Key Concepts In Medieval Literature
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| Author | : Angela Jane Weisl |
| Publisher | : Routledge |
| Total Pages | : 229 |
| Release | : 2018-03-20 |
| Genre | : Literary Criticism |
| ISBN | : 1317210638 |
Medieval Literature: The Basics is an engaging introduction to this fascinating body of literature. The volume breaks down the variety of genres used in the corpus of medieval literature and makes these texts accessible to readers. It engages with the familiarities present in the narratives and connects these ideas with a contemporary, twenty-first century audience. The volume also addresses contemporary medievalism to show the presence of medieval literature in contemporary culture, such as film, television, games, and novels. From Dante and Chaucer to Christine de Pisan, this book deals with questions such as: What is medieval literature? What are some of the key topics and genres of medieval literature? How did it evolve as technology, such as the printing press, developed? How has it remained relevant in the twenty-first century? Medieval Literature: The Basics is an ideal introduction for students coming to the subject for the first time, while also acting as a springboard from which deeper interaction with medieval literature can be developed.
| Author | : Julian Wolfreys |
| Publisher | : Edinburgh University Press |
| Total Pages | : 240 |
| Release | : 2013-12-11 |
| Genre | : Literary Criticism |
| ISBN | : 0748668403 |
Key Concepts in Literary Theory presents the student of literary and critical studies with a broad range of accessible, precise and authoritative definitions of the most significant terms and concepts currently used in psychoanalytic, poststructuralist, Marxist, feminist, and postcolonial literary studies. The volume also provides clear and useful discussions of the main areas of literary, critical and cultural theory, supported by bibliographies and an expanded chronology of major thinkers. Accompanying the chronology are short biographies of major works by each critic or theorist.The third edition of this reliable reference work is both revised and expanded, including:* more than 100 additional terms and concepts defined.* newly defined terms include keywords from the social sciences, cultural studies and psychoanalysis and the addition of a broader selection of classical rhetorical terms.* an expanded chronology, with additional entries and a broader historical and cultural range.* expanded bibliographies including key texts by major critics.
| Author | : C. S. Lewis |
| Publisher | : Cambridge University Press |
| Total Pages | : 213 |
| Release | : 2013-11-07 |
| Genre | : Literary Criticism |
| ISBN | : 1107658926 |
An invaluable collection for those who read and love Lewis and medieval and Renaissance literature.
| Author | : R. M. Wilson |
| Publisher | : Routledge |
| Total Pages | : 269 |
| Release | : 2019-07-08 |
| Genre | : History |
| ISBN | : 0429515707 |
Originally published in 1952 The Lost Literature of Medieval England provides an account of lost masterpieces of medieval English literature. The book examines the evidence for their existence and pieces together a fuller understanding of the literary traditions of the period. In more specific detail, the book looks at the concept of Christian epics and religious and didactic literature, as well as the drama and the lyrical poetry of the period.
| Author | : Geoffrey Chaucer |
| Publisher | : Penguin UK |
| Total Pages | : 259 |
| Release | : 2006-05-25 |
| Genre | : Poetry |
| ISBN | : 0141959894 |
Spanning Chaucer's working life, these four poems build on the medieval convention of 'love visions' - poems inspired by dreams, woven into rich allegories about the rituals and emotions of courtly love. In The Book of the Duchess, the most traditional of the four, the dreamer meets a widower who has loved and lost the perfect lady, and The House of Fame describes a dream journey in which the poet meets with classical divinities. Witty, lively and playful, The Parliament of Birds details an encounter with the birds of the world in the Garden of Nature as they seek to meet their mates, while The Legend of Good Women sees Chaucer being censured by the God of Love, and seeking to make amends, for writing poems that depict unfaithful women. Together, the four create a marvellously witty, lively and humane self-portrait of the poet.
| Author | : Stephen Knight |
| Publisher | : Routledge |
| Total Pages | : 307 |
| Release | : 2021-03-01 |
| Genre | : History |
| ISBN | : 100034018X |
Medieval Literature and Social Politics brings together seventeen articles by literary historian Stephen Knight. The book primarily focuses on the social and political meaning of medieval literature, in the past and the present. It provides an account of how early heroic texts relate to the issues surrounding leadership and conflict in Wales, France and England, and how the myth of the Grail and the French reworking of Celtic stories relate to contemporary society and its concerns. Further chapters examine Chaucer’s readings of his social world, the medieval reworkings of the Arthur and Merlin myths, and the popular social statements in ballads and other literary forms. The concluding chapters examine the Anglo-nationalist `Arctic Arthur’, and the ways in which Arthur, Merlin and Robin Hood can be treated in terms of modern studies of the history of emotions and the environment. This book will be of interest to scholars and students of medieval Europe, as well as those interested in social and political history, medieval literature and modern medievalism (CS 1099).
| Author | : Daniel T. Kline |
| Publisher | : Continuum |
| Total Pages | : 338 |
| Release | : 2009 |
| Genre | : Literary Criticism |
| ISBN | : |
One-stop resource for courses in medieval literature, providing students with a comprehensive guide to the historical and cultural context; major texts and movements; reading primary and critical texts; key critics, concepts and topics; major critical approaches and directions of new research.
| Author | : Mikael Males |
| Publisher | : Brepols Publishers |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Allegory |
| ISBN | : 9782503575759 |
In modern scholarship, etymology and wordplay are rarely studied in tandem. In the Middle Ages, however, they were intrinsically related, and both feature prominently in medieval literature. Their functions are often at variance with the expectations of the modern reader, in particular when wordplay is used to arrive at crucial answers or to convey theological insights. The studies in this book therefore carry important implications for our understanding of the reception of medieval texts. The authors show how etymology and wordplay in the Middle Ages often served as an impetus for meditation and as a route to truth, but that they could also be put to more mundane uses, such as the bolstering of national pride. In a narrative context, the functions of etymology and wordplay could range from underlining the sexual bravado of the protagonist to being the key indicator of whether the hero would live or die. Opening with a background chapter describing classical and medieval developments of etymology and wordplay, this book presents case studies of the uses of etymology and wordplay in a number of medieval literatures (Latin, Old French, Middle High German, Italian, Old Irish, Old English, Old Norse, Slavic). The articles expand their discussions beyond strictly etymological discourse to various aspects of medieval literature, and thereby highlight the functions of etymological devices in various contexts, with significance ranging from the specific to the open-ended, from the bawdy to the sublime.
| Author | : Karl Reichl |
| Publisher | : Walter de Gruyter |
| Total Pages | : 768 |
| Release | : 2011-11-30 |
| Genre | : Literary Criticism |
| ISBN | : 3110241129 |
Medieval literature is to a large degree shaped by orality, not only with regard to performance, but also to transmission and composition. Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. ‘Medieval Oral Literature’, a volume in the ‘De Gruyter Lexikon’ series, was written by an international team of twenty-five scholars and offers a thorough discussion of theoretical approaches as well as detailed presentations of individual traditions and genres. In addition to chapters on the oral-formulaic theory, on the interplay of orality and writing in the Early Middle Ages, on performance and performers, on oral poetics and on ritual aspects of orality, there are chapters on the Older Germanic, Romance, Middle High German, Middle English, Celtic, Greek-Byzantine, Russian, Hebrew, Arabic, Persian and Turkish traditions of oral literature. There is a special focus on epic and lyric, genres that are also discussed in separate chapters, with additional chapters on the ballad and on drama.
| Author | : Elaine Treharne |
| Publisher | : OUP Oxford |
| Total Pages | : 792 |
| Release | : 2010-04-15 |
| Genre | : Literary Criticism |
| ISBN | : 0191613592 |
The study of medieval literature has experienced a revolution in the last two decades, which has reinvigorated many parts of the discipline and changed the shape of the subject in relation to the scholarship of the previous generation. 'New' texts (laws and penitentials, women's writing, drama records), innovative fields and objects of study (the history of the book, the study of space and the body, medieval masculinities), and original ways of studying them (the Sociology of the Text, performance studies) have emerged. This has brought fresh vigour and impetus to medieval studies, and impacted significantly on cognate periods and areas. The Oxford Handbook of Medieval Literature in English brings together the insights of these new fields and approaches with those of more familiar texts and methods of study, to provide a comprehensive overview of the state of medieval literature today. It also returns to first principles in posing fundamental questions about the nature, scope, and significance of the discipline, and the directions that it might take in the next decade. The Handbook contains 44 newly commissioned essays from both world-leading scholars and exciting new scholarly voices. Topics covered range from the canonical genres of Saints' lives, sermons, romance, lyric poetry, and heroic poetry; major themes including monstrosity and marginality, patronage and literary politics, manuscript studies and vernacularity are investigated; and there are close readings of key texts, such as Beowulf, Wulf and Eadwacer, and Ancrene Wisse and key authors from Ælfric to Geoffrey Chaucer, Langland, and the Gawain Poet.
