Lapprenti Sorcier
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| Author | : François Augiéras |
| Publisher | : Pushkin Press |
| Total Pages | : 81 |
| Release | : 2013-03-22 |
| Genre | : Fiction |
| ISBN | : 178227040X |
In the depths of the Salardais, "a land of ghosts, cool caves and woods", a teenage boy is sent to live with a thirty-five-year-old priest. The man becomes more than just his teacher. Soon the adolescent meets a young boy in the village square; they make love to each other like shadows in a cave. The priest knows of their involvement and guides his pupil to seek out his own soul in strange, almost supernatural rituals. It becomes clear that this tense, shadowy tale, burning with love, is a eulogy in praise of difference, an act of worship to beauty in nature. Published in English for the first time, The Sorcerer's Apprentice is "a galant, almost magical book" that is one of modern literature's esoteric, underground texts.
| Author | : Laura Watson |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Music |
| ISBN | : 9781783273836 |
As a noted composer and critic, Paul Dukas was a major figure in fin-de-siècle and early twentieth-century French music. Best known for L'Apprenti sorcier, he was internationally recognised as an artist and intellectual ofdistinction who contributed significantly to Parisian musical cultures and critical debates. As a noted composer and critic, and later an editor and composition teacher, Paul Dukas (1865-1935) was a major figure in fin-de-siècle and early twentieth-century French music. Although his catalogue of published scores was relatively modest in quantity, he was internationally recognised as an artist and intellectual of distinction who contributed significantly to Parisian musical cultures and critical debates as they evolved from the 1890s until the 1930s Moving in the same circles as Debussy and Fauré, as well as networking with trailblazers such as the Ballets Russes director Sergei Diaghilev and the conductor Serge Koussevitzky, Dukas created works that reflect French sensibilities but also resonate with transnational audiences. L'Apprenti sorcier is still his best-known work, while the opera Ariane et Barbe-Bleue has been revived and remains relevant for the twenty-first century. Works such as the Piano Sonata and the ballet La Péri respectively exemplify the twin attractions of tradition and progress for the composer. Intensely self-critical, however, he ended up destroying many of his scores. This book is the first full-length Anglophone study of Dukas. It perceives his critical essays as a form of creative, philosophical thought that synthesised the riches of the Parisian music scene yet also represented the formationand development of his own artistic voice. Investigating Dukas's interrelated identities as composer and critic, it seeks to explain his broad aesthetic motivations and artistic agenda. LAURA WATSON is Lecturer in Musicat Maynooth University.
| Author | : Caroline Potter |
| Publisher | : Routledge |
| Total Pages | : 388 |
| Release | : 2017-07-05 |
| Genre | : Music |
| ISBN | : 1351566474 |
French Music Since Berlioz explores key developments in French classical music during the nineteenth and twentieth centuries. This volume draws on the expertise of a range of French music scholars who provide their own perspectives on particular aspects of the subject. D dre Donnellon's introduction discusses important issues and debates in French classical music of the period, highlights key figures and institutions, and provides a context for the chapters that follow. The first two of these are concerned with opera in the nineteenth and twentieth centuries respectively, addressed by Thomas Cooper for the nineteenth century and Richard Langham Smith for the twentieth. Timothy Jones's chapter follows, which assesses the French contribution to those most Germanic of genres, nineteenth-century chamber music and symphonies. The quintessentially French tradition of the nineteenth-century salon is the subject of James Ross's chapter, while the more sacred setting of Paris's most musically significant churches and the contribution of their organists is the focus of Nigel Simeone's essay. The transition from the nineteenth to the twentieth century is explored by Roy Howat through a detailed look at four leading figures of this time: Faur Chabrier, Debussy and Ravel. Robert Orledge follows with a later group of composers, Satie & Les Six, and examines the role of the media in promoting French music. The 1930s, and in particular the composers associated with Jeune France, are discussed by Deborah Mawer, while Caroline Potter investigates Parisian musical life during the Second World War. The book closes with two chapters that bring us to the present day. Peter O'Hagan surveys the enormous contribution to French music of Pierre Boulez, and Caroline Potter examines trends since 1945. Aimed at teachers and students of French music history, as well as performers and the inquisitive concert- and opera-goer, French Music Since Berlioz is an essential companion for an
| Author | : Patrick Ffrench |
| Publisher | : Routledge |
| Total Pages | : 362 |
| Release | : 2017-07-05 |
| Genre | : Foreign Language Study |
| ISBN | : 1351577352 |
Author of the obscene narrative Story of the Eye and of works of heretical philosophy such as Inner Experience, Georges Bataille (1897-1962) is one of the most powerful and secretly influential French thinkers of the last century. His work is driven by a compulsion to communicate an experience which exceeds the limits of communicative exchange, and also constitutes a sustained focus on the nature of this complusion. After Bataille takes this sense of compulsion as its motive and traces it across different figures in Batailles thought, from an obsession with the thematics and the event of sacrifice, through the exposure of being and of the subject, to the necessary relation to others in friendship and in community. In each of these instances After Bataille is distinctive in staging a series of encounters between Bataille, his contemporaries, and critics and theorists who extend or engage with his legacy. It thus offers a vital account of the place of Bataille in contemporary thought.
| Author | : Georges Bataille |
| Publisher | : SUNY Press |
| Total Pages | : 383 |
| Release | : 2015-09-23 |
| Genre | : Philosophy |
| ISBN | : 1438458592 |
A poetic, philosophical, and political account of Nietzsches importance to Bataille, and of Batailles experience in Nazi-occupied France. Georges Bataille wrote On Nietzsche in the final months of the Nazi occupation of France in order to cleanse the German philosopher of the stain of Nazism. More than merely a treatise on Nietzsche, the book is as much a work of ethics in which thought is put to the test of experience and experience pushed to its limits. At once personal and political, it was written as an act of war, its publication contingent upon the German retreat. The result is a poetic and philosophicaland occasionally harrowingrecord of life during wartime. Following Inner Experience and Guilty, On Nietzsche is the third volume of Batailles Summa Atheologica. Haunted by the recognition that existence cannot be at once autonomous and viable, herein the author yearns for community from the depths of personal isolation and transforms Nietzsches will to power into his own will to chance. This new translation includes Memorandum, a selection of 280 passages from Nietzsches works edited and introduced by Bataille. Originally published separately, Bataille planned to include the text in future editions of On Nietzsche. This edition also features the full notes and annotations from the French edition of Batailles Oeuvres Complètes, as well as an incisive introductory essay by Stuart Kendall that situates the work historically, biographically, and philosophically.
| Author | : Los Angeles Philharmonic Orchestra |
| Publisher | : |
| Total Pages | : 264 |
| Release | : 1920 |
| Genre | : Concert programs |
| ISBN | : |
| Author | : Ronald Ebrecht |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 511 |
| Release | : 2020-10-16 |
| Genre | : Music |
| ISBN | : 1498527884 |
In this book, Ronald Ebrecht has meticulously studied each of Duruflé’s works and put together the first book to discuss in detail all of Duruflé’s music. With encouragement from Duruflé’s editor and the foundation established in his name, Ebrecht has compiled copious examples from manuscript sources to be published for the first time along with the little-known contextualizing works of Messiaen and Barraine. Most widely known for his masterpiece Requiem, the composer’s orchestral gems are analyzed alongside his delightful miniature: the orchestration of the Sicilienne. The organ works which set the standard for virtuosity at conservatories around the world are given new insightful and thorough evaluation by Ebrecht, whose long association with late 19th and early 20th century France and French music affords illuminating connections between Duruflé and his predecessors and successors with sweeping insight and minute detail.
| Author | : Simonetta Falasca-Zamponi |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 311 |
| Release | : 2011-12-19 |
| Genre | : Philosophy |
| ISBN | : 0773586679 |
Rethinking the Political demonstrates that the Collège de Sociologie's quest to create a new place for the sacred in modern collective life ostensibly entailed avoiding the theorization of both aesthetics and politics. While the Collège condemned manipulation by totalitarian regimes, its understanding of community also led to a rejection of democratic and communist forms of political organization, leaving the group open to accusations of flirting with fascism. Acknowledging these political ambiguities, the author goes beyond a narrow ideological reading to reveal the Collège's important contribution to our thinking about the relationships between community formation, politics, aesthetics, and the sacred in the modern world. She expands her historical account of the members' thought, including their relationship to Surrealism, beyond the group's dissolution, and shows how the work of Claude Lefort extends, but also resolves, many of the Collège's key theoretical insights. A fascinating study of some of the twentieth-century's most daring thinkers, Rethinking the Political offers crucial insights into the contradictions at play in modern notions of community that still resonate today.
| Author | : Andrew Thomson |
| Publisher | : Oxford University Press |
| Total Pages | : 266 |
| Release | : 1996 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780198162209 |
Over sixty years after his death in 1931, Vincent d'Indy is still a misunderstood and maligned figure in French music. Previous biographers have left a portrait of the academic figure par excellence, who turned the seemingly inspired and selfless inspiration of his master Cesar Franck into a cold and authoritarian pedagogical system. This new study re-examines the evidence. D'Indy is revealed as a much more psychologically complex and turbulent character. A tireless propagandist for the spiritual revival of French musical civilization, he was confronted by the social and intellectual problems of the Third Republic, notably the uneasy position of religious and aesthetic values in modern liberal societies. Andrew Thomson's biography stresses the breadth of d'Indy's interests and preoccupations, and will be of interest to students and devotees of French music of the late nineteenth and early twentieth centuries. He lays particular emphasis on the importance of general philosophical ideas and literary works in the development of d'Indy's ideas and programmes. This is a significant contribution to the cultural history of the 'Proustian epoque'.
| Author | : Julian Johnson |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 401 |
| Release | : 2015 |
| Genre | : Literary Criticism |
| ISBN | : 0190233273 |
Out of Time explores a bold idea: that western art music of the last four hundred years is better understood through the idea of musical modernity than by the usual periodizations of music history. Reading against the grain of linear history, it reconsiders the common concerns of music in terms of time and history, space and technology, language and sound. The result is a rehearing of modernity and a rethinking of modern music.
