Language Of The Robe American Indian Trade Blankets
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Author | : Robert W. Kapoun |
Publisher | : Gibbs Smith |
Total Pages | : 202 |
Release | : 2005-12-31 |
Genre | : Indian blankets |
ISBN | : 1423600169 |
From the history of the trade blanket to contemporary collectible blankets to designs of the major trade blanket manufacturers such as Pendleton Woolen Mills, Racine Woolen Mills, and Buell Manufacturing Company, Language of the Robe presents the bright colors and intricately woven patterns hallmark to American Indian trade blankets.
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Release | : 1992 |
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Author | : Barry Friedman |
Publisher | : Bulfinch Press |
Total Pages | : 303 |
Release | : 2002 |
Genre | : Art |
ISBN | : 9780821227589 |
More than 350 full-color and black-and-white photographs highlight this comprehensive guide to the art of Indian trade blankets, tracing the history of this beautiful Native American craft, offering helpful tips on caring for vintage blankets, and providing a helpful catalog of the various makers of trade blankets. 20,000 first printing.
Author | : Dale Chihuly |
Publisher | : Chihuly Workshop |
Total Pages | : 78 |
Release | : 2000 |
Genre | : Art |
ISBN | : |
"Trade blankets, often called "Pendletons" after their best-known manufacturer, were woven in hundreds of combinations of colors and designs by woolen mills. Chihuly, who had studied weaving and textiles, became intrigued by the blankets' vibrant beauty and began collecting them. Included in this collection are blankets not only from Pendleton Woolen Mills, but also from other manufacturers, such as J. Capps and Sons, Buell Manufacturing Company, Racine Woolen Mills, and Oregon City Woolen Mills. Also included in this volume are selections of Chihuly's series of Blanket Cylinders. This series features an innovative technique: threads of colored glass are fused into a drawing of a blanket design, then picked up on the surface of hot cylinders, resulting in an image that vividly evokes a blanket's unique texture, pattern, and colors. Chihuly's Pendletons has 172 full-color reproductions, including blankets from the artist's private collection, historical photographs, and the distinguished Blanket Cylinders series. The volume also features an essay by Chihuly on his attraction to the blankets and his creative process in developing the series"-- Jacket.
Author | : Thomas Constantine Maroukis |
Publisher | : University of Arizona Press |
Total Pages | : 297 |
Release | : 2021-06 |
Genre | : History |
ISBN | : 0816542260 |
The early twentieth-century roots of modern American Indian protest and activism are examined in We Are Not a Vanishing People. It tells the history of Native intellectuals and activists joining together to establish the Society of American Indians, a group of Indigenous men and women united in the struggle for Indian self-determination.
Author | : Leslie Heyman Tepper |
Publisher | : U of Nebraska Press |
Total Pages | : 178 |
Release | : 2017 |
Genre | : Art |
ISBN | : 1496201477 |
Salish Blankets presents a new perspective on Salish weaving through technical and anthropological lenses. Worn as ceremonial robes, the blankets are complex objects said to preexist in the supernatural realm and made manifest in the natural world through ancestral guidance. The blankets are protective garments that at times of great life changes--birth, marriage, death--offer emotional strength and mental focus. A blanket can help establish the owner's standing in the community and demonstrate a weaver's technical expertise and artistic vision. The object, the maker, the wearer, and the community are bound and transformed through the creation and use of the blanket. Drawing on first-person accounts of Salish community members, object analysis, and earlier ethnographic sources, the authors offer a wide-ranging material culture study of Coast Salish lifeways. Salish Blankets explores the design, color/pigmentation, meaning, materials, and process of weaving and examines its historical and cultural contexts.
Author | : Harold Tichenor |
Publisher | : Quantum book produced for Hudson's Bay Company |
Total Pages | : 80 |
Release | : 2002 |
Genre | : Blankets |
ISBN | : 9781895892208 |
Author | : Gerry R. Cox |
Publisher | : Rowman & Littlefield |
Total Pages | : 395 |
Release | : 2022-07-07 |
Genre | : Social Science |
ISBN | : 1666908517 |
Sociology of Death and the American Indian examines dying, death, disposal, and bereavement practices and applies those concepts to selectAmerican Indian tribes historically and currently, supplemented with oral histories. The focus is that learning about other cultures can enhance the understanding of one’s own culture by comparing traditional and modern societies. Gerry R. Cox addresses the centuries of injustices committed against American Indians that led to a neglect of learning about American Indian cultures and attempts to fill the gaps in knowledge of American Indian practices.
Author | : ShiPu Wang |
Publisher | : Penn State Press |
Total Pages | : 422 |
Release | : 2017-07-14 |
Genre | : Art |
ISBN | : 0271080701 |
In The Other American Moderns, ShiPu Wang analyzes the works of four early twentieth-century American artists who engaged with the concept of “Americanness”: Frank Matsura, Eitarō Ishigaki, Hideo Noda, and Miki Hayakawa. In so doing, he recasts notions of minority artists’ contributions to modernism and American culture. Wang presents comparative studies of these four artists’ figurative works that feature Native Americans, African Americans, and other racial and ethnic minorities, including Matsura and Susan Timento Pose at Studio (ca. 1912), The Bonus March (1932), Scottsboro Boys (1933), and Portrait of a Negro (ca. 1926). Rather than creating art that reflected “Asian aesthetics,” Matsura, Ishigaki, Noda, and Hayakawa deployed “imagery of the Other by the Other” as their means of exploring, understanding, and contesting conditions of diaspora and notions of what it meant to be American in an age of anti-immigrant sentiment and legislation. Based on a decade-long excavation of previously unexamined collections in the United States and Japan, The Other American Moderns is more than a rediscovery of “forgotten” minority artists: it reconceives American modernism by illuminating these artists’ active role in the shaping of a multicultural and cosmopolitan culture. This nuanced analysis of their deliberate engagement with the ideological complexities of American identity contributes a new vision to our understanding of non-European identity in modernism and American art.
Author | : William R. Swagerty |
Publisher | : University of Oklahoma Press |
Total Pages | : 830 |
Release | : 2012-10-29 |
Genre | : Biography & Autobiography |
ISBN | : 0806188219 |
Although some have attributed the success of the Lewis and Clark expedition primarily to gunpowder and gumption, historian William R. Swagerty demonstrates in this two-volume set that adopting Indian ways of procuring, processing, and transporting food and gear was crucial to the survival of the Corps of Discovery. The Indianization of Lewis and Clark retraces the well-known trail of America’s most famous explorers as a journey into the heart of Native America—a case study of successful material adaptation and cultural borrowing. Beginning with a broad examination of regional demographics and folkways, Swagerty describes the cultural baggage and material preferences the expedition carried west in 1804. Detailing this baseline reveals which Indian influences were already part of Jeffersonian American culture, and which were progressive adaptations the Corpsmen made of Indian ways in the course of their journey. Swagerty’s exhaustive research offers detailed information on both Indian and Euro-American science, medicine, cartography, and cuisine, and on a wide range of technologies and material culture. Readers learn what the Corpsmen wore, what they ate, how they traveled, and where they slept (and with whom) before, during, and after the return. Indianization is as old as contact experiences between Native Americans and Europeans. Lewis and Clark took the process to a new level, accepting the hospitality of dozens of Native groups as they sought a navigable water route to the Pacific. This richly illustrated, interdisciplinary study provides a unique and complex portrait of the material and cultural legacy of Indian America, offering readers perspective on lessons learned but largely forgotten in the aftermath of the epic journey.