Krishnas Musicians
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| Author | : Anne-Marie Gaston |
| Publisher | : |
| Total Pages | : 368 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : |
Many Arts In Traditional India Were The Preserve Of Hereditary Practitioners, Some Of Whom Are Still Supported By Hindu Temples. An Example Is The Community Of Hereditary Musicans (Kirtankars), Who Still Serve In The Temples Of The Vallabha Sampraday, A Vaishnava Sect With Its Main Centre In Nathdvara, Rajasthan. This Book Deals With The Role Of Music In The Sampraday And With The Lives Of The Musicians. It Is Concerned With The Living Tradition, And What It Can Tell Us About The Past. By Revealing The Context In Which Music Was Created In Nathdvara, It Provides New Insights Into The Functioning Of Traditional Artist Communities And Their Response To The Challenges Of A Changing World.
| Author | : Krishna Rose |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2021-07-31 |
| Genre | : |
| ISBN | : 9781733009980 |
WINNER of PenCraft Award - Best Fiction Book of The YearIn an enthralling saga, Mary Magdalene, the most misunderstood woman in history, returns strong and true as the irresistible voice of the banished feminine divine. Holding an intriguing legacy in her hands, she unveils the scandalous secrets, prophecies, and confidential teachings of Jesus. Using the profound language of the soul to construct in the reader the essence of a divine state, this book could be called pure alchemy from beginning to end. Overflowing with enthralling descriptions detailing the creation, Heaven and Hell, the hidden life of Jesus, the truth about Mother Mary, and the secrets of death, endorsed by obscure ancient texts-this book sets spiritual and historical literature apart.After twenty-five years of research this could be the most authentic portrayal recounting accurate details of what happened next-after the crucifixion.Prophecy spoke of two Messiah's-Jesu was the first.
| Author | : T.M. Krishna |
| Publisher | : Harper Collins |
| Total Pages | : 268 |
| Release | : 2013-12-26 |
| Genre | : Music |
| ISBN | : 9350298228 |
One of the foremost Karnatik vocalists today, T.M. Krishna writes lucidly and passionately about the form, its history, its problems and where it stands todayT.M. Krishna begins his sweeping exploration of the tradition of Karnatik music with a fundamental question: what is music? Taking nothing for granted and addressing readers from across the spectrum - musicians, musicologists as well as laypeople - Krishna provides a path-breaking overview of south Indian classical music.
| Author | : Joseph P. Swain |
| Publisher | : Rowman & Littlefield |
| Total Pages | : 336 |
| Release | : 2010 |
| Genre | : Music |
| ISBN | : 0810876213 |
Nearly all religious traditions have reserved a special place for sacred music. Whether it is music accompanying a ritual or purely for devotional purposes, music composed for entire congregations or for the trained soloist, or music set to holy words or purely instrumental, in some form or another, music is present. In fact, in some traditions the relation between the music and the ritual is so intimate that to distinguish between them would be inaccurate. The A to Z of Sacred Music covers the most important aspects of the sacred music of Buddhism, Christianity, Confucianism, Hinduism, Islam, Judaism, and other smaller religious groups. It provides useful information on all the significant traditions of this music through the use of a chronology, an introductory essay, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions.
| Author | : |
| Publisher | : |
| Total Pages | : 1404 |
| Release | : 1923 |
| Genre | : Drama |
| ISBN | : |
Vols. for 1957-61 include an additional (mid-January) no. called Directory issue, 1st-5th ed. The 6th ed. was published as the Dec. 1961 issue.
| Author | : John Stratton Hawley |
| Publisher | : Princeton University Press |
| Total Pages | : 357 |
| Release | : 2014-07-14 |
| Genre | : Social Science |
| ISBN | : 1400859123 |
Every year thousands of pilgrims travel to Brindavan, the village where Krishna is said to have lived as a child. There, they witness a series of religious dramas called ras lilas, whose central roles are performed by children. By translating four plays that collectively span this cycle, John Hawley provides a lively perspective on the mythology of Krishna as Hindus experience it today. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
| Author | : |
| Publisher | : Oxford University Press |
| Total Pages | : 465 |
| Release | : 2019-07-02 |
| Genre | : Religion |
| ISBN | : 0190279206 |
Forming the final part of the Sanskrit Mahabharata, the Harivamsha's main business is to supply narrative details about the great god Vishnu's avatar Krishna Vasudeva, who has been a comparatively minor character in the previous parts of the Mahabharata, despite having taken centre stage in the Bhagavad Gita. Krishna is born in Mathura (some 85 miles south of present-day Delhi). As an infant he is smuggled out of Mathura for his own safety. He and his brother Baladeva grow up among cowherds in the forest, where between them they perform many miraculous deeds and kill many dangerous demons, before returning to Mathura where they kill the evil King Kamsa and his cronies. Thereafter, Krishna is the hero and unofficial leader of his people the Yadava-Vrishnis. When Mathura is besieged by enemies, Krishna leads his people to abandon the town and migrate west, founding the dazzling new city of Dvaraka by the sea. Krishna then repeatedly travels away from that base repeatedly to perform heroic deeds benefitting those in need - including his own people, his more immediate family, and the gods. After narrating the stories of Krishna, the Harivamsha ends by finishing the story of Janamejaya with which the Mahabharata began. The Harivamsha is a powerhouse of Hindu mythology and a classic of world literature. It begins by contextualising Vishnu's appearance as Krishna in several ways, in the process presenting a variety of cosmogonical, cosmological, genealogical, mythological, theological, and karmalogical materials. It then narrates Krishna's birth and adventures in detail. Presenting a wide variety of exciting stories in a poetic register that makes extensive use of natural imagery, the Harivamsha is a neglected literary gem and an ideal starting-point for readers new to Indian literature.
| Author | : James Kippen |
| Publisher | : Routledge |
| Total Pages | : 284 |
| Release | : 2022-03-30 |
| Genre | : Music |
| ISBN | : 1351564722 |
The 1903 Mrdang aur Tabla Vadanpaddhati is a revelatory text that has never been translated or analysed. It is a manual for playing the two most important drums of North Indian (Hindustani) music, the pakhavaj (mrdang) and the tabla. Owing to its relative obscurity, it is a source that has never been discussed in the literature on Hindustani music. Its author, Gurudev Patwardhan, was Vice Principal of V.D. Paluskar's first music school in Lahore from its inception in 1901 to 1908. Professor James Kippen provides the first translation of this immensely important text and examines its startling implications for rhythmic and metric theory. It is the earliest work on Indian drumming to contain a notation sufficiently precise to allow definitive reconstruction. The compositions are of considerable musical interest, for they can be readily realized on the tabla or pakhavaj. Kippen sets the work and objectives of the original author in the context of a rich historical, social and political background. By also discussing radical differences in the second edition of 1938, published by Gurudev's nephew, the vocalist Vinayakrao Patwardhan, Kippen illuminates the process by which 'tabla theory' was being created in the early 20th century. Both Patwardhans were enthusiastic supporters of Paluskar's nationalist imperatives, and active participants in his drive to institutionalize music, codify and publish notations of it, and promote a modern, Hindu vision of India wherein its identity could once again be linked to a glorious golden age in distant antiquity.
| Author | : Tryna Lyons |
| Publisher | : |
| Total Pages | : 368 |
| Release | : 2004 |
| Genre | : Art |
| ISBN | : |
The Pilgrimage Centre Of Nathadwara In Rajasthan Is Home To A Large Community Of Traditional Artists, Who Retain Sketchbooks And Other Materials Handed Down In Their Families For Generations. The Old Sketchbooks, Still Used To Teach Youngsters And To Prov
| Author | : Ritwik Sanyal |
| Publisher | : Taylor & Francis |
| Total Pages | : 422 |
| Release | : 2023-02-16 |
| Genre | : Music |
| ISBN | : 1000845435 |
Dhrupad is believed to be the oldest style of classical vocal music performed today in North India. This detailed study of the genre considers the relationship between the oral tradition, its transmission from generation to generation, and its re-creation in performance. There is an overview of the historical development of the dhrupad tradition and its performance style from the sixteenth to the nineteenth centuries, and of the musical lineages that carried it forward into the twentieth century, followed by analyses of performance techniques, processes and styles. The authors examine the relationship between the structures provided by tradition and their realization by the performer to throw light on the nature of tradition and creativity in Indian music; and the book ends with an account of the ‘revival’ movement of the late twentieth century that re-established the genre in new contexts. Augmented with an analytical transcription of a complete dhrupad performance, this is the first book-length study of an Indian vocal genre to be co-authored by an Indian practitioner and a Western musicologist.
