La Evolucin De La Lgica De 1910 A 1961
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Author | : Adalberto Garca de Mendoza |
Publisher | : |
Total Pages | : 0 |
Release | : 2013-07 |
Genre | : Education |
ISBN | : 9781463361853 |
"Nadie se atreverá a negar que el Ingeniero y Doctor Adalberto García de Mendoza es el introductor en la Facultad de Filosofía y Letras y en la Escuela Nacional Preparatoria de las teorías de los Filósofos de Baden y de Marburgo. En sus cursos de 1928 a 1933, empezaron a agitarse por primera vez los fi lósofos del idealismo crítico y vieron los jóvenes que en el futuro habrían de signifi carse como representantes del Neokantismo Mexicano. Quiérase o no, ADALBERTO GARCIA DE MENDOZA, es el padre del NEOKANTISMO MEXICANO"
Author | : Dr. Adalberto García de Mendoza |
Publisher | : Palibrio |
Total Pages | : 179 |
Release | : 2013-07-31 |
Genre | : Education |
ISBN | : 1463361866 |
"Nadie se atrever a negar que el Ingeniero y Doctor Adalberto Garca de Mendoza es el introductor en la Facultad de Filosofa y Letras y en la Escuela Nacional Preparatoria de las teoras de los Filsofos de Baden y de Marburgo. En sus cursos de 1928 a 1933, empezaron a agitarse por primera vez los fi lsofos del idealismo crtico y vieron los jvenes que en el futuro habran de signifi carse como representantes del Neokantismo Mexicano. Quirase o no, ADALBERTO GARCIA DE MENDOZA, es el padre del NEOKANTISMO MEXICANO"
Author | : Dr. Adalberto Garc�a de Mendoza |
Publisher | : Palibrio |
Total Pages | : 181 |
Release | : 2013-07 |
Genre | : Education |
ISBN | : 1463361874 |
"Nadie se atreverá a negar que el Ingeniero y Doctor Adalberto García de Mendoza es el introductor en la Facultad de Filosofía y Letras y en la Escuela Nacional Preparatoria de las teorías de los Filósofos de Baden y de Marburgo. En sus cursos de 1928 a 1933, empezaron a agitarse por primera vez los fi lósofos del idealismo crítico y vieron los jóvenes que en el futuro habrían de signifi carse como representantes del Neokantismo Mexicano. Quiérase o no, ADALBERTO GARCIA DE MENDOZA, es el padre del NEOKANTISMO MEXICANO"
Author | : ADALBERTO GARCÍA DE MENDOZA |
Publisher | : Palibrio |
Total Pages | : 191 |
Release | : 2013-10 |
Genre | : Philosophy |
ISBN | : 1463367805 |
Por lo que nosotros conocemos, podemos decir que corresponde a México, el mérito de haber sido el primer país latinoamericano en donde se expusiera, por primera vez, la Filosofía Fenomenológica. Fue allá, en el año de 1927, cuando hice la exposición de la Fenomenología así como el Neokantismo, el Existencialismo de Heidegger y sus antecedentes y la Teoría de los Valores, especialmente de Max Scheler, en mis cátedras de Epistemología analítica y de Metafísica en la Facultad de Filosofía y Letras, dependiente de la Universidad Nacional de México. - Dr. Adalberto Garcia de Mendoza
Author | : Library of Congress |
Publisher | : |
Total Pages | : 620 |
Release | : |
Genre | : |
ISBN | : |
Author | : Pablo González Casanova |
Publisher | : New York : Oxford University Press |
Total Pages | : 272 |
Release | : 1970 |
Genre | : Mexico |
ISBN | : |
Author | : Margarita Hualde de Pérez Guilhou |
Publisher | : |
Total Pages | : 88 |
Release | : 1962 |
Genre | : Mendoza (Argentina) |
ISBN | : |
Author | : Benjamin T. Smith |
Publisher | : UNC Press Books |
Total Pages | : 383 |
Release | : 2018-08-07 |
Genre | : History |
ISBN | : 1469638118 |
Mexico today is one of the most dangerous places in the world to report the news, and Mexicans have taken to the street to defend freedom of expression. As Benjamin T. Smith demonstrates in this history of the press and civil society, the cycle of violent repression and protest over journalism is nothing new. He traces it back to the growth in newspaper production and reading publics between 1940 and 1976, when a national thirst for tabloids, crime sheets, and magazines reached far beyond the middle class. As Mexicans began to view local and national events through the prism of journalism, everyday politics changed radically. Even while lauding the liberty of the press, the state developed an arsenal of methods to control what was printed, including sophisticated spin and misdirection techniques, covert financial payments, and campaigns of threats, imprisonment, beatings, and even murder. The press was also pressured by media monopolists tacking between government demands and public expectations to maximize profits, and by coalitions of ordinary citizens demanding that local newspapers publicize stories of corruption, incompetence, and state violence. Since the Cold War, both in Mexico City and in the provinces, a robust radical journalism has posed challenges to government forces.
Author | : Maurizio Ferraris |
Publisher | : State University of New York Press |
Total Pages | : 126 |
Release | : 2014-12-01 |
Genre | : Philosophy |
ISBN | : 1438453795 |
Philosophical realism has taken a number of different forms, each applied to different topics and set against different forms of idealism and subjectivism. Maurizio Ferraris's Manifesto of New Realism takes aim at postmodernism and hermeneutics, arguing against their emphasis on reality as constructed and interpreted. While acknowledging the value of these criticisms of traditional, dogmatic realism, Ferraris insists that the insights of postmodernism have reached a dead end. Calling for the discipline to turn its focus back to truth and the external world, Ferraris's manifesto—which sparked lively debate in Italy and beyond—offers a wiser realism with social and political relevance.
Author | : Marilyn G. Miller |
Publisher | : Duke University Press |
Total Pages | : 293 |
Release | : 2014-02-07 |
Genre | : Performing Arts |
ISBN | : 0822377233 |
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries. Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti