterns of nineteenth-century American resistance and harmonization.
Author | : Roland Greene |
Publisher | : Princeton University Press |
Total Pages | : 455 |
Release | : 2016-07-26 |
Genre | : Literary Criticism |
ISBN | : 1400880645 |
An essential handbook for literary studies The Princeton Handbook of Poetic Terms—drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics—provides an authoritative guide to the most important terms in the study of poetry and literature. Featuring 226 fully revised and updated entries, including 100 that are new to this edition, the book offers clear and insightful definitions and discussions of critical concepts, genres, forms, movements, and poetic elements, followed by invaluable, up-to-date bibliographies that guide users to further reading and research. Because the entries are carefully selected and adapted from the Princeton Encyclopedia, the Handbook has unrivalled breadth and depth for a book of its kind, in a convenient, portable size. Fully indexed for the first time and complete with an introduction by the editors, this is an essential volume for all literature students, teachers, and researchers, as well as other readers and writers. Drawn from the latest edition of the acclaimed Princeton Encyclopedia of Poetry and Poetics Provides 226 fully updated and authoritative entries, including 100 new to this edition, written by an international team of leading scholars Features entries on critical concepts (canon, mimesis, prosody, syntax); genres, forms, and movements (ballad, blank verse, confessional poetry, ode); and terms (apostrophe, hypotaxis and parataxis, meter, tone) Includes an introduction, bibliographies, cross-references, and a full index