La Ciudad Global En El Cine Contemporaneo
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Author | : Elena Oliete-Aldea |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 297 |
Release | : 2017-06-29 |
Genre | : Performing Arts |
ISBN | : 1501320165 |
The acute processes of globalisation at the turn of the century have generated an increased interest in exploring the interactions between the so-called global cultural products or trends and their specific local manifestations. Even though cross-cultural connections are becoming more patent in filmic productions in the last decades, cinema per se has always been characterized by its hybrid, transnational, border-crossing nature. From its own inception, Spanish film production was soon tied to the Hollywood film industry for its subsistence, but other film traditions such as those in the Soviet Union, France, Germany and, in particular, Italy also determined either directly or indirectly the development of Spanish cinema. Global Genres, Local Films: The Transnational Dimension of Spanish Cinema reaches beyond the limits of the film text and analyses and contextualizes the impact of global film trends and genres on Spanish cinema in order to study how they helped articulate specific national challenges from the conflict between liberalism and tradition in the first decades of the 20th century to the management of the contemporary financial crisis. This collection provides the first comprehensive picture of the complex national and supranational forces that have shaped Spanish films, revealing the tensions and the intricate dialogue between cross-cultural aesthetic and narrative models on the one hand, and indigenous traditions on the other, as well as the political and historical contingencies these different expressions responded to.
Author | : Antonio Lázaro-Reboll |
Publisher | : Wayne State University Press |
Total Pages | : 315 |
Release | : 2018-08-20 |
Genre | : Performing Arts |
ISBN | : 0814343171 |
The Films of Jess Franco seeks to address the scholarly neglect of this legendary cult director and to broaden the conversation around the director's work in ways that will be of interest to fans and academics alike.
Author | : Concepción Cascajosa Virino |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 240 |
Release | : 2015-10-05 |
Genre | : Performing Arts |
ISBN | : 1443883980 |
This book deepens the understanding of the work carried out by professional women in Spanish film and television since the arrival of democracy, a period of radical changes that saw an emergence of female talent. Although most of the literature on women and media deals with female film directors, this book also addresses television, a medium where the presence of women was significant throughout this period. This book makes an important contribution to the study of the history of women in Spanish media, focusing on the work of some well-known names, while also rescuing from oblivion others now forgotten. It brings together scholars from Spain, the United States and Ireland to analyze films and television programs written or directed by female professionals such as Pilar Miró, Josefina Molina, Cecilia Bartolomé, Rosa Montero, Carmen Martín Gaite, Cristina Andreu, Isabel Coixet and Paloma Chamorro. The book also includes four interviews with screenwriter Esmeralda Adam, television executive Carmen Caffarel, filmmaker Ana Díez and television director Matilde Fernández. Their reflections on personal and professional experiences shed light on the changes that took place in Spanish society during this period and the challenges they have faced in their careers.
Author | : Iván Villarmea Álvarez |
Publisher | : Columbia University Press |
Total Pages | : 257 |
Release | : 2015-05-12 |
Genre | : Performing Arts |
ISBN | : 0231850786 |
While film studies has traditionally treated the presence of the city in film as an urban text operating inside of a cinematic one, this approach has recently evolved into the study of cinema as a technology of place. From this perspective, Documenting Cityscapes explores the way the city has been depicted by nonfiction filmmakers since the late 1970s, paying particular attention to three aesthetic tendencies: documentary landscaping, urban self-portraits, and metafilmic strategies. Through the formal analysis of fifteen works from six different countries, this volume investigates how the rise of subjectivity has helped to develop a kind of gaze that is closer to citizens than to the institutions and corporations responsible for recent major transformations. Documenting Cityscapes therefore reveals the extent to which cinema has become an agent of urban change, in which certain films not only challenge the most controversial policies of late capitalism but also are able to produce spatiality themselves.
Author | : Marvin D'Lugo |
Publisher | : John Wiley & Sons |
Total Pages | : 586 |
Release | : 2013-04-22 |
Genre | : Performing Arts |
ISBN | : 1405195827 |
A Companion to Pedro Almodóvar “Marvin D’Lugo and Kathleen M. Vernon give us the ideal companion to Pedro Almodóvar’s films. Established and emerging writers offer a rainbow of insights for fans as well as academics.” Jerry W. Carlson, Professor of Film Studies, The City College & Graduate Center CUNY “Rarely has a contemporary film artist been treated to the kind of broad, rich discussion of their work that can be found in A Companion to Pedro Almodóvar.” Richard Peña, Professor of Film Studies, Columbia University Once the enfant terrible of Spain’s youth culture explosion, the Movida, Pedro Almodóvar’s distinctive film style and career longevity have made him one of the most successful and internationally known filmmakers of his generation. Offering a state-of-the-art appraisal of Almodóvar’s cinema, this original collection is a searching analysis of his technique and cultural significance that includes work by leading authorities on Almodóvar as well as talented young scholars. Crucially included here are contributions by film historians from Almodóvar’s native Spain, where he has been undervalued by the academic and critical establishment. With a balance between textual and contextual approaches, the book expands the scope of previous work on the director to explore his fruitful collaborations with fellow professionals in the areas of art design, fashion, and music as well as the growing reach of a global Almodóvar brand beyond Europe and the United States to Latin America and Asia. It also proposes a reevaluation of the political meanings and engagement of his cinema from the perspective of the profound cultural and historical upheavals that have transformed Spain since the 1970s.
Author | : Jorge Marí |
Publisher | : Taylor & Francis |
Total Pages | : 292 |
Release | : 2017-04-07 |
Genre | : History |
ISBN | : 1351858513 |
This critical anthology sets out to explore the boom that horror cinema and TV productions have experienced in Spain in the past two decades. It uses a range of critical and theoretical perspectives to examine a broad variety of films and filmmakers, such as works by Alejandro Amenábar, Álex de la Iglesia, Pedro Almodóvar, Guillermo del Toro, Juan Antonio Bayona, and Jaume Balagueró and Paco Plaza. The volume revolves around a set of fundamental questions: What are the causes for this new Spanish horror-mania? What cultural anxieties and desires, ideological motives and practical interests may be behind such boom? Is there anything specifically "Spanish" about the Spanish horror film and TV productions, any distinctive traits different from Hollywood and other European models that may be associated to the particular political, social, economic or cultural circumstances of contemporary Spain?
Author | : R. Meeuf |
Publisher | : Springer |
Total Pages | : 411 |
Release | : 2013-02-21 |
Genre | : Social Science |
ISBN | : 113726828X |
Combining a diverse range of case studies with discussion between leading scholars in star studies and transnational cinema, this book analyzes stars as sites of cross-cultural contestation and the essays in this collection explore how the plasticity of stars helps disparate peoples manage the shifting ideologies of a transnational world.
Author | : Gorostiza López, Jorge |
Publisher | : Editorial UOC |
Total Pages | : 237 |
Release | : 2017-03-28 |
Genre | : Photography |
ISBN | : 8491165509 |
El cine nació cuando las ciudades comenzaron a transformarse en los complejos y problemáticos lugares que habitamos hoy en día. Las poblaciones desde entonces fueron el lugar donde se desarrollaron los argumentos de las películas, y llegaron a tener en algunos casos un papel tan crucial como el de los protagonistas de carne y hueso. En este libro se recorre desde el optimismo vivido en los años veinte del siglo pasado, con la aparición de nuevas edificaciones como los rascacielos, que transformaron las grandes ciudades, hasta las fascinantes metrópolis actuales de países con economías en expansión, que al mismo tiempo continúan sufriendo problemas de marginalidad y delincuencia. Las 50 películas seleccionadas son primordiales para poder estudiar, y al mismo tiempo entender y llegar a conocer, cómo ha sido esa evolución de la ciudad hasta la actualidad, así como para constatar la influencia de la imagen en movimiento en esas poblaciones.
Author | : George S. Larke-Walsh |
Publisher | : John Wiley & Sons |
Total Pages | : 551 |
Release | : 2018-11-12 |
Genre | : Art |
ISBN | : 1119041732 |
A companion to the study of the gangster film’s international appeal spanning the Americas, Europe, and Asia A Companion to the Gangster Film presents a comprehensive overview of the newest scholarship on the contemporary gangster film genre as a global phenomenon. While gangster films are one of America’s most popular genres, gangster movies appear in every film industry across the world. With contributions from an international panel of experts, A Companion to the Gangster Film explores the popularity of gangster films across three major continents, the Americas, Europe, and Asia. The authors acknowledge the gangster genre’s popularity and examine the reasons supporting its appeal to twenty-first century audiences across the globe. The book examines common themes across all three continents such as production histories and reception, gender race and sexuality, mafia mythologies, and politics. In addition, the companion clearly shows that no national cinema develops in isolation and that cinema is a truly global popular art form. This important guide to the gangster film genre: Reveals how the gangster film engages in complex and contradictory themes Examines the changing face of the gangster film in America Explores the ideas of gangsterism and migration in the Hispanic USA, Latin America and the Caribbean Discusses the wide variety of gangster types to appear in European cinema Contains a review of a wide-range of gangster films from the Americans, Europe, and Asia Written for academics and students of film, A Companion to the Gangster Film offers a scholarly and authoritative guide exploring the various aspects and international appeal of the gangster film genre.
Author | : José Luis Fecé |
Publisher | : Editorial UOC |
Total Pages | : 211 |
Release | : 2015-07-03 |
Genre | : Photography |
ISBN | : 8490647305 |
En los últimos años la expresión “cine transnacional” se viene utilizando como sinónimo de “cine contemporáneo” puesto que las actuales condiciones de producción, distribución y consumo cinematográficos conducen a unas transformaciones, también estéticas, que difícilmente pueden explicarse desde las culturas y políticas nacionales. La imposibilidad o, como mínimo, la dificultad de asignar una nacionalidad única o mayoritaria constituye una de las principales características del cine, y de la producción audiovisual, contemporáneos. Los textos incluidos en esta edición se ocupan de estas transformaciones a través de ejemplos relacionados con espacios geopolíticos (los países que componen Mercosur); la recepción y el consumo de producciones audiovisuales latinas en Estados Unidos o con el análisis de espacios ficcionales transnacionales: la ciudad global, la frontera y otros no lugares contemporáneos. Estos trabajos coinciden en una idea más general: el carácter transnacional del cine contemporáneo no es un asunto estrictamente cinematográfico, sino también político, pues tanto su realidad como su imaginario geopolítico afectan también al propio concepto de ciudadanía.