La estructura paradojal de la realidad humana.
Author | : Lorenzo Toribio |
Publisher | : Eduvim |
Total Pages | : 134 |
Release | : 2012 |
Genre | : Philosophy |
ISBN | : 9871727453 |
Este libro es parte de la coleccin e-Libro en BiblioBoard.
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Author | : Lorenzo Toribio |
Publisher | : Eduvim |
Total Pages | : 134 |
Release | : 2012 |
Genre | : Philosophy |
ISBN | : 9871727453 |
Este libro es parte de la coleccin e-Libro en BiblioBoard.
Author | : Lorenzo Toribio |
Publisher | : |
Total Pages | : 144 |
Release | : 2011 |
Genre | : |
ISBN | : 9783845460444 |
Los articulos incluidos en este libro enfatizan un aspecto siempre presente en la obra de Paul Ricoeur: la nocion de paradoja existencial. La extensa y rigurosa obra de este filosofo frances vino a complementar una tradicion de reflexion filosofica que ha reconocido en San Agustin, Blaise Pascal, Soren Kierkegaard, Miguel de Unamuno, entre otros, a algunos de los pensadores que no evitaron abordar la problematica del yo encarnado, filosofos que no eludieron la dificultad de pensar a fondo la realidad del hombre de carne y hueso. De este modo, al momento de pensar sobre la realidad humana, no cedieron a la tentacion de incurrir en generalizaciones teoricas de talante reduccionista. A que tipo de medida nos indexa una estructura paradojal de la realidad humana? Paul Ricoeur sostiene que el hombre es un finito con sed de infinito, y prefirio hablar de una ontologia de la desproporcion humana, ante el riesgo de no considerar en toda su latitud a una realidad humana cuya medida, es desmedida; a una realidad humana cuya proporcion, es desproporcionada.
Author | : Cristina Gonzalo Canavoso |
Publisher | : |
Total Pages | : 135 |
Release | : 2010 |
Genre | : |
ISBN | : 9789871868834 |
Author | : María Berríos |
Publisher | : |
Total Pages | : 662 |
Release | : 2006 |
Genre | : Art, Chilean |
ISBN | : |
Analyzes the evolution of contemporary art in Chile from 1973 to 2007. This edition reproduces more than 500 color images of works by 74 contemporary artists (selected by editor Mosquera) including names such as: Juan Downey, Carlos Arias, (Santiago, Chile, 1964); Juan Castillo, (Antofagasta, 1952); Eugenio Dittborn, (Santiago, Chile, 1943); Paz Errzuriz, (Santiago, Chile, 1944); Volupsa Jarpa, (Rancagua, 1971); Carlos Leppe, (Santiago, Chile, 1952); and Carolina Ruff, (Santiago, Chile, 1973), as well as younger generation artists. The artists are presented in alphabetical order with brief introductory texts. Each reproduced work is rigorously documented with a caption that, in addition to providing the technical data offers the reader a description of the work for better comprehension. Six essays by noted critics and art historians: Guillermo Machuca, Mar̕a Berr̕os, Justo Pastor Mellado, Catalina Mena, Nelly Richard y Adriana V̀lads (description provided by vendor).
Author | : Baron de Vastey |
Publisher | : Oxford University Press |
Total Pages | : 341 |
Release | : 2016-01-25 |
Genre | : History |
ISBN | : 1781383049 |
The first translation into English of 'Le Système colonial dévoilé', the first systematic critique of colonialism ever written from the perspective of a colonized subject.
Author | : Mario Bellatin |
Publisher | : |
Total Pages | : 0 |
Release | : 2006 |
Genre | : Fiction |
ISBN | : 9780977616299 |
Three modern, edgy and superb stories by famous Mexican author Mario Bellatin--Chinese Checkers, Hero Dogs and My Skin Luminous--translated by Cooper Renner. This, his first book to appear in English, promises us an fascinating, unsettling and important new voice in modern writing. In these stories the narrator speaks rationally, cleanly, carefully, with a sense of precision and progression. But the life he describes is not rational, clean precise or progressive. His focus seems to be on exploring the ins and outs of specific situations. He is not plot-driven, nor do his characterizations seem to function in the normal way -- that is, to create a sympathetic character whom the author leads through some sort of growth process to a sort of epiphany. Any given one of his sentences, isolated from its context, might seem like an ordinary narrative sentence in a traditional work. Bellatin's contexts don't work that way: situations and thought repeat and recur in an apparently random fashion; he refuses to orchestrate climaxes and artificial excitements, even where a conventional writer would immediately do so.