Laboratories Of Art
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| Author | : Sven Dupré |
| Publisher | : Springer Science & Business |
| Total Pages | : 220 |
| Release | : 2014-04-25 |
| Genre | : Science |
| ISBN | : 3319050656 |
This book explores the interconnections and differentiations between artisanal workshops and alchemical laboratories and between the arts and alchemy from Antiquity to the eighteenth century. In particular, it scrutinizes epistemic exchanges between producers of the arts and alchemists. In the fifteenth and sixteenth centuries the term laboratorium uniquely referred to workplaces in which ‘chemical’ operations were performed: smelting, combustion, distillation, dissolution and precipitation. Artisanal workshops equipped with furnaces and fire in which ‘chemical’ operations were performed were also known as laboratories. Transmutational alchemy (the transmutation of all base metals into more noble ones, especially gold) was only one aspect of alchemy in the early modern period. The practice of alchemy was also about the chemical production of things--medicines, porcelain, dyes and other products as well as precious metals and about the knowledge of how to produce them. This book uses examples such as the Uffizi to discuss how Renaissance courts established spaces where artisanal workshops and laboratories were brought together, thus facilitating the circulation of materials, people and knowledge between the worlds of craft (today’s decorative arts) and alchemy. Artisans became involved in alchemical pursuits beyond a shared material culture and some crafts relied on chemical expertise offered by scholars trained as alchemists. Above all, texts and books, products and symbols of scholarly culture played an increasingly important role in artisanal workshops. In these workplaces a sort of hybrid figure was at work. With one foot in artisanal and the other in scholarly culture this hybrid practitioner is impossible to categorize in the mutually exclusive categories of scholar and craftsman. By the seventeenth century the expertise of some glassmakers, silver and goldsmiths and producers of porcelain was just as based in the worlds of alchemical and bookish learning as it was grounded in hands-on work in the laboratory. This book suggests that this shift in workshop culture facilitated the epistemic exchanges between alchemists and producers of the decorative arts.
| Author | : Francesca Gabrielle Bewer |
| Publisher | : Harvard Art Museums |
| Total Pages | : 0 |
| Release | : 2010 |
| Genre | : Art |
| ISBN | : 9780300154696 |
"[Book title] is the first book to explore the crucial role the Fogg [Museum] played in the evolution of conservation in the United States and abroad. It traces the efforts of staff and students who developed protocols for the treatment and documentation of works, sometimes through trial and error; disseminated research findings by establishing professional forums and a seminal journal; set standards for contemporary artists' materials during the New Deal; and led the Allied drive to protect monuments and works of art during World War II."--Back cover.
| Author | : Jill Scott |
| Publisher | : |
| Total Pages | : 140 |
| Release | : 2006-02-09 |
| Genre | : Art |
| ISBN | : |
This book verifies the need for the arts and the sciences to work together in order to develop more creative and conceptual approaches to innovation and presentation. By blending ethnographical case studies, scientific viewpoints and critical essays, the focus of this research inquiry is the lab context. For scientists, the lab context is one of the most important educational experiences. For contemporary artists, laboratories are inspiring spaces to investigate, share know-how transfer and search for new collaboration potentials. The nine labs represented in this book are from the natural, computing and engineering sciences. An enclosed comprehensive DVD documents the results, the problems and serves as a guideline for the future of true Art/Sci experiments.
| Author | : Mari Carmen Ramirez |
| Publisher | : Turner |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Art |
| ISBN | : 9788415832850 |
This comprehensive survey of contemporary design in Latin America explores collaborations between small manufacturing operations and artists, designers, and craftspeople, demonstrating how the resulting work addresses issues of commodification, production, urbanisation, displacement, and sustainability. It is organised around various cities and the main themes pursued by more than 100 artists, design studios, and artisans in regions such as Brazil, Cuba, Panama, Mexico, Puerto Rico, Colombia, and Chile. Published in conjunction with an exhibition at the Museum of Art and Design in New York, it is richly illustrated and includes essays by critics, curators, and art historians. 00Exhibition: Museum of Arts and Design, New York, USA (04.11.2014-06.04.2015).
| Author | : W. Patrick Mccray |
| Publisher | : MIT Press |
| Total Pages | : 383 |
| Release | : 2020-10-20 |
| Genre | : Art |
| ISBN | : 0262359502 |
The creative collaborations of engineers, artists, scientists, and curators over the past fifty years. Artwork as opposed to experiment? Engineer versus artist? We often see two different cultural realms separated by impervious walls. But some fifty years ago, the borders between technology and art began to be breached. In this book, W. Patrick McCray shows how in this era, artists eagerly collaborated with engineers and scientists to explore new technologies and create visually and sonically compelling multimedia works. This art emerged from corporate laboratories, artists' studios, publishing houses, art galleries, and university campuses. Many of the biggest stars of the art world--Robert Rauschenberg, Yvonne Rainer, Andy Warhol, Carolee Schneemann, and John Cage--participated, but the technologists who contributed essential expertise and aesthetic input often went unrecognized.
| Author | : Rebecca Elliot |
| Publisher | : Giles |
| Total Pages | : 112 |
| Release | : 2021-03-23 |
| Genre | : Art |
| ISBN | : 9781911282723 |
This multi-disciplinary volume looks at how artists and craft practitioners approach their creative process by thinking like scientists and engineers, and reveals the many ways art intersects with science.
| Author | : Sven Dupré |
| Publisher | : Routledge |
| Total Pages | : 300 |
| Release | : 2022-03-14 |
| Genre | : Art |
| ISBN | : 1000553345 |
This book traces the development of scientific conservation and technical art history. It takes as its starting point the final years of the nineteenth century, which saw the establishment of the first museum laboratory in Berlin, and ground-breaking international conferences on art history and conservation held in pre-World War I Germany. It follows the history of conservation and art history until the 1940s when, from the ruins of World War II, new institutions such as the Istituto Centrale del Restauro emerged, which would shape the post-war art and conservation world. The book will be of interest to scholars working in art history, conservation history, historiography, and history of science and humanities.
| Author | : Wm. Michael Dunne, Jr. |
| Publisher | : John Wiley & Sons |
| Total Pages | : 336 |
| Release | : 2020-07-15 |
| Genre | : Medical |
| ISBN | : 1555819826 |
In the clinical microbiology laboratory, blood is a critical diagnostic sample that, in the majority of cases is sterile (or is it?). However, when microbes gain access to and multiply in the bloodstream, it can result in life-threatening illness including sepsis. Mortality rates from bloodstream infection and sepsis range from 25% to 80%, killing millions of people annually. Blood cultures are a vital technology used in the microbiology laboratory to isolate and identify microbes and predict their response to antimicrobial therapy. The Dark Art of Blood Cultures, edited by Wm. Michael Dunne, Jr., and Carey-Ann D. Burnham, surveys the entire field of blood culture technology, providing valuable information about every phase of the process, from drawing samples to culture methods to processing positive cultures. The Dark Art of Blood Cultures is organized around several major topics. History of blood culture methods. Details the timeline of blood culture methods from manual through automated and describes the technological development of the leading automated blood culture systems (Bactec, BacT/Alert, and VersaTREK). Manual and automated blood culture methods. Critiques manual and automated methods for setting up blood cultures for adult and pediatric patients. Detection of pathogens directly from blood specimens. Describes currently available CE marked and FDA-cleared commercial tests using both phenotypic and genotypic markers, including their strengths and limitations. The workflow of culturing blood. Includes best practices from specimen collection to culture system verification, processing positive cultures for microbe identification and antibiotic susceptibility determination, along with the epidemiology of positive blood cultures and the value of postmortem blood cultures. Microorganisms in the blood. Examines the concept of a blood microbiome in healthy and diseased individuals. The Dark Art of Blood Cultures is a resource that clinicians, laboratorians, lab directors, and hospital administrators will find engaging and extremely useful. If you are looking for online access to the latest clinical microbiology content, please visit www.wiley.com/learn/clinmicronow.
| Author | : Elisabeth Berry Drago |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Alchemists |
| ISBN | : 9789462986497 |
Thomas Wijck's painted alchemical laboratories were celebrated in his day as "artful" and "ingenious." They fell into obscurity along with their subject, as alchemy came to be viewed as an occult art or a fool's errand. But these unusual pictures challenge our understanding of early modern alchemy-and of the deeper relationship between chemical workshops and the artists who represented them. The work of artists, like the work of alchemists, contained intellectual-creative and manual-material aspects. Both alchemists and artists claimed a special status owing to their creative powers. Wijck's formation of an artistic and professional identity around alchemical themes reveals his desire to explore this curious territory, and ultimately to demonstrate art's superior claims to knowledge and mastery over nature. This book explores one artist's transformation of alchemy and its materials into a reputation for virtuosity-and what his work can teach us about the experimental early modern world.
| Author | : Robert Michael Brain |
| Publisher | : University of Washington Press |
| Total Pages | : 381 |
| Release | : 2015-03-02 |
| Genre | : History |
| ISBN | : 0295805781 |
Robert Brain traces the origins of artistic modernism to specific technologies of perception developed in late-nineteenth-century laboratories. Brain argues that the thriving fin-de-siècle field of “physiological aesthetics,” which sought physiological explanations for the capacity to appreciate beauty and art, changed the way poets, artists, and musicians worked and brought a dramatic transformation to the idea of art itself.
