The Ranuzzi Manuscripts
Author | : Maria Xenia Zevelechi Wells |
Publisher | : |
Total Pages | : 108 |
Release | : 1980 |
Genre | : Reference |
ISBN | : |
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Author | : Maria Xenia Zevelechi Wells |
Publisher | : |
Total Pages | : 108 |
Release | : 1980 |
Genre | : Reference |
ISBN | : |
Author | : |
Publisher | : BRILL |
Total Pages | : 309 |
Release | : 2020-12-15 |
Genre | : Science |
ISBN | : 9004437274 |
By examining the pressing questions the supernova of 1604 prompted, Kepler’s New Star traces the enduring impact of Kepler and his star on the course of modern science.
Author | : Pietro Rossi |
Publisher | : Walter de Gruyter GmbH & Co KG |
Total Pages | : 266 |
Release | : 2015-04-24 |
Genre | : Literary Criticism |
ISBN | : 3110420724 |
Europe’s boundaries have mainly been shaped by cultural, religious, and political conceptions rather than by geography. This volume of bilingual essays from renowned European scholars outlines the transformation of Europe’s boundaries from the fall of the ancient world to the age of decolonization, or the end of the explicit endeavor to “Europeanize” the world.From the decline of the Roman Empire to the polycentrism of today’s world, the essays span such aspects as the confrontation of Christian Europe with Islam and the changing role of the Mediterranean from “mare nostrum” to a frontier between nations. Scandinavia, eastern Europe and the Atlantic are also analyzed as boundaries in the context of exploration, migratory movements, cultural exchanges, and war. The Boundaries of Europe, edited by Pietro Rossi, is the first installment in the ALLEA book series Discourses on Intellectual Europe, which seeks to explore the question of an intrinsic or quintessential European identity in light of the rising skepticism towards Europe as an integrated cultural and intellectual region.
Author | : J. Paul Getty Museum |
Publisher | : |
Total Pages | : 380 |
Release | : 1988 |
Genre | : Drawing |
ISBN | : |
Author | : Brian Richardson |
Publisher | : Cambridge University Press |
Total Pages | : 299 |
Release | : 2020-03-26 |
Genre | : Language Arts & Disciplines |
ISBN | : 1108477690 |
The first comprehensive guide to women's promotion and use of textual culture, in manuscript and print, in Renaissance Italy.
Author | : Maria H. Loh |
Publisher | : Getty Publications |
Total Pages | : 218 |
Release | : 2007 |
Genre | : Imitation in art |
ISBN | : 089236873X |
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Author | : Arno Borst |
Publisher | : University of Chicago Press |
Total Pages | : 288 |
Release | : 1996-06-22 |
Genre | : History |
ISBN | : 0226066576 |
In Medieval Worlds: Barbarians, Heretics, and Artists, medieval historian Arno Borst offers at once an imaginatively narrated tour of medieval society. Issues of language, power, and cultural change come to life as he examines how knights, witches and heretics, monks and kings, women poets, and disputatious university professors existed in the medieval world. Clearly interested in the forms of medieval behavior which gave rise to the seeds of modern society, Borst focuses on three in particular that gave momentum to medieval religious, social, and intellectual movements: the barbaric, heretical, and artistic. Borst concludes by reflecting on his own life as a scholar and draws out lessons for us from the turbulence of the Middle Ages.
Author | : Steven Shapin |
Publisher | : University of Chicago Press |
Total Pages | : 255 |
Release | : 2018-11-05 |
Genre | : Science |
ISBN | : 022639848X |
This scholarly and accessible study presents “a provocative new reading” of the late sixteenth- and seventeenth-century advances in scientific inquiry (Kirkus Reviews). In The Scientific Revolution, historian Steven Shapin challenges the very idea that any such a “revolution” ever took place. Rejecting the narrative that a new and unifying paradigm suddenly took hold, he demonstrates how the conduct of science emerged from a wide array of early modern philosophical agendas, political commitments, and religious beliefs. In this analysis, early modern science is shown not as a set of disembodied ideas, but as historically situated ways of knowing and doing. Shapin shows that every principle identified as the modernizing essence of science—whether it’s experimentalism, mathematical methodology, or a mechanical conception of nature—was in fact contested by sixteenth- and seventeenth-century practitioners with equal claims to modernity. Shapin argues that this contested legacy is nevertheless rightly understood as the origin of modern science, its problems as well as its acknowledged achievements. This updated edition includes a new bibliographic essay featuring the latest scholarship. “An excellent book.” —Anthony Gottlieb, New York Times Book Review
Author | : Silvio Bedini |
Publisher | : BRILL |
Total Pages | : 902 |
Release | : 2021-07-05 |
Genre | : Science |
ISBN | : 9004464514 |
Giuseppe Campani, “Inventor Romae,” an Uncommon Genius offers an account of the life and creations of the most talented maker of optic lenses, silent clocks and projector clocks of the second half of the seventeenth century but also provides you with unique insights into the scientific and technological landscape of baroque Rome and its links to a broader European scene.
Author | : Catherine Hess |
Publisher | : Getty Publications |
Total Pages | : 186 |
Release | : 2004 |
Genre | : Art, Islamic |
ISBN | : 089236758X |
Students and scholars of the Italian Renaissance easily fall under the spell of its achievements: its self-confident humanism, its groundbreaking scientific innovations, its ravishing artistic production. Yet many of the developments in Italian ceramics and glass were made possible by Italy's proximity to the Islamic world. The Arts of Fire underscores how central the Islamic influence was on this luxury art of the Italian Renaissance. Published to coincide with an exhibition at the Getty Museum on view from May 4 to August 5, 2004, The Arts of Fire demonstrates how many of the techniques of glass and ceramic production and ornamentation were first developed in the Islamic East between the eighth and twelfth centuries. These techniques - enamel and gilding on glass and tin-glaze and lustre on ceramics - produced brilliant and colourful decoration that was a source of awe and admiration, transforming these crafts, for the first time, into works of art and true luxury commodities. Essays by Catherine Hess, George Saliba, and Linda Komaroff demonstrate early modern Europe's debts to the Islamic world and help us better understand the interrelationships of cultures over time.