La Chanson Du Printemps Piece En 1 Acte
Download La Chanson Du Printemps Piece En 1 Acte full books in PDF, epub, and Kindle. Read online free La Chanson Du Printemps Piece En 1 Acte ebook anywhere anytime directly on your device. Fast Download speed and no annoying ads. We cannot guarantee that every ebooks is available!
Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston
Author | : Boston Public Library. Allen A. Brown Collection of Music |
Publisher | : |
Total Pages | : 606 |
Release | : 1910 |
Genre | : Music |
ISBN | : |
Catalog of Copyright Entries
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 752 |
Release | : 1908 |
Genre | : Copyright |
ISBN | : |
Le printemps
Author | : Darius Milhaud |
Publisher | : |
Total Pages | : 16 |
Release | : 1997 |
Genre | : Violin and piano music |
ISBN | : |
Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office
Author | : Library of Congress. Copyright Office |
Publisher | : |
Total Pages | : 812 |
Release | : 1908 |
Genre | : American drama |
ISBN | : |
Resurrecting Jane de La Vaudère
Author | : Sharon Larson |
Publisher | : Penn State Press |
Total Pages | : 205 |
Release | : 2023-03-16 |
Genre | : Literary Criticism |
ISBN | : 0271094753 |
This engrossing narrative recounts the story of Jane de La Vaudère (née Jeanne Scrive), a prolific and celebrated writer of France’s Belle Époque. Interweaving biography and literary analysis, Sharon Larson examines the ways in which La Vaudère adapted her persona to shifting literary trends and readership demands—and how she created and profited from controversy. Relatively unknown today, La Vaudère published more than forty novels, poetry collections, and dramatic works as well as hundreds of shorter pieces. A controversial figure who was known as a plagiarist, La Vaudère attracted the attention of the public and of her peers, who caricatured her in literary periodicals and romans à clef. Most notably, La Vaudère claimed to have written the Rêve d’Egypte pantomime, whose 1907 production at the Moulin Rouge featured a kiss between Missy and Colette that led to riots and the suspension of future performances. Larson scrutinizes the ensemble of these various media constructions, privileging La Vaudère’s self-representation in interviews and advertisements, and brings to light her agency in creating an image that captivated public attention and boosted sales of her writings. An engrossing examination of La Vaudère’s life and work, this volume probes the quandaries of scholarship seeking to responsibly recover lost female voices and makes a long-overdue contribution to nineteenth-century French literary studies.
His Master's Voice/La Voix de Son Maitre
Author | : Alan Kelly |
Publisher | : Bloomsbury Publishing USA |
Total Pages | : 734 |
Release | : 1990-09-27 |
Genre | : Music |
ISBN | : 0313387745 |
This is a companion volume to the Italian catalogue, La Voce del Padrone, already published by Greenwood Press. This new volume provides a complete catalogue of French gramophone recordings made by the Gramophone Company Ltd. between 1898 and 1929. During this period the Compagnie Francaise du Gramophone was the continental European, African, and Asian end of a powerful partnership between the Victor Talking Machine Company and the Gramophone Company Ltd. The volume includes details of Victor recordings issued outside the Americas and hence is a useful adjunct to the series The Encyclopedic Discography of Victor Recordings, also published by Greenwood Press. The first three sections conform to the previously established pattern of listing Gramophone black and celebrity labels followed by the Zonophone green labels and the Gramophone green labels. In 1920, it was decided to issue records specifically for the Belgian/Flemish market; these are detailed in the fourth section. The contents of each section are listed in numerical order following the pattern of the early printed catalogues, that is, bands followed by orchestras followed by talking, etc. A list of the series actually used precedes each section and acts as a table of contents for the section. Each catalogue entry comprises as much as possible of the following information: the original numerical catalogue number; the matrix (serial) number; the date of the recording; the name of the artist(s) involved; the title of the piece; alternative issue numbers; and occasional notes. The introduction provides an overview of the company's recording practices and cataloging systems. This volume provides much-needed guidance for the serious collector and will be a valuable resource for the music historian.