La Cenerentola Gioachino Rossini
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| Author | : Gioacchino Rossini |
| Publisher | : Alma Books |
| Total Pages | : 99 |
| Release | : 2018-01-01 |
| Genre | : Music |
| ISBN | : 0714544914 |
Among the features of this guide to La Cenerentola, Philip Gossett throws new light on the remarkable story of the opera's composition, while Colin Graham, ENO producer, argues that it is the most sympathetic of all Rossini's comic masterpieces, and Mark Elder, ENO Music Director, shows how Rossini's musical style is exceptionally well suited to this enchanting story.Contents: Fairy tale and opera buffa: the genre of Rossini's 'La Cenerentola', Philip Gossett; 'La Cenerentola' - a musical commentary, Arthur Jacobs; 'Cinderella' in performance: I: A conversation with Mark Elder, II: A conversation with Colin Graham; La cenerentola: Libretto by Giacomo Ferretti; Ciderella: English translation by Arthur Jacobs
| Author | : Emanuele Senici |
| Publisher | : University of Chicago Press |
| Total Pages | : 371 |
| Release | : 2019-11-13 |
| Genre | : Music |
| ISBN | : 022666354X |
In the early 1800s, Rossini’s operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation. Emanuele Senici’s new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer’s works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini’s dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini’s Italian operas to appear in English, Music in the Present Tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality.
| Author | : Gioacchino Rossini |
| Publisher | : Glissato Edizioni Musicali |
| Total Pages | : 27 |
| Release | : 2024-04-10 |
| Genre | : Music |
| ISBN | : 883583919X |
The complete score of the overture from Gioachino Rossini's opera "La Cenerentola" (Cinderella, or Goodness Triumphant), meticulously transcribed for String Quartet by Enrico Zullino, offers a richly detailed arrangement that captures the essence of Rossini's operatic masterpiece. This transcription, designed for intermediate to advanced musicians, includes parts for Violin I, Violin II, Viola, and Cello, presenting a compelling opportunity for string quartets to explore Rossini's lyrical and vibrant composition. Zullino's adaptation maintains the overture's original key of E-flat major and is carefully crafted to align with the technical and expressive capabilities of a string quartet, ensuring a rewarding and authentic performance experience. With a duration of approximately 8.30 minutes, this arrangement invites performers and audiences alike into the enchanting world of "La Cenerentola", characterized by its dynamic contrasts, melodic beauty, and the triumphant spirit of goodness. Accompanied by an extensive preface available in English, French, German, Italian, Spanish, Portuguese, and Polish, this publication offers rich insights into the piece's background. Individual parts for each instrument are available separately, allowing for focused practice and nuanced ensemble coordination. This transcription not only serves as an engaging addition to the repertoire of string quartets but also as a bridge connecting chamber musicians to the grandeur and charm of Rossini's operatic literature. Embark on a musical journey with Enrico Zullino's transcription of the "La Cenerentola" overture for String Quartet, and experience the timeless allure of Rossini's music through the intimate voice of a string ensemble. - music for strings, Musik für Streicher, musique pour cordes, musica per archi, música para cuerdas, música para cordas, muzyka na struny, musik för stråkar, húros hangszerekre írt zene, hudba pro smyčce, hudba pre sláčiky, 弦楽器のための音楽, 현악기를 위한 음악 -
| Author | : John Leonard Pielmeier |
| Publisher | : Simon and Schuster |
| Total Pages | : 245 |
| Release | : 2017-07-18 |
| Genre | : Fiction |
| ISBN | : 1501161075 |
A rollicking debut novel from award-winning playwright and screenwriter John Pielmeier reimagines the childhood of the much-maligned Captain Hook: his quest for buried treasure, his friendship with Peter Pan, and the story behind the swashbuckling world of Neverland. Long defamed as a vicious pirate, Captain James Cook (a.k.a. Hook) was in fact a dazzling wordsmith who left behind a vibrant, wildly entertaining, and entirely truthful memoir. His chronicle offers a counter narrative to the works of J.M. Barrie, a “dour Scotsman” whose spurious accounts got it all wrong. Now, award-winning playwright John Pielmeier is proud to present this crucial historic artifact in its entirety for the first time. Cook’s story begins in London, where he lives with his widowed mother. At thirteen, he runs away from home, but is kidnapped and pressed into naval service as an unlikely cabin boy. Soon he discovers a treasure map that leads to a mysterious archipelago called the “Never-Isles” from which there appears to be no escape. In the course of his adventures he meets the pirates Smee and Starkey, falls in love with the enchanting Tiger Lily, adopts an oddly affectionate crocodile, and befriends a charming boy named Peter—who teaches him to fly. He battles monsters, fights in mutinies, swims with mermaids, and eventually learns both the sad and terrible tale of his mother’s life and the true story of his father’s disappearance. Like Gregory Maguire’s Wicked, Hook’s Tale offers a radical new version of a classic story, bringing readers into a much richer, darker, and enchanting version of Neverland than ever before. The characters that our hero meets—including the terrible Doctor Uriah Slinque and a little girl named Wendy—lead him to the most difficult decision of his life: whether to submit to the temptation of eternal youth, or to embrace the responsibilities of maturity and the inevitability of his own mortality. His choice, like his story, is not what you might expect.
| Author | : a cura di Enrico Zullino |
| Publisher | : Glissato Edizioni Musicali |
| Total Pages | : 21 |
| Release | : 2024-04-10 |
| Genre | : Music |
| ISBN | : |
Explore the enchanting world of Gioacchino Rossini with the Cello part of the "La Cenerentola" overture, a masterpiece that weaves the narrative of Cinderella, or Goodness Triumphant, through its compelling overture. This piece has been meticulously transcribed for String Quartet (Violin I, Violin II, Viola, and Cello) by Enrico Zullino, catering to intermediate and advanced level musicians. The arrangement captures the essence and complexity of Rossini's original composition, offering a challenging yet rewarding experience for the performers. Highlights of This Edition: Masterful Arrangement: Specifically tailored for a string quartet, this complete transcription brings the vibrant and dynamic overture of "La Cenerentola" into a new light, preserving the opera's dramatic and emotional depth. Comprehensive Publisher's Preface: Accompanied by an extensive preface available in English, French, German, Italian, Spanish, Portuguese, and Polish, this publication offers rich insights into the piece's background, thematic elements, and performance nuances. Individual and Ensemble Flexibility: While the Cello part is presented here, other parts and the full score are readily available in a series, allowing for a cohesive and flexible approach to ensemble preparation. Significant Duration and Key: Spanning approximately 8 minutes and 30 seconds, and set in the key of E♭, this arrangement offers an extensive exploration into Rossini's operatic genius, making it a significant addition to any concert repertoire. This publication not only promises to enrich the repertoire of string quartets but also serves as an invitation to delve deeper into the musical storytelling of one of opera's greatest composers. Whether for performance, study, or personal enjoyment, this transcription of the "La Cenerentola" overture is a testament to the timeless allure of Rossini's music, skillfully adapted for the modern string ensemble. - music for strings, Musik für Streicher, musique pour cordes, musica per archi, música para cuerdas, música para cordas, muzyka na struny, musik för stråkar, húros hangszerekre írt zene, hudba pro smyčce, hudba pre sláčiky, 弦楽器のための音楽, 현악기를 위한 음악 -
| Author | : Gioacchino Rossini |
| Publisher | : |
| Total Pages | : 76 |
| Release | : 1844 |
| Genre | : Operas |
| ISBN | : |
| Author | : Larry Wolff |
| Publisher | : Stanford University Press |
| Total Pages | : 505 |
| Release | : 2016-08-30 |
| Genre | : History |
| ISBN | : 0804799652 |
While European powers were at war with the Ottoman Empire for much of the eighteenth century, European opera houses were staging operas featuring singing sultans and pashas surrounded by their musical courts and harems. Mozart wrote The Abduction from the Seraglio. Rossini created a series of works, including The Italian Girl in Algiers. And these are only the best known of a vast repertory. This book explores how these representations of the Muslim Ottoman Empire, the great nemesis of Christian Europe, became so popular in the opera house and what they illustrate about European–Ottoman international relations. After Christian armies defeated the Ottomans at Vienna in 1683, the Turks no longer seemed as threatening. Europeans increasingly understood that Turkish issues were also European issues, and the political absolutism of the sultan in Istanbul was relevant for thinking about politics in Europe, from the reign of Louis XIV to the age of Napoleon. While Christian European composers and publics recognized that Muslim Turks were, to some degree, different from themselves, this difference was sometimes seen as a matter of exotic costume and setting. The singing Turks of the stage expressed strong political perspectives and human emotions that European audiences could recognize as their own.
| Author | : a cura di Enrico Zullino |
| Publisher | : Glissato Edizioni Musicali |
| Total Pages | : 21 |
| Release | : 2024-04-10 |
| Genre | : Music |
| ISBN | : |
Explore the enchanting world of Gioacchino Rossini with the Viola part of the "La Cenerentola" overture, a masterpiece that weaves the narrative of Cinderella, or Goodness Triumphant, through its compelling overture. This piece has been meticulously transcribed for String Quartet (Violin I, Violin II, Viola, and Cello) by Enrico Zullino, catering to intermediate and advanced level musicians. The arrangement captures the essence and complexity of Rossini's original composition, offering a challenging yet rewarding experience for the performers. Highlights of This Edition: Masterful Arrangement: Specifically tailored for a string quartet, this complete transcription brings the vibrant and dynamic overture of "La Cenerentola" into a new light, preserving the opera's dramatic and emotional depth. Comprehensive Publisher's Preface: Accompanied by an extensive preface available in English, French, German, Italian, Spanish, Portuguese, and Polish, this publication offers rich insights into the piece's background, thematic elements, and performance nuances. Individual and Ensemble Flexibility: While the Viola part is presented here, other parts and the full score are readily available in a series, allowing for a cohesive and flexible approach to ensemble preparation. Significant Duration and Key: Spanning approximately 8 minutes and 30 seconds, and set in the key of E♭, this arrangement offers an extensive exploration into Rossini's operatic genius, making it a significant addition to any concert repertoire. This publication not only promises to enrich the repertoire of string quartets but also serves as an invitation to delve deeper into the musical storytelling of one of opera's greatest composers. Whether for performance, study, or personal enjoyment, this transcription of the "La Cenerentola" overture is a testament to the timeless allure of Rossini's music, skillfully adapted for the modern string ensemble. - music for strings, Musik für Streicher, musique pour cordes, musica per archi, música para cuerdas, música para cordas, muzyka na struny, musik för stråkar, húros hangszerekre írt zene, hudba pro smyčce, hudba pre sláčiky, 弦楽器のための音楽, 현악기를 위한 음악 -
| Author | : Rosetta Costantino |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 417 |
| Release | : 2010-11-08 |
| Genre | : Cooking |
| ISBN | : 0393065162 |
The first cookbook from this little-known region of Italy celebrates the richness of the region's landscape and the allure of its cuisine, featuring recipes for easily accessible, fresh-from-the-garden Italian food from a Calabrian native.
| Author | : Axel Körner |
| Publisher | : Cambridge University Press |
| Total Pages | : 341 |
| Release | : 2022-03-24 |
| Genre | : Music |
| ISBN | : 1108843867 |
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
