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| Author | : Derek Taylor Kent |
| Publisher | : Evolved Publishing |
| Total Pages | : 368 |
| Release | : 2016-08-07 |
| Genre | : Fiction |
| ISBN | : 9781622534524 |
What if Stanley Kubrick left behind more than just his classic films? What if he also left behind an elaborate puzzle cleverly buried within his films, which would lead the player toward a treasure that could change the course of human history? An often comedic, sometimes tragic, always entertaining look at an extraordinary "What If?" adventure.
| Author | : Richard Rambuss |
| Publisher | : Fordham University Press |
| Total Pages | : 288 |
| Release | : 2021-03-02 |
| Genre | : Performing Arts |
| ISBN | : 0823293904 |
A provocative re-reading of Stanley Kubrick’s work and its focus on masculine desire The work of Stanley Kubrick amounts to a sustained reflection on the male condition: past, present, and future. The persistent theme of his filmmaking is less violence or sex than it is the pressurized exertion of masculinity in unusual or extreme circumstances, where it may be taxed or exaggerated to various effects, tragic and comic—or metamorphosed, distorted, and even undone. The stories that Kubrick’s movies tell range from global nuclear politics to the unpredictable sexual dynamics of a marriage; from a day in the life of a New York City prizefighter preparing for a nighttime bout to the evolution of humankind. These male melodramas center on sociality and asociality. They feature male doubles, pairs, and rivals. They explore the romance of men and their machines, and men as machines. They figure intensely conflicted forms of male sexual desire. And they are also very much about male manners, style, taste, and art. Examining the formal, thematic, and theoretical affiliations between Kubrick’s three bodies of work—his photographs, his documentaries, and his feature films—Kubrick’s Men offers new vantages on to the question of gender and sexuality, including the first extended treatment of homosexuality in Kubrick’s male-oriented work.
| Author | : Robert Kolker |
| Publisher | : Oxford University Press |
| Total Pages | : 198 |
| Release | : 2006-03-23 |
| Genre | : Performing Arts |
| ISBN | : 0199884013 |
Almost all students have seen 2001, but virtually none understand its inheritance, its complexities, and certainly not its ironies. The essays in this collection, commissioned from a wide variety of scholars, examine in detail various possible readings of the film and its historical context. They also examine the film as a genre piece--as the summa of science fiction that simultaneously looks back on the science fiction conventions of the past (Kubrick began thinking of making a science fiction film during the genre's heyday in the fifties), rethinks the convention in light of the time of the film's creation, and in turn changes the look and meaning of the genre that it revived--which now remains as prominent as it was almost four decades ago. Constructed out of its director's particular intellectual curiosity, his visual style, and his particular notions of the place of human agency in the world and, in this case, the universe, 2001 is, like all of his films, more than it appears, and it keeps revealing more the more it is seen. Though their backgrounds and disciplines differ, the authors of this essay collection are united by a talent for vigorous yet incisive writing that cleaves closely to the text--to the film itself, with its contextual and intrinsic complexities--granting readers privileged access to Kubrick's formidable, intricate classic work of science fiction.
| Author | : I.Q. Hunter |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 396 |
| Release | : 2021-01-14 |
| Genre | : Performing Arts |
| ISBN | : 1501343653 |
Stanley Kubrick is one of the most revered directors in cinema history. His 13 films, including classics such as Paths of Glory, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining, attracted controversy, acclaim, a devoted cult following, and enormous critical interest. With this comprehensive guide to the key contexts - industrial and cultural, as well as aesthetic and critical - the themes of Kubrick's films sum up the current vibrant state of Kubrick studies. Bringing together an international team of leading scholars and emergent voices, this Companion provides comprehensive coverage of Stanley Kubrick's contribution to cinema. After a substantial introduction outlining Kubrick's life and career and the film's production and reception contexts, the volume consists of 39 contributions on key themes that both summarise previous work and offer new, often archive-based, state-of-the-art research. In addition, it is specifically tailored to the needs of students wanting an authoritative, accessible overview of academic work on Kubrick.
| Author | : Jasun Horsley |
| Publisher | : Aeon Books |
| Total Pages | : 240 |
| Release | : 2023-03-28 |
| Genre | : Social Science |
| ISBN | : 1801520690 |
Stanley Kubrick was up to something. But neither his fiercest admirers nor his harshest critics ever suspected what it was. His movies were the means. So what was the end? In this experimental analysis of the work of Stanley Kubrick, Jasun Horsley unpicks the cult of Kubrick, taking a unique approach as he delves into the deeper - and often darker - reasons as to why the director has achieved such admiration over the years. The Kubrickon maps an unholy merger of computer and behavioral sciences that has shaped not just politics but all of modern society over the past decade (e.g. Cambridge Analytica). It explores Stanley Kubrick’s intensive, secret, insider involvement in the building of an architecture of algorithm-directed technology that has steadily encroached into our inner realms, cementing a symbiotic relationship between human consciousness and technology, with culture as the binding medium of an attention economy. Throughout The Kubrickon Horsley uses Kubrick’s critically acclaimed films such as Eyes Wide Shut and 2001: Space Odyssey to provide a fascinating and revelatory overview of the cultural obsession with Stanley Kubrick, as well as on a wider scale providing illuminating criticisms of society’s consumption of culture and media. For those who dislike Kubrick movies, The Kubrickon will finally absolve you of all uncertainty and guilt. For those who adore Kubrick movies, The Kubrickon will challenge you to the core, and may just set you free. For those who are indifferent to Kubrick movies, The Kubrickon will reward you by making you care about, and nurture, your indifference.
| Author | : Jeremy Carr |
| Publisher | : Liverpool University Press |
| Total Pages | : 248 |
| Release | : 2023-05-15 |
| Genre | : Performing Arts |
| ISBN | : 183764683X |
Kubrick and Control is an examination of authority, order, and independence in the films directed by Stanley Kubrick, as well as in his personal life and working habits. This study explores the ways in which these central preoccupations develop and reformulate through the course of Kubrick's career, as he moved from genre to genre and shifted stories, locations, time periods, scope, and technical facilities. Separating the productions in accordance to their wider filmic classifications, the individual chapters examine a variety of productions, allowing for a categorical as well as a developmental approach to the works. In addition, following concurrently with each individual film discussed, details about Kubrick's life and evolving directorial practice are recounted in relation to these same concerns. In studying the stylistic and narrative features of his work, examples illustrate how Kubrick took these themes and applied them consistently yet with significant variation, manifest in relation to mise-en-scène construction (how Kubrick composed his images); characterization (individuals establishing, exerting, seeking, and/or abusing their authority); narrative (stories about characters and situations dependent upon order and control); and the actual filmmaking processes of the director (Kubrick was both praised and damned for his authorial management and obsession with order and perfection).
| Author | : Julian Rice |
| Publisher | : Scarecrow Press |
| Total Pages | : 293 |
| Release | : 2008-09-29 |
| Genre | : Performing Arts |
| ISBN | : 0810862247 |
There have been two common assumptions about Stanley Kubrick: that his films portray human beings who are driven exclusively by aggression and greed, and that he pessimistically rejected meaning in a contingent, postmodern world. However, as Kubrick himself remarked, 'A work of art should be always exhilarating and never depressing, whatever its subject matter may be.' In this new interpretation of Kubrick's films, Julian Rice suggests that the director's work had a more positive outlook than most people credit him. And while other studies have recounted Kubrick's life and production histories, few have offered lucid explanations of specific sources and their influence on his films. In Kubrick's Hope, Rice explains how the theories of Freud and Jung took cinematic form, and also considers the significant impression left on the director's last six films by Robert Ardrey, Bruno Bettelheim, and Joseph Campbell. In addition to providing useful contexts, Rice offers close readings of the films, inviting readers to note details they may have missed and to interpret them in their own way. By refreshing their experience of the films and discarding postmodern clichZs, viewers may discover more optimistic themes in the director's works. Beginning with 2001: A Space Odyssey and continuing through A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut, Rice illuminates Kubrick's thinking at the time he made each film. Throughout, Rice examines the compelling political, psychological, and spiritual issues the director raises. As this book contends, if these works are considered together and repeatedly re-viewed, Kubrick's films may help viewers to personally grow and collectively endure.
| Author | : Nathan Abrams |
| Publisher | : Rutgers University Press |
| Total Pages | : 341 |
| Release | : 2018-04-19 |
| Genre | : Art |
| ISBN | : 0813587131 |
Stanley Kubrick is generally acknowledged as one of the world’s great directors. Yet few critics or scholars have considered how he emerged from a unique and vibrant cultural milieu: the New York Jewish intelligentsia. Stanley Kubrick reexamines the director’s work in context of his ethnic and cultural origins. Focusing on several of Kubrick’s key themes—including masculinity, ethical responsibility, and the nature of evil—it demonstrates how his films were in conversation with contemporary New York Jewish intellectuals who grappled with the same concerns. At the same time, it explores Kubrick’s fraught relationship with his Jewish identity and his reluctance to be pegged as an ethnic director, manifest in his removal of Jewish references and characters from stories he adapted. As he digs deep into rare Kubrick archives to reveal insights about the director’s life and times, film scholar Nathan Abrams also provides a nuanced account of Kubrick’s cinematic artistry. Each chapter offers a detailed analysis of one of Kubrick’s major films, including Lolita, Dr. Strangelove, 2001, A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut. Stanley Kubrick thus presents an illuminating look at one of the twentieth century’s most renowned and yet misunderstood directors.
| Author | : Michael Herr |
| Publisher | : Grove Press |
| Total Pages | : 116 |
| Release | : 2000 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780802138187 |
"The author provides a firsthand portrait of his friend and colleague, Stanley Kubrick, describing the life and career of the legendary director, dispelling myths about him, and reflecting on his influence on the world of filmmaking."--
| Author | : David Mikics |
| Publisher | : Yale University Press |
| Total Pages | : 248 |
| Release | : 2020-08-18 |
| Genre | : Biography & Autobiography |
| ISBN | : 0300255616 |
An engrossing biography of one of the most influential filmmakers in cinematic history Kubrick grew up in the Bronx, a doctor’s son. From a young age he was consumed by photography, chess, and, above all else, movies. He was a self†‘taught filmmaker and self†‘proclaimed outsider, and his films exist in a unique world of their own outside the Hollywood mainstream. Kubrick’s Jewishness played a crucial role in his idea of himself as an outsider. Obsessed with rebellion against authority, war, and male violence, Kubrick was himself a calm, coolly masterful creator and a talkative, ever†‘curious polymath immersed in friends and family. Drawing on interviews and new archival material, Mikics for the first time explores the personal side of Kubrick’s films.
