La natura come amante
Author | : Luca Maria Francesco Fabris |
Publisher | : Maggioli Editore |
Total Pages | : 170 |
Release | : 2010 |
Genre | : Architecture |
ISBN | : 8838753415 |
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Author | : Luca Maria Francesco Fabris |
Publisher | : Maggioli Editore |
Total Pages | : 170 |
Release | : 2010 |
Genre | : Architecture |
ISBN | : 8838753415 |
Author | : Ernesto Grillo |
Publisher | : |
Total Pages | : 670 |
Release | : 1917 |
Genre | : Italian poetry |
ISBN | : |
Author | : Robert L. Kendrick |
Publisher | : Oxford University Press |
Total Pages | : 568 |
Release | : 2002-11-21 |
Genre | : Music |
ISBN | : 9780195350562 |
In this book, a follow-up to his 1996 monograph Celestial Sirens, Robert Kendrick examines the cultural contexts of music in early-modern Milan. This book describes the churches and palaces that served as performance spaces in Milan, analyzes the power structures in the city, discusses the devotional rites of the Milanese, and explores the connections among city politics, city-scape, and music.
Author | : Jozef Ijsewijn |
Publisher | : Leuven University Press |
Total Pages | : 620 |
Release | : 1996-02-15 |
Genre | : Foreign Language Study |
ISBN | : 9789061867647 |
Volume 45
Author | : Alban K. Forcione |
Publisher | : Princeton University Press |
Total Pages | : 424 |
Release | : 2017-03-14 |
Genre | : Literary Criticism |
ISBN | : 1400886058 |
This book sets the Novelas ejemplares in the mainstream of Christian Humanism and shows that their narrative forms manifest the breadth of the Christian Humanist vision as much as does the more overtly revolutionary Don Quixote. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author | : Eranos Foundation |
Publisher | : Daimon |
Total Pages | : 551 |
Release | : |
Genre | : Psychology |
ISBN | : 3856309993 |
The 74th volume of the Eranos Yearbooks, The Age of Immediacy at the Test of Meaning, presents to the public the work of the last two years of activities at the Eranos Foundation (2017–2018). The book gathers the lectures presented at the occasion of the 2017 Eranos Conference, Where is the World Going? The Uncertain Future, between Traditional Knowledge and Scientific Thought, the 2018 Eranos Conference, Space for Thinking and Thinking about Space. Reflections on the Relations between the Soul and Places at the Time of the Anthropocene, the 2017 Eranos-Jung Lectures, Who is Afraid of Interiority? A Journey through Literature, Philosophy, and Psychology, the 2018 Eranos-Jung Lectures, Who is Stealing our Time? The Age of Immediacy at the Test of Meaning, and the 2018 Eranos School seminar, The Mechanisms of Heresy: Old and New Forms of Exclusion and Repression. The volume includes essays by Valery Afanassiev, Stephen Aizenstat, Arnaldo Benini, Paul Bishop, Roberto Casati, Adriano Fabris, Franco Ferrari, Giuseppe O. Longo, Jaap Mansfeld, Panos Mantziaras, Grazia Shōgen Marchianò, Massimo Mori, Guy Pelletier, Antonio Prete, Francesca Rigotti, René Roux, Silvano Tagliagambe, Yannis Tsiomis, Amelia Valtolina, Matteo Vegetti, Antonio Vitolo, Samaneh Yasaei, and Chiara Zamboni.
Author | : Joseph E. Gillet |
Publisher | : University of Pennsylvania Press |
Total Pages | : 660 |
Release | : 2016-11-11 |
Genre | : Literary Collections |
ISBN | : 1512801925 |
In this fourth volume of Joseph E. Gillet's monumental study, Propalladia and Other Works of Bartolomé De Torres Naharro, all students of Renaissance drama will find a wealth of material on the origins of the modern European theater. Torres Naharro created the cloak-and-sword play almost a century before Lope de Vega. The commonplaces of romantic comedy appeared, for the first time on any stage, in his Comedia Ymenea published at Naples in 1517. Two of his works, the Soldadesca and the Tinellaria—evocations of the roistering life of the barracks and of a cardinal's scullery—are remarkable examples of dramatic realism avant Ia lettre. The influence of Torres Naharro and his work on the Spanish drama of the sixteenth century was all pervasive. In this volume, all the material gleaned by Dr. Gillet in extensive research is brought into clear focus to show Torres Naharro as a man of the Renaissance and a man of the theater. Of the greatest interest is the exposition of his intuition of the distinction between poetic and historic truth—commedias a fantasia and a noticia—long before the recovery of the true text of Aristotle's Poetics, and of the substratum of primitivism in many of his plays: ritual societies, the medicine man, the right to tribute, social discipline, name changing, loss of memory, sports, games, acrobatics, sorcery, riddles, genealogies, weddings, propitiation and death song, resuscitation, license and chastity, and so on. And this dramatic activity occurred early, antedating most of the Italian plays of the sixteenth century.