Kill the Radio

Kill the Radio
Author: Dorothea Rosa Herliany
Publisher: ARC Publications
Total Pages: 152
Release: 2007
Genre: Poetry
ISBN:

In a strongly patriarchal society in which the norms of feminine subordination are sanctified by the strictures of religion, the rage and aggression of Dorothea Herliany's poems is remarkable. This collection introduces the work of one of Indonesia's most significant writers.

Podcasting

Podcasting
Author: Jeremy Wade Morris
Publisher: John Wiley & Sons
Total Pages: 154
Release: 2024-05-31
Genre: Philosophy
ISBN: 1509557350

Podcasting burst onto the media landscape in the early 2000s. At the time, there were hopes it might usher in a new wave of amateur and professional cultural production and represent an alternate model for how to produce, share, circulate and experience new voices and perspectives. Twenty years later, podcasting is at a critical juncture in its young history: a moment where the early ideals of open standards and platform-neutral distribution are giving way to services that prioritize lean-back listening and monetizable media experiences. This book provides an accessible and comprehensive account of one of digital media’s most vibrant formats. Focusing on the historical changes shaping podcasts as a media format, the book explores the industrial, technological and cultural components of podcasting alongside case studies of various podcasts, industry publications, and streaming audio platforms (e.g. Spotify, Google and Apple Podcasts). Jeremy Morris argues that as streaming platforms push to make podcasting more industrialized, accessible, user-friendly and similar to other audio media like music or audiobooks, they threaten podcasting’s early, though always unrealized, promises. This is the go-to introduction for students and researchers of media, communication and cultural studies, as well as readers who enjoy making and listening to podcasts.

Kill the Music

Kill the Music
Author: Michael G. Plumides
Publisher: Booksurge Publishing
Total Pages: 0
Release: 2009-04-15
Genre: Charlotte (N.C.)
ISBN: 9781439234471

"The true story of a girl-crazy college radio idealist and his relationships between family, friends, enemies, and the politics of the music scene. Set in the "Bible Belt" during the late 1980's and early 1990's this poignant account explores his experiences as a college deejay at WUSC-FM, and the owner of the ill-fated and controversial 4808 Club in uptown Charlotte, North Carolina."--Page 4 of cover.

GSD Platform 5

GSD Platform 5
Author: Mariana Ibanez
Publisher: ACTAR Publishers
Total Pages: 353
Release: 2012
Genre: Architecture
ISBN: 8415391285

Platform 5 considers the expanded boundaries of the Harvard University Graduate School of Design. It features not only the selections of the work produced at the GSD during the 2011-2012 academic year, but also the potential of that work to address broader questions and inform global initiatives.

They Can't Kill Us Until They Kill Us

They Can't Kill Us Until They Kill Us
Author: Hanif Abdurraqib
Publisher: Two Dollar Radio
Total Pages: 244
Release: 2017-11-14
Genre: Literary Collections
ISBN: 1937512665

* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

Closely Watched Films

Closely Watched Films
Author: Marilyn Fabe
Publisher: Univ of California Press
Total Pages: 312
Release: 2014-10-14
Genre: Performing Arts
ISBN: 0520279972

"Through detailed examinations of passages from classic films, Marilyn Fabe supplies the analytic tools and background in film history and theory to enable us to see more in every film we watch"--Page [4] of cover.

Hearings

Hearings
Author: United States. Congress. Senate. Committee on Commerce
Publisher:
Total Pages: 1862
Release: 1953
Genre:
ISBN:

Millennials Killed the Video Star

Millennials Killed the Video Star
Author: Amanda Ann Klein
Publisher: Duke University Press
Total Pages: 164
Release: 2021-01-04
Genre: Performing Arts
ISBN: 1478012870

Between 1995 and 2000, the number of music videos airing on MTV dropped by 36 percent. As an alternative to the twenty-four-hour video jukebox the channel had offered during its early years, MTV created an original cycle of scripted reality shows, including Laguna Beach, The Hills, The City, Catfish, and Jersey Shore, which were aimed at predominantly white youth audiences. In Millennials Killed the Video Star Amanda Ann Klein examines the historical, cultural, and industrial factors leading to MTV's shift away from music videos to reality programming in the early 2000s and 2010s. Drawing on interviews with industry workers from programs such as The Real World and Teen Mom, Klein demonstrates how MTV generated a coherent discourse on youth and identity by intentionally leveraging stereotypes about race, ethnicity, gender, and class. Klein explores how this production cycle, which showcased a variety of ways of being in the world, has played a role in identity construction in contemporary youth culture—ultimately shaping the ways in which Millennial audiences of the 2000s thought about, talked about, and embraced a variety of identities.