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| Author | : Monika Bednarek |
| Publisher | : Cambridge University Press |
| Total Pages | : 321 |
| Release | : 2018-10-04 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1108472222 |
Explores contemporary US television dialogue - the on-screen language that viewers worldwide encounter as they watch popular television series.
| Author | : Monika Bednarek |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 279 |
| Release | : 2023-03-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027254664 |
This book explores how language is used to create characters in fictional television series. To do so, it draws on multiple case studies from the United States and Australia. Brought together in this book for the first time, these case studies constitute more than the sum of their parts. They highlight different aspects of televisual characterisation and showcase the use of different data, methods, and approaches in its analysis. Uniquely, the book takes a mixed-method approach and will thus not only appeal to corpus linguists but also researchers in sociolinguistics, stylistics, and pragmatics. All corpus linguistic techniques are clearly introduced and explained, and the book is thus accessible to both experienced researchers as well as novice researchers and students. It will be essential reading in linguistics, literature, stylistics, and media/television studies.
| Author | : Roberta Piazza |
| Publisher | : John Benjamins Publishing |
| Total Pages | : 329 |
| Release | : 2011-07-20 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027285152 |
This cutting-edge collection of articles provides the first organised reflection on the language of films and television series across British, American and Italian cultures. The volume suggests new directions for research and applications, and offers a variety of methodologies and perspectives on the complexities of "telecinematic" discourse – a hitherto virtually unexplored area of investigation in linguistics. The papers share a common vision of the big and small screen: the belief that the discourses of film and television offer a re-presentation of our world. As such, telecinematic texts reorganise and recreate language (together with time and space) in their own way and with respect to specific socio-cultural conventions and media logic. The volume provides a multifaceted, yet coherent insight into the diegetic – as it revolves around narrative – as opposed to mimetic – as referring to other non-narrative and non-fictional genres – discourses of fictional media. The collection will be of interest to researchers, tutors and students in pragmatics, stylistics, discourse analysis, corpus linguistics, communication studies and related fields.
| Author | : Blanca Arias-Badia |
| Publisher | : Peter Lang Limited, International Academic Publishers |
| Total Pages | : 248 |
| Release | : 2020-03-10 |
| Genre | : Corpora (Linguistics) |
| ISBN | : 9781787077966 |
Television series are regarded as significant works of popular culture in today's society, which explains the increasing demand to translate them into other languages to reach larger audiences. This book focuses on one of the two most common modes of audiovisual translation for this type of product: subtitling. The naturalness that is expected in television dialogue together with the spoken-to-written medium conversion entailed in subtitling pose a challenge for professionals, who have been typically blamed for neutralising the source dialogue. Little to no empirical evidence, however, has been provided to effectively address this issue to date. This book offers a contrastive study of the American English television dialogue and the Castilian Spanish subtitles of three popular police procedurals: Castle (2009), Dexter (2006) and The Mentalist (2008). After introducing some basic notions to frame the study - such as translation norms, audiovisual text and fictive orality - more than twenty lexical and morphosyntactic features in the series are analysed from a qualitative and quantitative point of view. Throughout the chapters, a combination of corpus-based and corpus-driven methodologies are used to offer a sound, empirically grounded characterisation of the language employed in these audiovisual productions and their translations.
| Author | : Monika Bednarek |
| Publisher | : Routledge |
| Total Pages | : 88 |
| Release | : 2019-01-22 |
| Genre | : Art |
| ISBN | : 0429639341 |
As entertaining as it is enlightening, Creating Dialogue for TV: Screenwriters Talk Television presents interviews with five Hollywood professionals who talk about all things related to dialogue – from naturalistic style to the building of characters to swearing and dialect. Screenwriters/showrunners David Mandel (Curb Your Enthusiasm, Veep), Jane Espenson (Buffy, Battlestar Galactica, Once Upon a Time), Robert Berens (Supernatural), Sheila Lawrence (Gilmore Girls, Ugly Betty, The Marvelous Mrs Maisel), and Doris Egan (Tru Calling, House, Reign) field a linguist’s inquiries about the craft of writing dialogue. This book is for anyone who has ever wondered what creative processes and attitudes lie behind the words they encounter when tuning into their favourite television show. It provides direct insights into Hollywood writers’ knowledge and opinions of how language is used in television narratives, and in doing so shows how language awareness, attitudes and the craft of using words are utilised to create popular TV series. The book will appeal to students and teachers in screenwriting, creative writing and linguistics as well as lay readers.
| Author | : Jonathan Culpeper |
| Publisher | : Routledge |
| Total Pages | : 345 |
| Release | : 2014-07-23 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1317879597 |
Textual Explorations General Editors- Mick Short, Lancaster University Elena Semino, Lancaster University The focus of this series is on the stylistic analysis of literary and non-literary texts, and the theoretical issues which such work raises. Textual Explorations will include books that cover studies of literary authors, genres and other groupings, stylistic studies of non-literary texts, translation study, the teaching of language and literature, the empirical study of literature, and corpus approaches to stylistics and literature study. Books in the series will centre on texts written in English. Readership of the series is mainly undergraduate and postgraduate students, although advanced sixth formers will also find the books accessible. The series will be of particular interest to those who study English language, English literature, text linguistics, discourse analysis and communication studies. Language & Characterisation- People in Plays & Other Texts explores how the words of a text create a particular impression of a character in the reader's mind. Drawing together theories from linguistics, social cognition and literary stylistics, it is the first book-length study to focus on: the role of language and characterisation characterisation in the dialogue of play texts Containing numerous examples from Shakespeare's plays, the book also considers a wide range of other genres, including, prose fiction, verse, films, advertisements, jokes and newspapers. Language and Characterisation is as practical as it is theoretical and equips readers with analytical frameworks to reveal and explain both the cognitive and the linguistic sides of characterisation. Clear and detailed introductions are given to the theories, and useful suggestions for further analysis are also made at the end of each part of the book. The book will be essential reading for students and researchers of language, literature and communication.
| Author | : Wikipedia contributors |
| Publisher | : e-artnow sro |
| Total Pages | : 1162 |
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| Author | : J. Lachlan Mackenzie |
| Publisher | : John Benjamins Publishing Company |
| Total Pages | : 411 |
| Release | : 2019-03-15 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9027262772 |
Interest in human emotion no longer equates to unscientific speculation. 21st-century humanities scholars are paying serious attention to our capacity to express emotions and giving rigorous explanations of affect in language. We are unquestionably witnessing an ‘emotional turn’ not only in linguistics, but also in other fields of scientific research. Emotion in Discourse follows from and reflects on this scholarly awakening to the world of emotion, and in particular, to its intricate relationship with human language. The book presents both the state of the art and the latest research in an effort to unravel the various workings of the expression of emotion in discourse. It takes an interdisciplinary approach, for emotion is a multifarious phenomenon whose functions in language are enlightened by such other disciplines as psychology, neurology, or communication studies. The volume shows not only how emotion manifests at different linguistic levels, but also how it relates to aspects like linguistic appraisal, emotional intelligence or humor, as well as covering its occurrence in various genres, including scientific discourse. As such, the book contributes to an emerging interdisciplinary field which could be labeled “emotionology”, transcending previous linguistic work and providing an updated characterization of how emotion functions in human discourse.
| Author | : Kristy Beers Fägersten |
| Publisher | : Syracuse University Press |
| Total Pages | : 407 |
| Release | : 2016-09-09 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0815653956 |
In Watching TV with a Linguist, Fägersten challenges the conventional view of television as lowbrow entertainment devoid of intellectual activity. Rather, she champions the use of fictional television to learn about linguistics and at the same time promotes enriched television viewing experiences by explaining the role of language in creating humor, conveying drama, and developing identifiable characters. The essays gathered in this volume explore specific areas of linguistics, providing a comprehensive yet accessible introduction to the study of language. Through programs such as Seinfeld, The Simpsons, Sherlock, and The Wire, contributors deftly illustrate key linguistic concepts and terminology using snippets of familiar dialogue and examples of subtle narration. In addition, contributors aim to raise linguistic awareness among readers by identifying linguistics in action, encouraging readers to recognize additional examples of concepts on their own. To this end, each chapter provides suggestions for viewing other television series or specific episodes, where further examples of the linguistic concepts in focus can be found. Invaluable as a resource in linguistics and communication courses, Watching TV with a Linguist is the first book to use the familiar and compelling medium of television to engage students with the science of language.
| Author | : Christian Hoffmann |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 750 |
| Release | : 2017-09-11 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 3110431114 |
This handbook provides a comprehensive overview of the pragmatics of social media, i.e. of digitally mediated and Internet-based platforms which are interactively used to share and edit self- and other-generated textual and audio-visual messages. Its five parts offer state-of-the-art reviews and critical evaluations in the light of on-going developments: Part I The Nature of Social Media sets up the conceptual groundwork as it explores key concept such as social media, participation, privacy/publicness. Part II Social Media Platforms focuses on the pragmatics of single platforms such as YouTube, Facebook. Part III Social Media and Discourse covers the micro-and macro-level organization of social media discourse, while Part IV Social Media and Identity reveals the multifarious ways in which users collectively (re-)construct aspects of their identities. Part V Social Media and Functions/Speech Acts surveys pragmatic studies on speech act functions such as disagreeing, complimenting, requesting. Each contribution provides a state-of-the-art review together with a critical evaluation of the existing research.
