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Reflections on Canada's Past, Present and Future in International Law/Réflexions sur le passé, le présent et l'avenir du Canada en droit international
Author | : Oonagh E. Fitzgerald |
Publisher | : McGill-Queen's Press - MQUP |
Total Pages | : 530 |
Release | : 2018-06-30 |
Genre | : Political Science |
ISBN | : 1928096697 |
Marking 150 years since Confederation provides an opportunity for Canadian international law practitioners and scholars to reflect on Canada’s rich history in international law and governance, where we find ourselves today in the community of nations, and how we might help shape a future in which Canada’s rules-based and progressive approach to international law gains ascendancy. This collection of essays, each written in the official language chosen by the authors, provides a thoughtful perspective on Canada’s past and present in international law, surveys the challenges that lie before us, and offers renewed focus for Canada’s pursuit of global justice and the rule of law. Part I explores the history and practice of international law, including sources of international law, Indigenous treaties, international treaty diplomacy, domestic reception of international law, and Parliament’s role in international law. Part II explores Canada’s role in international law, governance and innovation in the broad fields of economic, environmental, and intellectual property law. Part III explores Canadian perspectives on developments in international human rights and humanitarian law, including judicial implementation of these obligations, international labour law, business and human rights, international criminal law, war crimes, child soldiers, and gender. Reflections on Canada’s Past, Present and Future in International Law/Réflexions sur le passé, le présent et l’avenir du Canada en droit international demonstrates the pivotal role that Canada has played in the development of international law and signals the essential contributions the country is poised to make in the future.
A Portrait of Canada’s Parliament
Author | : William McElligott |
Publisher | : ECW Press |
Total Pages | : 224 |
Release | : 2020-05-04 |
Genre | : Architecture |
ISBN | : 1773056182 |
A stunning visual exploration of Canada’s most recognized building accompanied by a comprehensive study of its history, in a coffee-table worthy volume. The Centre Block, the iconic parliament building that has come to be Canada’s foremost representation, was closed in 2018 and will remain closed for at least a decade for a complete renovation and restoration. During that time, hundreds of thousands of Canadians and visitors to Canada will miss the opportunity to tour the building and view its architecture and symbolic artwork. With original photographs from noted architectural photographer William P. McElligott, historical images, and thematic articles written by established subject specialists, A Portrait of Canada’s Parliament/Un Portrait du Parlement du Canada provides a contemporary look at one of the nation’s greatest symbols and documents and analyzes the context, landscape, heritage, and structure of this unique national icon, from its origins to its present and to its future ahead. This gorgeous volume, presented in English and French, will be treasured by all those with an interest in Canada’s architectural and parliamentary history.
Mapping Canada’s Music
Author | : Helmut Kallmann |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 292 |
Release | : 2013-05-25 |
Genre | : Music |
ISBN | : 1554588928 |
Mapping Canada’s Music is a selection of writings by the late Canadian music librarian and historian Helmut Kallmann (1922–2012). Most of the essays deal with aspects of Canadian music, but some are also autobiographical, including one written during retirement in which Kallmann recalls growing up in a middle-class Jewish family in 1930s Berlin under the spectre of Nazism. Of the seventeen selected writings by Kallmann, five have never before been published; many of the others are from difficult-to-locate sources. They include critical and research essays, reports, reflections, and memoirs. Each chapter is prefaced with an introduction by the editors. Two initial chapters offer a biography of Kallmann and an assessment of his contributions to Canadian music. The variety, breadth, and scope of these writings confirm Kallmann’s pioneering role in Canadian music research and the importance of his legacy to the cultural life of his adopted country. In the current climate of cuts to archival collections and services, the publication of these essays by and about a pre-eminent collector and historian serves as a timely reminder of the importance of cultural memory.
Theatre Translation in Performance
Author | : Silvia Bigliazzi |
Publisher | : Routledge |
Total Pages | : 267 |
Release | : 2013-04-02 |
Genre | : Performing Arts |
ISBN | : 1135103755 |
This volume focuses on the highly debated topic of theatrical translation, one brought on by a renewed interest in the idea of performance and translation as a cooperative effort on the part of the translator, the director, and the actors. Exploring the role and function of the translator as co-subject of the performance, it addresses current issues concerning the role of the translator for the stage, as opposed to the one for the editorial market, within a multifarious cultural context. The current debate has shown a growing tendency to downplay and challenge the notion of translational accuracy in favor of a recreational and post-dramatic attitude, underlying the role of the director and playwright instead. This book discusses the delicate balance between translating and directing from an intercultural, semiotic, aesthetic, and interlingual perspective, taking a critical stance on approaches that belittle translation for the theatre or equate it to an editorial practice focused on literality. Chapters emphasize the idea of dramatic translation as a particular and extremely challenging type of performance, while consistently exploring its various textual, intertextual, intertranslational, contextual, cultural, and intercultural facets. The notion of performance is applied to textual interpretation as performance, interlingual versus intersemiotic performance, and (inter)cultural performance in the adaptation of translated texts for the stage, providing a wide-ranging discussion from an international group of contributors, directors, and translators.
Annual Report of the American Historical Association
Author | : American Historical Association |
Publisher | : |
Total Pages | : 824 |
Release | : 1911 |
Genre | : Electronic journals |
ISBN | : |
Trans/acting Culture, Writing, and Memory
Author | : Eva C. Karpinski |
Publisher | : Wilfrid Laurier Univ. Press |
Total Pages | : 532 |
Release | : 2013-10-30 |
Genre | : Literary Criticism |
ISBN | : 1554588634 |
Trans/acting Culture, Writing, and Memory is a collection of essays written in honour of Barbara Godard, one of the most original and wide-ranging literary critics, theorists, teachers, translators, and public intellectuals Canada has ever produced. The contributors, both established and emerging scholars, extend Godard’s work through engagements with her published texts in the spirit of creative interchange and intergenerational relay of ideas. Their essays resonate with Godard’s innovative scholarship, situated at the intersection of such fields as literary studies, cultural studies, translation studies, feminist theory, arts criticism, social activism, institutional analysis, and public memory. In pursuit of unexpected linkages and connections, the essays venture beyond generic and disciplinary borders, zeroing in on Godard’s transdisciplinary practice which has been extremely influential in the way it framed questions and modelled interventions for the study of Canadian, Québécois, and Acadian literatures and cultures. The authors work with the materials ranging from Canadian government policies and documents to publications concerning white-supremacist organizations in Southern Ontario, online materials from a Toronto-based transgender arts festival, a photographic mural installation commemorating the Montreal Massacre, and the works of such writers and artists as Marie Clements, Nicole Brossard, France Daigle, Nancy Huston, Yvette Nolan, Gail Scott, Denise Desautels, Louise Warren, Rebecca Belmore, Vera Frenkel, Robert Lepage, and Janet Cardiff.