La Tradition Rythmique Dans Les Manuscrits By A Mocquereau Et J Gajard
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Author | : Jan W. A. Vollaerts |
Publisher | : Brill Archive |
Total Pages | : 286 |
Release | : 1958 |
Genre | : Gregorian chants |
ISBN | : |
"A summary of the various writings, original musical compositions, and arrangements, by the late Dr. J. Vollaerts, S.J." : p.237-240.
Author | : New York Public Library. Reference Department |
Publisher | : |
Total Pages | : 792 |
Release | : 1964 |
Genre | : Music |
ISBN | : |
Author | : L.F. Heckenlively |
Publisher | : Рипол Классик |
Total Pages | : 317 |
Release | : 1978 |
Genre | : History |
ISBN | : 5876262226 |
A simple exposition of the Solesmes principles founded mainly on "Le nombre musical gr?gorien" of Dom Andr? Mocquereau.
Author | : |
Publisher | : |
Total Pages | : 568 |
Release | : 1934 |
Genre | : Church music |
ISBN | : |
Author | : New York Public Library. Research Libraries |
Publisher | : |
Total Pages | : 574 |
Release | : 1979 |
Genre | : Library catalogs |
ISBN | : |
Author | : |
Publisher | : |
Total Pages | : 712 |
Release | : 1975 |
Genre | : Union catalogs |
ISBN | : |
Author | : Maurice J. Blanc |
Publisher | : |
Total Pages | : 74 |
Release | : 1951 |
Genre | : Gregorian chants |
ISBN | : |
Author | : Giulio Cattin |
Publisher | : Cambridge University Press |
Total Pages | : 260 |
Release | : 1984-12-06 |
Genre | : History |
ISBN | : 9780521284899 |
A unique history of the vast repertory of monophonic music of the Middle Ages.
Author | : Susan Rankin |
Publisher | : Cambridge University Press |
Total Pages | : 429 |
Release | : 2018-11-08 |
Genre | : Music |
ISBN | : 1108381782 |
Musical notation has not always existed: in the West, musical traditions have often depended on transmission from mouth to ear, and ear to mouth. Although the Ancient Greeks had a form of musical notation, it was not passed on to the medieval Latin West. This comprehensive study investigates the breadth of use of musical notation in Carolingian Europe, including many examples previously unknown in studies of notation, to deliver a crucial foundational model for the understanding of later Western notations. An overview of the study of neumatic notations from the French monastic scholar Dom Jean Mabillon (1632–1707) up to the present day precedes an examination of the function and potential of writing in support of a musical practice which continued to depend on trained memory. Later chapters examine passages of notation to reveal those ways in which scripts were shaped by contemporary rationalizations of musical sound. Finally, the new scripts are situated in the cultural and social contexts in which they emerged.
Author | : David Hiley |
Publisher | : Oxford University Press |
Total Pages | : 764 |
Release | : 1995 |
Genre | : Music |
ISBN | : 9780198165729 |
Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.