La Figura En El Tapiz
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Author | : Sonia Mattalia |
Publisher | : Tamesis |
Total Pages | : 204 |
Release | : 1990 |
Genre | : Literary Criticism |
ISBN | : 9780729302951 |
Onetti's fiction is concerned with the depersonalization of human beings in the modern world. This book analyzes the theory behind his literature.
Author | : |
Publisher | : |
Total Pages | : 386 |
Release | : 1991 |
Genre | : Electronic journals |
ISBN | : |
Author | : Charles F. Fraker |
Publisher | : Tamesis |
Total Pages | : 112 |
Release | : 1990 |
Genre | : Celestina |
ISBN | : 9780729302968 |
Professor Fraker argues that the Celestina, however original or singular, does not embody a new discourse, and falls easily within the literary norms of its time. Thus on the one hand it belongs to a genre, comedy, the term taken in a sense perfectly accessible to the two authors and their contemporaries. On the other, the detail and fabric of the work is in great part genuinely rhetorical.
Author | : |
Publisher | : BRILL |
Total Pages | : 143 |
Release | : 2016-08-09 |
Genre | : Social Science |
ISBN | : 9004334394 |
Indice: Daniel LINK: Literatura de compromiso. - Jose AMICOLA: La incertidumbre de lo real: la narrativa de los 90 en la Argentina en la confluencia de las cuestiones de genero. - Julio PREMAT: Saer fin de siglo y el concepto de lugar. - Margarita REMON RAILLARD: La narrativa de Cesar Aira: una sorpresa continua e ininterrumpida. - Carmen de MORA: El cuento argentino en los anos 90. - Ana PORRUA: Lo nuevo en la Argentina: poesia de los 90. - Genevieve FABRY: Continuidades y discontinuidades en la poesia de Juan Gelman: una glosa de Incompletamente. - Jorge DUBATTI: Teatro argentino y destotalizacion: el canon de la multiplicidad."
Author | : Jeremy Robbins |
Publisher | : Reaktion Books |
Total Pages | : 368 |
Release | : 2022-06-20 |
Genre | : History |
ISBN | : 1789145384 |
A sumptuous history of Golden Age Spain that explores the irresistible tension between heavenly and earthly realms. Incomparable Realms offers a vision of Spanish culture and society during the so-called Golden Age, the period from 1500 to 1700 when Spain unexpectedly rose to become the dominant European power. But in what ways was this a Golden Age, and for whom? The relationship between the Habsburg monarchy and the Roman Catholic Church shaped the period, with both constructing narratives to bind Spanish society together. Incomparable Realms unpicks the impact of these two historical forces on thought and culture and examines the people and perspectives such powerful projections sought to eradicate. The book shows that the tension between the heavenly and earthly realms, and in particular the struggle between the spiritual and the corporeal, defines Golden Age culture. In art and literature, mystical theology and moral polemic, ideology, doctrine, and everyday life, the problematic pull of the body and the material world is the unacknowledged force behind early modern Spain. Life is a dream, as the title of Calderón’s famous play of the period proclaimed, but there is always a body dreaming it.
Author | : Gustavo San Roman |
Publisher | : SUNY Press |
Total Pages | : 212 |
Release | : 1999-06-24 |
Genre | : Literary Criticism |
ISBN | : 9780791442364 |
Explores the connections between Onetti, a foundational figure of the 1960s "Boom" in Latin American literature, and other relevant writers and texts from Latin America and beyond.
Author | : José Manuel Lucía Megías |
Publisher | : EDAF |
Total Pages | : 398 |
Release | : |
Genre | : |
ISBN | : 8441439435 |
Author | : Esther Fernández |
Publisher | : University of Toronto Press |
Total Pages | : 322 |
Release | : 2022-11-01 |
Genre | : Literary Criticism |
ISBN | : 1487538936 |
Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.
Author | : Aaron M. Kahn |
Publisher | : Oxford University Press |
Total Pages | : 500 |
Release | : 2021-02-16 |
Genre | : Literary Criticism |
ISBN | : 0191060585 |
Although best known the world over for his masterpiece novel, Don Quixote de la Mancha, published in two parts in 1605 and 1615, the antics of the would-be knight-errant and his simple squire only represent a fraction of the trials and tribulations, both in the literary world and in society at large, of this complex man. Poet, playwright, soldier, slave, satirist, novelist, political commentator, and literary outsider, Cervantes achieved a minor miracle by becoming one of the rarest of things in the Early-Modern world of letters: an international best-seller during his lifetime, with his great novel being translated into multiple languages before his death in 1616. The principal objective of The Oxford Handbook of Cervantes is to create a resource in English that provides a fully comprehensive overview of the life, works, and influences of Miguel de Cervantes Saavedra (1547-1616). This volume contains seven sections, exploring in depth Cervantes's life and how the trials, tribulations, and hardships endured influenced his writing. Cervantistas from numerous countries, including the United Kingdom, Spain, Ireland, the United States, Canada, and France offer their expertise with the most up-to-date research and interpretations to complete this wide-ranging, but detailed, compendium of a writer not known for much other than his famous novel outside of the Spanish-speaking world. Here we explore his famous novelDon Quixote de la Mancha, his other prose works, his theatrical output, his poetry, his sources, influences, and contemporaries, and finally reception of his works over the last four hundred years.
Author | : Nicholas R. Jones |
Publisher | : Penn State Press |
Total Pages | : 192 |
Release | : 2024-10-22 |
Genre | : Literary Criticism |
ISBN | : 0271099070 |
There is no shortage of Black characters in Miguel de Cervantes’s works, yet there has been a profound silence about the Spanish author’s compelling literary construction and cultural codification of Black Africans and sub-Saharan Africa. In Cervantine Blackness, Nicholas R. Jones reconsiders in what sense Black subjects possess an inherent value within Cervantes’s cultural purview and literary corpus. In this unflinching critique, Jones charts important new methodological and theoretical terrain, problematizing the ways emphasis on agency has stifled and truncated the study of Black Africans and their descendants in early modern Spanish cultural and literary production. Through the lens of what he calls “Cervantine Blackness,” Jones challenges the reader to think about the blind faith that has been lent to the idea of agency—and its analogues “presence” and “resistance”—as a primary motivation for examining the lives of Black people during this period. Offering a well-crafted and sharp critique, through a systematic deconstruction of deeply rooted prejudices, Jones establishes a solid foundation for the development of a new genre of literary and cultural criticism. A searing work of literary criticism and political debate, Cervantine Blackness speaks to specialists and nonspecialists alike—anyone with a serious interest in Cervantes’s work who takes seriously a critical reckoning with the cultural, historical, and literary legacies of agency, antiblackness, and refusal within the Iberian Peninsula and the global reaches of its empire.