Language As Prayer In Finnegans Wake
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| Author | : Colleen Jaurretche |
| Publisher | : University Press of Florida |
| Total Pages | : 199 |
| Release | : 2020-03-31 |
| Genre | : Literary Criticism |
| ISBN | : 0813057477 |
This innovative analysis shows how James Joyce uses the language of prayer to grapple with profoundly human ideas in Finnegans Wake—the dreamlike masterpiece that critics have called his “book of the night.” Colleen Jaurretche moves beyond what scholars know about how Joyce composed this work to suggest why he wrote and arranged it as he did. Jaurretche provides a sequential reading of the four chapters and corresponding themes of the Wake from the perspective of prayer. She examines image, manifested by the letters of the alphabet and the Book of Kells; magic, which Joyce equates with the workings of language; dreams, which he relates to poetry; and speech, glorified in the Wake for its potential to express emotions and ecstasy. Jaurretche bases her study on important thinkers from antiquity to the present, including Origen of Alexandria, Giambattista Vico, and Giordano Bruno. She demonstrates how these philosophers influenced Joyce’s view that prayer can imbue language with power. This book is an illuminating and much-needed interpretation of a work that abounds with echoes and cadences of sacred language. Jaurretche’s insights will guide readers’ understanding of the style and structure of Finnegans Wake. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
| Author | : Colleen Jaurretche |
| Publisher | : |
| Total Pages | : 176 |
| Release | : 2020 |
| Genre | : Prayer in literature |
| ISBN | : 9780813066370 |
"This innovative analysis shows how James Joyce uses the language of prayer to grapple with intangible things in his dreamlike masterpiece Finnegans Wake. Colleen Jaurretche moves beyond what scholars know about how Joyce wrote this work to suggest exactly why it follows the order it does in its finished form"--
| Author | : James Joyce |
| Publisher | : Delphi Classics |
| Total Pages | : 715 |
| Release | : 2017-07-17 |
| Genre | : Fiction |
| ISBN | : 178656470X |
This eBook features the unabridged text of ‘Finnegans Wake’ from the bestselling edition of ‘The Complete Works of James Joyce’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Joyce includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Finnegans Wake’ * Beautifully illustrated with images related to Joyce’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 208 |
| Release | : 2021-10-18 |
| Genre | : Social Science |
| ISBN | : 9004488243 |
| Author | : James Stephen Atherton |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1951 |
| Genre | : |
| ISBN | : |
| Author | : Jeremy Colangelo |
| Publisher | : University Press of Florida |
| Total Pages | : 180 |
| Release | : 2022-02-14 |
| Genre | : Literary Criticism |
| ISBN | : 0813072123 |
In this book, the first to explore the role of disability in the writings of James Joyce, contributors approach the subject both on a figurative level, as a symbol or metaphor in Joyce’s work, and also as a physical reality for many of Joyce’s characters. Contributors examine the varying ways in which Joyce’s texts represent disability and the environmental conditions of his time that stigmatized, isolated, and othered individuals with disabilities. The collection demonstrates the centrality of the body and embodiment in Joyce’s writings, from Dubliners and A Portrait of the Artist as a Young Man to Ulysses and Finnegans Wake. Essays address Joyce’s engagement with paralysis, masculinity, childhood violence, trauma, disorderly eating, blindness, nineteenth-century theories of degeneration, and the concept of “madness.” Together, the essays offer examples of Joyce’s interest in the complexities of human existence and in challenging assumptions about bodily and mental norms. Complete with an introduction that summarizes key disability studies concepts and the current state of research on the subject in Joyce studies, this volume is a valuable resource for disability scholars interested in modernist literature and an ideal starting point for any Joycean new to the study of disability. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles Contributors: Rafael Hernandez | Boriana Alexandrova | Casey Lawrence | Giovanna Vincenti | Jeremy Colangelo | Jennifer Marchisotto | Marion Quirici | John Morey | Kathleen Morrissey | Maren T. Linett
| Author | : Daniel Ferrer |
| Publisher | : University Press of Florida |
| Total Pages | : 234 |
| Release | : 2023-05-30 |
| Genre | : Literary Criticism |
| ISBN | : 0813070473 |
An introduction to the fascinating world of Joyce’s manuscripts This book shows how the creative process of modernist writer James Joyce can be reconstructed from his manuscripts. Daniel Ferrer offers a practical demonstration of the theory of genetic criticism, the study of the manuscript and textual development of a literary text. Using a concrete approach focused on the materiality of Joyce’s writing process, Ferrer demonstrates how to recover the process of invention and its internal dynamics. Using specific, detailed examples, Ferrer analyzes the part played by chance in Joyce’s creative process, the spatial dimension of writing, the genesis of the “Sirens” episode, and the transition from Ulysses to Finnegans Wake. The book includes a study of Joyce’s mysterious Finnegans Wake notebooks, examining their strange form of intertextuality in light of Joyce’s earlier forms of note-taking. Moving beyond the single author perspective, Ferrer contrasts Joyce’s notes alluding to Virginia Woolf’s criticism of Ulysses with Woolf’s own notes on the novel’s first episodes. Throughout this book, Ferrer describes the logic of the creative process as seen in the record left by Joyce in notebooks, drafts, typescripts, proofs, correspondence, early printed versions, and other available documents. Each change detected reveals a movement from one state to another, a new direction, challenging readers to understand the reasons for each movement and to appreciate the wealth of information to be found in Joyce’s manuscripts. A volume in the Florida James Joyce Series, edited by Sam Slote
| Author | : James Ramey |
| Publisher | : University Press of Florida |
| Total Pages | : 316 |
| Release | : 2022-10-11 |
| Genre | : Literary Criticism |
| ISBN | : 0813070201 |
This book addresses James Joyce’s borderlessness and the ways his work crosses or unsettles boundaries of all kinds. The essays in this volume position borderlessness as a major key to understanding Joycean poiesis, opening new doors and new engagements with his work. Contributors begin by exploring the circulation of Joyce’s writing in Latin America via a transcontinental network of writers and translators, including José Lezama Lima, José Salas Subirat, Leopoldo Marechal, Edmundo Desnoës, Guillermo Cabrera Infante, and Augusto Monterroso. Essays then consider Joyce through the lens of the sciences, presenting theoretical interventions on posthumanist parasitology in Ulysses; on Giordano Bruno’s coincidence of opposites in Finnegans Wake; and on algorithmic agency in the Wake. Cutting-edge cognitive narratology is applied to the “Penelope” episode. Next, the volume features innovative essays on Joyce in relation to early animated film and comics, engaging with animated film in the “Circe” episode, Joyce’s points of contact with George Herriman’s cartoon strip Krazy Kat, and structural affinities between open-world gaming and Finnegans Wake. The final essays focus on abiding human concerns, offering new research on Joyce’s creative use of “spicy books”; a Lacanian consideration of “The Dead” alongside Katherine Mansfield’s “The Stranger” and Haruki Murakami’s “Kino”; and a meditation on Joyce’s uncertainties about the boundary between life and death. For Joyce, borders are problems—but ones that provided precious fodder for his art. And as this volume demonstrates, they encourage brilliant reflections on his work, from new scholars to leading luminaries in the field. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
| Author | : William Irwin Thompson |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 301 |
| Release | : 1996-04-15 |
| Genre | : Social Science |
| ISBN | : 0312160623 |
In the opening passages of his classic book, The Time Falling Bodies Take to Light, William Irwin Thompson asks the question, "But what is myth that it returns to mind even when we would most escape it?" Acknowledging the pervasive power of myth to create and inform culture, Thompson answers this question by weaving descriptions of the human abilities to create life and to communicate through symbolic myths based on male and female forms of power. Taking us from the earliest periods of prehistory through the time of female goddess worship to the rise of the male-dominated warrior state, Thompson shows the passage of humankind's relationship to nature from initial awe to persistent conquest. At the end of his journey, Thompson finds an answer to his original question: myth is the history of the soul; its creation is ongoing and its power is never-ending. This is a beautiful and fascinating book now being reissued for a new generation of readers, as well as for those it inspired originally.
| Author | : Tekla Mecsnóber |
| Publisher | : |
| Total Pages | : 304 |
| Release | : 2021-08-03 |
| Genre | : |
| ISBN | : 9780813066981 |
Rewriting Joyce's Europe sheds light on how the text and physical design of James Joyce's two most challenging works, Ulysses and Finnegans Wake, reflect changes that transformed Europe between World War I and II. Looking beyond the commonly studied Irish historical context of these works, Tekla Mecsnóber calls for more attention to their place among broader cultural and political processes of the interwar era. Published in 1922 and 1939, Ulysses and Finnegans Wake display Joyce's keen interest in naming, language choice, and visual aspects of writing. Mecsnóber shows the connections between these literary explorations and the real-world remapping of national borders that was often accompanied by the imposition of new place names, languages, and alphabets. In addition to drawing on extensive research in newspaper archives as well as genetic criticism, Mecsnóber provides the first comprehensive analysis of meanings suggested by the typographic design of early editions of Joyce's texts. Mecsnóber argues that Joyce's fascination with the visual nature of writing not only shows up as a motif in his books but also can be seen in the writer's active role within European and North American print culture as he influenced the design of his published works. This illuminating study highlights the enduring--and often surprising--political stakes in choices regarding the use and visual representation of languages. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles
