Land Legacy And Lynching
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| Author | : Monica Davis |
| Publisher | : Lulu.com |
| Total Pages | : 249 |
| Release | : 2007-04 |
| Genre | : Business & Economics |
| ISBN | : 1430319852 |
A century ago, the segregated South had a deep secret--black farmers owned the majority of farmland in the region. Then came the 1910 Census results along with an organized effort to drive black farmers off the land. Through lynching and intimidation, and predatory use of federal farm loan programs, hundreds of thousands of black farmers, 90% of African-American farmers, were driven from the land through a 60 year orgy of lynching, murder, intimidation and theft. Many found refuge in factory towns and became middle class through factory work, especially in the auto industry. Others gathered in segregated ghettos in the nation's urban hell holes and continue to fuel the nation's prisons. Many claim the goal of federal farm policy is to drive family farmers out of business in favor of corporate agri-businesses.
| Author | : Sherrilyn Ifill |
| Publisher | : Beacon Press |
| Total Pages | : 257 |
| Release | : 2007-02-15 |
| Genre | : Social Science |
| ISBN | : 0807009903 |
Nearly 5,000 black Americans were lynched between 1890 and 1960. Over forty years later, Sherrilyn Ifill's On the Courthouse Lawn examines the numerous ways that this racial trauma still resounds across the United States. While the lynchings and their immediate aftermath were devastating, the little-known contemporary consequences, such as the marginalization of political and economic development for black Americans, are equally pernicious. On the Courthouse Lawn investigates how the lynchings implicated average white citizens, some of whom actively participated in the violence while many others witnessed the lynchings but did nothing to stop them. Ifill observes that this history of complicity has become embedded in the social and cultural fabric of local communities, who either supported, condoned, or ignored the violence. She traces the lingering effects of two lynchings in Maryland to illustrate how ubiquitous this history is and issues a clarion call for American communities with histories of racial violence to be proactive in facing this legacy today. Inspired by South Africa's Truth and Reconciliation Commission, as well as by techniques of restorative justice, Ifill provides concrete ideas to help communities heal, including placing gravestones on the unmarked burial sites of lynching victims, issuing public apologies, establishing mandatory school programs on the local history of lynching, financially compensating those whose family homes or businesses were destroyed in the aftermath of lynching, and creating commemorative public spaces. Because the contemporary effects of racial violence are experienced most intensely in local communities, Ifill argues that reconciliation and reparation efforts must also be locally based in order to bring both black and white Americans together in an efficacious dialogue. A landmark book, On the Courthouse Lawn is a much-needed and urgent road map for communities finally confronting lynching's long shadow by embracing pragmatic reconciliation and reparation efforts.
| Author | : Koritha Mitchell |
| Publisher | : University of Illinois Press |
| Total Pages | : 274 |
| Release | : 2011-10-01 |
| Genre | : Literary Criticism |
| ISBN | : 0252093526 |
Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens. The Left of Black interview with author Koritha Mitchell begins at 14:00. An interview with Koritha Mitchell at The Ohio Channel.
| Author | : Ida B. Wells-Barnett |
| Publisher | : Echo Library |
| Total Pages | : 80 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 1846375924 |
Tabulated Statistics and Alleged Causes of Lynching in the United States
| Author | : James H. Cone |
| Publisher | : Orbis Books |
| Total Pages | : 225 |
| Release | : 2011 |
| Genre | : Religion |
| ISBN | : 160833001X |
A landmark in the conversation about race and religion in America. "They put him to death by hanging him on a tree." Acts 10:39 The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and "black death," the cross symbolizes divine power and "black life" God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era. In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.
| Author | : Jeffrey Lawrence |
| Publisher | : Oxford University Press |
| Total Pages | : 309 |
| Release | : 2018 |
| Genre | : Literary Criticism |
| ISBN | : 0190690208 |
Anxieties of Experience offers a new interpretation of US and Latin American literature. Rereading a range of canonical works from Walt Whitman's Leaves of Grass to Roberto Bolaño's 2666, it traces the development and interaction of two distinct literary strains in the Americas: the "US literature of experience" and the "Latin American literature of the reader."
| Author | : Monica Muñoz Martinez |
| Publisher | : Harvard University Press |
| Total Pages | : 241 |
| Release | : 2018-09-24 |
| Genre | : History |
| ISBN | : 0674989384 |
Winner of the Caughey Western History Prize Winner of the Robert G. Athearn Award Winner of the Lawrence W. Levine Award Winner of the TCU Texas Book Award Winner of the NACCS Tejas Foco Nonfiction Book Award Winner of the María Elena Martínez Prize Frederick Jackson Turner Award Finalist “A page-turner...Haunting...Bravely and convincingly urges us to think differently about Texas’s past.” —Texas Monthly Between 1910 and 1920, self-appointed protectors of the Texas–Mexico border—including members of the famed Texas Rangers—murdered hundreds of ethnic Mexicans living in Texas, many of whom were American citizens. Operating in remote rural areas, officers and vigilantes knew they could hang, shoot, burn, and beat victims to death without scrutiny. A culture of impunity prevailed. The abuses were so pervasive that in 1919 the Texas legislature investigated the charges and uncovered a clear pattern of state crime. Records of the proceedings were soon filed away as the Ranger myth flourished. A groundbreaking work of historical reconstruction, The Injustice Never Leaves You has upended Texas’s sense of its own history. A timely reminder of the dark side of American justice, it is a riveting story of race, power, and prejudice on the border. “It’s an apt moment for this book’s hard lessons...to go mainstream.” —Texas Observer “A reminder that government brutality on the border is nothing new.” —Los Angeles Review of Books
| Author | : Ralph Ginzburg |
| Publisher | : Black Classic Press |
| Total Pages | : 276 |
| Release | : 1996-11 |
| Genre | : Social Science |
| ISBN | : 9780933121188 |
The hidden past of racial violence is illuminated in this skillfully selected compendium of articles from a wide range of papers large and small, radical and conservative, black and white. Through these pieces, readers witness a history of racial atrocities and are provided with a sobering view of American history.
| Author | : James S. Hirsch |
| Publisher | : Houghton Mifflin Harcourt |
| Total Pages | : 390 |
| Release | : 2002 |
| Genre | : History |
| ISBN | : 9780618340767 |
"A buried part of history comes to light in this informative account of the Black Wall Street Massacre in Tulsa, Oklahoma in 1921"--
| Author | : Karen Branan |
| Publisher | : Simon and Schuster |
| Total Pages | : 304 |
| Release | : 2016-01-05 |
| Genre | : Biography & Autobiography |
| ISBN | : 1476717206 |
In the tradition of Slaves in the Family, the provocative true account of the hanging of four black people by a white lynch mob in 1912—written by the great-granddaughter of the sheriff charged with protecting them. Harris County, Georgia, 1912. A white man, the beloved nephew of the county sheriff, is shot dead on the porch of a black woman. Days later, the sheriff sanctions the lynching of a black woman and three black men, all of them innocent. For Karen Branan, the great-granddaughter of that sheriff, this isn’t just history, this is family history. Branan spent nearly twenty years combing through diaries and letters, hunting for clues in libraries and archives throughout the United States, and interviewing community elders to piece together the events and motives that led a group of people to murder four of their fellow citizens in such a brutal public display. Her research revealed surprising new insights into the day-to-day reality of race relations in the Jim Crow–era South, but what she ultimately discovered was far more personal. As she dug into the past, Branan was forced to confront her own deep-rooted beliefs surrounding race and family, a process that came to a head when Branan learned a shocking truth: she is related not only to the sheriff, but also to one of the four who were murdered. Both identities—perpetrator and victim—are her inheritance to bear. A gripping story of privilege and power, anger, and atonement, The Family Tree transports readers to a small Southern town steeped in racial tension and bound by powerful family ties. Branan takes us back in time to the Civil War, demonstrating how plantation politics and the Lost Cause movement set the stage for the fiery racial dynamics of the twentieth century, delving into the prevalence of mob rule, the rise of the Ku Klux Klan and the role of miscegenation in an unceasing cycle of bigotry. Through all of this, what emerges is a searing examination of the violence that occurred on that awful day in 1912—the echoes of which still resound today—and the knowledge that it is only through facing our ugliest truths that we can move forward to a place of understanding.
