Lacan Mortality Life And Language
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| Author | : Berjanet Jazani |
| Publisher | : Routledge |
| Total Pages | : 177 |
| Release | : 2021-09-30 |
| Genre | : Psychology |
| ISBN | : 1000442446 |
This work presents thoughts on the Lacanian subject: What are we as a speaking being? What makes us a human subject from a psychoanalytic perspective? Is it feelings and affect that make us a human? Or was it the Freudian invention of the unconscious that drew a line between human and a non-human? What can be learnt from the subject of the unconscious in the clinic of psychoanalysis that can help us to approach these questions? Berjanet Jazani takes examples from the psychoanalytic clinic as well as cultural references ranging from ancient Persia to London’s Theatreland in order to elaborate the question of subjectivity, reality and truth from a psychoanalytic perspective. In the era of hyperreality, the agency of branding and marketing strategies has overshadowed the reality of a human being, his true nature and agency. The hyperreality of contemporary society creates in each individual a false hope of becoming a high-fidelity copy of their idols, and such a fallacy has led many to believe that this is what determines their being in a social bond. Jazani explores the question of the reality and mortality of a subject through a Lacanian prism, from the theorising of analytical subjectivity that starts with the Freudian Oedipal myth more than a century ago to the futurist aspiration to fabricate human beings according to some ideal model. This book will be important reading for students and academics of Lacanian psychoanalysis, as well as professionals concerned with complex social problems.
| Author | : Berjanet Jazani |
| Publisher | : Taylor & Francis |
| Total Pages | : 101 |
| Release | : 2024-07-05 |
| Genre | : Psychology |
| ISBN | : 1040085822 |
The Perfume of Soul from Freud to Lacan seeks to understand the human sense of smell and its marks on our subjectivity from a psychoanalytic perspective. Accessibly written, the book considers whether our understanding of the sense of smell and odours in culture has changed over time, and where we locate olfaction in theories of psychoanalysis. Beginning with the theorisation of the sense of smell in philosophy and medicine, Berjanet Jazani explores what treatment of this sense we can find in historical and contemporary linguistic and cultural context. Jazani then takes examples from the psychoanalytic clinic as well as cultural references, from cinema to ancient literature, to elaborate the marks of the olfactory experiences on our subjectivity and sexuality. Lacanian theories, clinical anecdotes and autobiographical references are woven together to raise some critical questions about the law of odours as well as the invisible marks of breathing on subjective position, body, and symptom. The Perfume of Soul from Freud to Lacan will be of great interest to psychoanalysts, academics, and all readers who are interested in psychoanalysis, philosophy, and culture.
| Author | : Liran Razinsky |
| Publisher | : Cambridge University Press |
| Total Pages | : 317 |
| Release | : 2013 |
| Genre | : Family & Relationships |
| ISBN | : 1107009723 |
A convincing critique of the neglect of death in psychoanalytic theory, arguing that death has been a repressed subject in psychoanalysis.
| Author | : Patricia Gherovici |
| Publisher | : Cambridge University Press |
| Total Pages | : 255 |
| Release | : 2016-08-02 |
| Genre | : Literary Criticism |
| ISBN | : 1107086175 |
Cutting-edge philosophers, psychoanalysts, literary theorists, and scholars use Freud and Lacan to shed light on laughter, humor, and the comic. Bringing together clinic, theory, and scholarship this compilation of essays offers an original mix with powerful interpretive implications.
| Author | : Armando Salvatore |
| Publisher | : Oxford University Press |
| Total Pages | : 940 |
| Release | : 2022 |
| Genre | : Social Science |
| ISBN | : 0190087471 |
"Book Abstract: The sociology of the Middle East has been an expanding field of inquiry since the aftermath of WWII when phenomena as diverse as urbanization, internal and international migration, and peasant societies attracted the attention of scholars working on the region. The Middle East became central in key sociological debates on modernization theory and the critical responses. The Oxford Handbook of the Sociology of the Middle East connects this historical trajectory with the emergence of the sociology of Islam, inspired by Max Weber. It explores how within the global community, the Middle East has become a terrain of heightened concern within the post-Cold War context, where the promising rise of civic (and often religiously-inspired) sociopolitical movements in the 1980s and 1990s has been slowly overwhelmed by the affirmation of jihadist networks, authoritarian states, and complex supranational security apparatuses. This foundational volume starts by engaging in a critical examination of the field itself, starting with a historical sociology of the making of the idea itself of the Middle East and linking it with the legacy of colonialism and the evolving dynamics of global power. In repurposing the sociology of the Middle East within a growing interdisciplinary multifield, the Handbook develops the critical argument that the exploration of social dynamics in the Middle East cannot be disjoined from the analysis of culture and politics. By connecting the vexed state-society relations in the region with movements of transformation and the affirmation of rights and creativity in the public arenas, it provides a comprehensive perspective to investigate longstanding regional and new transregional and global dynamics and their impact on the life of people in the region. Keywords: sociology of the Middle East, sociology of Islam, Max Weber, historical sociology, Middle East and North Africa region, MENA"--
| Author | : Berjanet Jazani |
| Publisher | : Taylor & Francis |
| Total Pages | : 167 |
| Release | : 2024-12-10 |
| Genre | : Psychology |
| ISBN | : 1040254616 |
How Does Analysis Work? uses short, compelling vignettes from people in Lacanian analysis to explore how analytic interpretation works. Insights, revelations, connections, meanings and non-meanings all feature in these anonymous accounts of crucial moments in analysis, providing a sense of what it is all about. Drawn from a wide range of analysands, some seasoned analysts and others just starting out, these vignettes show how change takes place. The short pieces are drawn from Lacanian analysis, but many go against cliched views of what Lacanians do in their work, spanning both the classical and the radically innovative and showing the use of humour and theatre in psychoanalytic practice. How Does Analysis Work? will be of great interest to psychoanalysts and Lacanian analysts in practice and in training, as well as anyone who is curious about the analytic process.
| Author | : David Sherman |
| Publisher | : |
| Total Pages | : 290 |
| Release | : 2014 |
| Genre | : Literary Criticism |
| ISBN | : 0199333882 |
Taking its title from Faulkner's epochal modernist novel, David Sherman's study traces the myriad ways death and its effect on the living defined modernist fiction and verse in England, Ireland, and the U.S. A focus on the disturbing but recurring image of the corpse allows Sherman to consider a range of texts marked by their sense of mortal fragility. Wilfred Owen's war poetry and Virginia Woolf's early novel Jacob's Room illustrate an incipient anxiety over new governmental techniques for efficiently managing the burial of the dead during World War I. Joyce's Ulysses and As I Lay Dying offer opportunities to consider narratives organized by the problem of an unburied corpse. Eliot's The Waste Land and Djuna Barnes's novel Nightwood, which Eliot edited, demonstrate how modernist writers often respond to death and the loss of corporality with erotic encounters at the moment mortality is most threatened. Two poems by William Carlos Williams and Wallace Stevens, in the monograph's concluding section, provide emblems for competing attitudes toward the disposal of the dead in the first half of the twentieth century. Enriched by insights from psychology, anthropology, and philosophy, In a Strange Room presents a richly textured transatlantic study of a defining aspect of modernist literature and culture.
| Author | : William Simms |
| Publisher | : Routledge |
| Total Pages | : 180 |
| Release | : 2021-09-05 |
| Genre | : Psychology |
| ISBN | : 1000435229 |
Obscenity, Psychoanalysis and Literature offers a fascinating psychoanalytic reading of four landmark obscenity trials involving the texts of D. H. Lawrence and James Joyce. By tracing the legal histories of Lawrence and Joyce, from censorship to their eventual redemption and transformation into champions of sexual freedom, the book draws a narrative of changing legal, literary and cultural investments. The book examines the four trials of these authors in detail to show how the literary text can function as a symbol of both life and death and the political uses of figuring them as such. Taking a psychoanalytic perspective, we can see how this narrative of sexual repression to sexual liberation may itself be an emergent form of the superego imperative to enjoy and consume. Through close readings of trial transcripts and archival documents, this book helps elucidate the fantasies operating throughout the trials: the unquestioned assumptions of the nature of sexuality, gender, drugs and truth. It demonstrates with clarity how, through its attempt to suppress the sexual, the law confronts its own nature as language and in doing so troubles the distinctions between law, literature and desire that it usually wishes to protect. Offering a uniquely psychoanalytic account of the obscenity trials of these authors, this text will be of great interest to scholars from across the fields of psychoanalysis, law and literature.
| Author | : Catherine Russell |
| Publisher | : U of Minnesota Press |
| Total Pages | : 284 |
| Release | : 1995 |
| Genre | : Art |
| ISBN | : 9780816624867 |
What seems like closure might be something more, as Catherine Russell shows us in this book about death in narrative cinema since the 1950s. Analyzing the structural importance of death in narrative endings, as well as the thematics of loss and redemption, Russell identifies mortality as a valuable critical tool for understanding the cinema of the second half of the twentieth century. Her work includes close textual readings of films by Fritz Lang, Wim Wenders, Oshima Nagisa, Jean-Luc Godard, and Robert Altman, among others. In these analyses, Russell reveals an uneasy relationship between death and closure, which she traces to anxieties about identity, gender, and national-cultural myths, and also to the persistence of desire. Drawing on the work of Walter Benjamin, she shows us death as a fundamentally allegorical structure in cinema - and as a potential sign of historical difference, with crucial implications for theories of film narrative and spectatorship. "Narrative Mortality" provides an insight into the dynamics of postmodern cinema as it emerged from the modernist preoccupation with existential mortality. By tracing the role of death from a work that precedes the Brechtian cinema of the 60s ("Beyond a reasonable doubt") to several that succeed it ("Nashville", "The State of things"), the book expands the narrative project of new wave cinema and ushers it onto a broad historical plane.
| Author | : Oliver Harris |
| Publisher | : Routledge |
| Total Pages | : 223 |
| Release | : 2016-08-05 |
| Genre | : Psychology |
| ISBN | : 1317590589 |
Chapters 1, 2, and 5 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com/books/e/9781138820388 Lacan’s Return to Antiquity is the first book devoted to the role of classical antiquity in Lacan’s work. Oliver Harris poses a question familiar from studies of Freud: what are Ancient Greece and Rome doing in a twentieth-century theory of psychology? In Lacan’s case, the issue has an additional edge, for he employs antiquity to demonstrate what is radically new about psychoanalysis. It is a tool with which to convey the revolutionary power of Freud’s ideas by digging down to the philosophical questions beneath them. It is through these questions that Lacan allies psychoanalysis with the pioneering intellectual developments of his time in anthropology, philosophy, art and literature. Harris begins by considering the role of Plato and Socrates in Lacan’s conflicted thoughts on teaching, writing and the process of becoming an intellectual icon. In doing so, he provides a way into considering the uniquely challenging nature of the Lacanian texts themselves, and the live performances behind them. Two central chapters explore when and why myth is drawn upon in psychoanalysis, its threat to the discipline’s scientific aspirations, and Lacan’s embrace of its expressive potential. The final chapters explore Lacan’s defence of tragedy and his return to Ovidian themes. These include the unwitting voyeurism of Actaeon, and the fate of Narcissus, a figure of tragic metamorphosis that Freud places at the heart of infantile development. Lacan’s Return to Antiquity brings to Lacan studies the close reading and cross-disciplinary research that has proved fruitful in understanding Freud’s invention of psychoanalysis. It will appeal to psychoanalysts and advanced students studying in the field, being of particular value to those interested in the roots of Lacanian concepts, the evolution of his thought, and the cultural context of his work. What emerges is a more nuanced, self-critical figure, a corrective to the reputation for dogmatism and obscurity that Lacan has attracted. In the process, new light is thrown on enduring controversies, from Lacan’s pronouncements on feminine sexuality to the opaque drama of the seminars themselves.
