La Messe
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Author | : Fernand Cabrol |
Publisher | : |
Total Pages | : 880 |
Release | : 1914 |
Genre | : Christian antiquities |
ISBN | : |
Author | : International Courtly Literature Society. Congress |
Publisher | : DS Brewer |
Total Pages | : 390 |
Release | : 2003 |
Genre | : Literary Criticism |
ISBN | : 9780859917971 |
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 946 |
Release | : 1913 |
Genre | : American drama |
ISBN | : |
Author | : |
Publisher | : Odile Jacob |
Total Pages | : 387 |
Release | : |
Genre | : |
ISBN | : 2738186424 |
Author | : |
Publisher | : |
Total Pages | : 370 |
Release | : 1880 |
Genre | : |
ISBN | : |
Author | : Marc Lienhard |
Publisher | : Taylor & Francis |
Total Pages | : 313 |
Release | : 2024-10-28 |
Genre | : History |
ISBN | : 1040246931 |
Professor Lienhard deals here primarily with the first half of the 16th century, a momentous period which saw the rise and first triumphs of evangelical Christianity. His focus is upon the town of Strasbourg, one of the places where the Reformation first left its mark, and the articles combine to present an illuminating picture of the town's social and religious evolution over the period. Some approach the subject at an individual level, with studies of the protagonists in the events - such as Martin Bucer, Matthieu Zell or Thomas Murner - and their differing religious viewpoints. Other articles take a broader perspective, analysing the social and political background to the triumph of the Reform, the gradual emergence of a new order, and local attitudes towards the new dissidents, the Anabaptists. An important section of additional notes and comments completes the volume. Le Professeur Lienhard s’attache ici, avant tout, à la premiere motié du XVIe siècles, période capitale, qui vit la montée et les premiers triomphes du christianisme évangélique. Il se concentre sur Strasbourg, un des lieux où la Réforme laissa très tôt sa marque. L’ensemble des articles présente une image clarifante de l’évolution sociale et religieuse de la ville durant cette période. Certains abordent le sujet au travers de l’étude de plusiers des protagonistes aillant pris part aux événements - tels que Martin Bucer, Matthieu Zell ou Thomas Murner - et examinent aussi leurs différents points de vue religieux. D’autres prennent une perspective plus large, analysant le contexte politique et social à la base de triomphe de la Réforme et de la naissance d’un ordre nouveau, ainsi que les prises de position locales envers les nouveaux dissidents, les Anabaptistes. Dès a present, ce recueil est accompagné d’une importante section de notes adittionnelles et de commentaires.
Author | : Thomas Frederick Tout |
Publisher | : Manchester University Press |
Total Pages | : 480 |
Release | : 1936 |
Genre | : Great Britain |
ISBN | : |
Author | : Thomas Frederick Tout |
Publisher | : |
Total Pages | : 484 |
Release | : 1914 |
Genre | : Great Britain |
ISBN | : |
Author | : Didron (the Elder.) |
Publisher | : |
Total Pages | : 86 |
Release | : 1853 |
Genre | : |
ISBN | : |
Author | : Dolores Pesce |
Publisher | : Boydell & Brewer |
Total Pages | : 386 |
Release | : 2014 |
Genre | : Biography & Autobiography |
ISBN | : 158046484X |
Liszt's Final Decade reveals in the composer's own words to his confidantes Carolyne von Sayn-Wittgenstein and Olga von Meyendorff how he resolved his conflicted self-image as a celebrated performer but underappreciated composer. Toward the end of his life Franz Liszt maintained extensive correspondence with two women who were at the time his closest confidantes, Carolyne von Sayn-Wittgenstein and Olga von Meyendorff. Liszt wrote to them regularly, expressing his intimate feelings about personal and career events and his conflicted self-image as a celebrated performer but underappreciated composer. Absent a diary, the letters offer the most direct avenue into Liszt's psyche in hisfinal years. Liszt's Final Decade explores through these letters the mind and music of one of the nineteenth century's most popular musicians, providing insight into Liszt's melancholia in his last years and his struggle to gain recognition for his music yet avoid criticism. The exchange indicates that Liszt ultimately resolved his inner conflict through a personally constructed Christian moral philosophy that embraced positive resignation to suffering, compassionate love, and trust in a just reward to come. The book also examines how Liszt's late sacred compositions affirm the yielding of suffering to joy and hope. Significantly, Liszt viewed these works, commonly overlooked today, as a major part of his compositional legacy. This volume thus challenges the idea of a single "late" Lisztian style and the notion that despair overwhelmed the composer in his final years. We are pleased to announce that Liszt's Final Decade is the winner of the 2017 Alan Walker Book Award, given by the American Liszt Society. Dolores Pesce is the Avis Blewett Professor of Music in Arts and Sciences at Washington University in St. Louis.