The Hutchinson Concise Dictionary of Music

The Hutchinson Concise Dictionary of Music
Author: Barrie Jones
Publisher: Routledge
Total Pages: 780
Release: 2014-06-03
Genre: Music
ISBN: 1135950253

The Hutchinson Concise Dictionary of Music, in 7,500 entries, retains the breadth of coverage, clarity, and accessibility of the highly acclaimed Hutchinson Encyclopedia of Music, from which it is derived. Tracing its lineage to the Everyman Dictionary of Music, now out of print, it boasts a distinguished heritage of the finest musical scholarship. This book provides comprehensive coverage of theoretical and technical music terminology, embracing the many genres and forms of classical music, clearly illustrated with examples. It also provides core information on composers and comprehensive lists of works from the earliest exponents of polyphony to present-day composers.

Puccini

Puccini
Author: Mosco Carner
Publisher:
Total Pages: 546
Release: 1959
Genre: Composers
ISBN:

The life and works of Giacomo Puccini, composer of La Boheme, Madama Butterfly, Tosca, Turandot, and other universal operatic favorites, are here presented in detail for the first time in any language in a book unlikely ever to be superseded. A full-length recounting of Puccini's fascinating life, rich in previously unused materials, is followed by detailed analyses of each of his operas and other compositions. The author, a Viennese conductor and musicologist, has performed this monumental task with knowledge, grace, and insight. The biography brings to life a curious, somewhat ambiguous man whose greatly successful career was marked alternately by storms, tragedies, and triumphs, a genius who somehow missed the final greatness. His relations with his family, colleagues, librettists, singers, conductors--and his peculiar, convoluted relationship with his wife--have some of the very drama that has made his operas so enduringly popular. Puccini's letters are quoted extensively, many of them in English for the first time. The opera analyses, constantly evaluating the music in terms of drama and libretto, are unique in musical literature and in their completeness and illumination. They are, furthermore, judicious and soundly musical, for instead of accepting ready-made opinions (many of which are quoted), they go directly to the scores themselves.

Venice and the Slavs

Venice and the Slavs
Author: Larry Wolff
Publisher: Stanford University Press
Total Pages: 430
Release: 2001
Genre: History
ISBN: 9780804739467

This book studies the nature of Venetian rule over the Slavs of Dalmatia during the eighteenth century, focusing on the cultural elaboration of an ideology of empire that was based on a civilizing mission toward the Slavs. The book argues that the Enlightenment within the “Adriatic Empire” of Venice was deeply concerned with exploring the economic and social dimensions of backwardness in Dalmatia, in accordance with the evolving distinction between “Western Europe” and “Eastern Europe” across the continent. It further argues that the primitivism attributed to Dalmatians by the Venetian Enlightenment was fundamental to the European intellectual discovery of the Slavs. The book begins by discussing Venetian literary perspectives on Dalmatia, notably the drama of Carlo Goldoni and the memoirs of Carlo Gozzi. It then studies the work that brought the subject of Dalmatia to the attention of the European Enlightenment: the travel account of the Paduan philosopher Alberto Fortis, which was translated from Italian into English, French, and German. The next two chapters focus on the Dalmatian inland mountain people called the Morlacchi, famous as “savages” throughout Europe in the eighteenth century. The Morlacchi are considered first as a concern of Venetian administration and then in relation to the problem of the “noble savage,” anthropologically studied and poetically celebrated. The book then describes the meeting of these administrative and philosophical discourses concerning Dalmatia during the final decades of the Venetian Republic. It concludes by assessing the legacy of the Venetian Enlightenment for later perspectives on Dalmatia and the South Slavs from Napoleonic Illyria to twentieth-century Yugoslavia.