The Novel on the Tram

The Novel on the Tram
Author: Benito Pérez Galdós
Publisher: DigiCat
Total Pages: 35
Release: 2022-06-02
Genre: Fiction
ISBN:

This is a short story of a man who gets on a tram to return some books to a friend. He runs into a gossipy friend who starts telling him about what may or may not be a true story. The friend, a doctor, tells him about a stunning countess who has an imprudent admirer and a scheming butler. The narrator hardly listens to the tale until the doctor reveals the butler's mysterious hold over the countess. After his interest is aroused, the man is left hanging when the doctor leaves the tram without finishing the story. The narrator realizes the newspaper he has covered the books in has a feuilleton printed that seems to pick up the doctor's story. He reads it and, despite some variations with the doctor's tale, begins to imagine characters from it entering and exiting the tram. He overhears bits and pieces of stories on his return tram ride and assumes they are part of the countess' tale and several unexpected events follow. What happens later with the man unfolds later in this intriguing and unique story.

The Canon and the Archive

The Canon and the Archive
Author: Wadda C. Ríos-Font
Publisher: Bucknell University Press
Total Pages: 284
Release: 2004
Genre: Literary Criticism
ISBN: 9780838755549

Ríos-Font re-reads nineteenth- and twentieth-century Spanish texts and authors that have tested the boundary between high and low, repositioning them within Spanish critical tradition. Through these self-reflexive readings, the book explores how the definition of literature has changed in more than two centuries of modernity in Spain, and the institutional and cultural negotiations behind this change."--Jacket.

The Omnibus

The Omnibus
Author: Elizabeth Amann
Publisher: Springer Nature
Total Pages: 376
Release: 2023-05-10
Genre: Literary Criticism
ISBN: 3031187083

The introduction of omnibus services in the late 1820s revolutionised urban life in Paris, London and many other cities. As the first form of mass transportation—in principle, they were ‘for everyone’—they offered large swaths of the population new ways of seeing both the urban space and one another. This study examines how the omnibus gave rise to a vast body of cultural representations that probed the unique social experience of urban transit. These representations took many forms—from stories, plays and poems to songs, caricatures and paintings—and include works by many well-known artists and authors such as Picasso and Pissarro and Charles Dickens, Wilkie Collins and Guy de Maupassant. Analysing this corpus, the book explores how the omnibus and horse-drawn tram functioned in the cultural imagination of the nineteenth century and looks at the types of stories and values that were projected upon them. The study is comparative in approach and considers issues of gender, class and politics, as well as genre and narrative technique.

City of Suspects

City of Suspects
Author: Pablo Piccato
Publisher: Duke University Press
Total Pages: 377
Release: 2001-09-26
Genre: History
ISBN: 0822380714

In City of Suspects Pablo Piccato explores the multiple dimensions of crime in early-twentieth-century Mexico City. Basing his research on previously untapped judicial sources, prisoners’ letters, criminological studies, quantitative data, newspapers, and political archives, Piccato examines the paradoxes of repressive policies toward crime, the impact of social rebellion on patterns of common crime, and the role of urban communities in dealing with transgression on the margins of the judical system. By investigating postrevolutionary examples of corruption and organized crime, Piccato shines light on the historical foundations of a social problem that remains the main concern of Mexico City today. Emphasizing the social construction of crime and the way it was interpreted within the moral economy of the urban poor, he describes the capital city during the early twentieth century as a contested territory in which a growing population of urban poor had to negotiate the use of public spaces with more powerful citizens and the police. Probing official discourse on deviance, Piccato reveals how the nineteenth-century rise of positivist criminology—which asserted that criminals could be readily distinguished from the normal population based on psychological and physical traits—was used to lend scientific legitimacy to class stratifications and to criminalize working-class culture. Furthermore, he argues, the authorities’ emphasis on punishment, isolation, and stigmatization effectively created cadres of professional criminals, reshaping crime into a more dangerous problem for all inhabitants of the capital. This unique investigation into crime in Mexico City will interest Latin Americanists, sociologists, and historians of twentieth-century Mexican history.