Kenneth Burke In Greenwich Village
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Author | : Jack Selzer |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 308 |
Release | : 1996-12-01 |
Genre | : Biography & Autobiography |
ISBN | : 0299151832 |
Capturing the lively modernist milieu of Kenneth Burke’s early career in Greenwich Village, where Burke arrived in 1915 fresh from high school in Pittsburgh, this book discovers him as an intellectual apprentice conversing with “the moderns.” Burke found himself in the midst of an avant-garde peopled by Malcolm Cowley, Marianne Moore, Jean Toomer, Katherine Anne Porter, William Carlos Williams, Allen Tate, Hart Crane, Alfred Stieglitz, and a host of other fascinating figures. Burke himself, who died in 1993 at the age of 96, has been hailed as America’s most brilliant and suggestive critic and the most significant theorist of rhetoric since Cicero. Many schools of thought have claimed him as their own, but Burke has defied classification and indeed has often been considered a solitary, eccentric genius immune to intellectual fashions. But Burke’s formative work of the 1920s, when he first defined himself and his work in the context of the modernist conversation, has gone relatively unexamined. Here we see Burke living and working with the crowd of poets, painters, and dramatists affiliated with Others magazine, Stieglitz’s “291” gallery, and Eugene O’Neill’s Provincetown Players; the leftists associated with the magazines The Masses and Seven Arts; the Dadaists; and the modernist writers working on literary journals like The Dial, where Burke in his capacity as an associate editor saw T. S. Eliot’s “The Wasteland” into print for the first time and provided other editorial services for Thomas Mann, e.e. cummings, Ezra Pound, and many other writers of note. Burke also met the iconoclasts of the older generation represented by Theodore Dreiser and H. L. Mencken, the New Humanists, and the literary nationalists who founded Contact and The New Republic. Jack Selzer shows how Burke’s own early poems, fiction, and essays emerged from and contributed to the modernist conversation in Greenwich Village. He draws on a wonderfully rich array of letters between Burke and his modernist friends and on the memoirs of his associates to create a vibrant portrait of the young Burke’s transformation from aesthete to social critic.
Author | : Jack Selzer |
Publisher | : Parlor Press LLC |
Total Pages | : 269 |
Release | : 2008-07-24 |
Genre | : Literary Criticism |
ISBN | : 160235068X |
Kenneth Burke and His Circles consists of original papers focusing on the intellectual circles in which Burke participated during his long career. Instead of concentrating on Burke himself, as most recent scholarship has done, this book considers Burke as one participant in a host of important overlapping intellectual movements that took place over the course of the twentieth century.
Author | : Bryan Crable |
Publisher | : University of Virginia Press |
Total Pages | : 260 |
Release | : 2012 |
Genre | : Literary Criticism |
ISBN | : 0813932157 |
Ralph Ellison and Kenneth Burke focuses on the little-known but important friendship between two canonical American writers. The story of this fifty-year friendship, however, is more than literary biography; Bryan Crable argues that the Burke-Ellison relationship can be interpreted as a microcosm of the American "racial divide." Through examination of published writings and unpublished correspondence, he reconstructs the dialogue between Burke and Ellison about race that shaped some of their most important works, including Burke's A Rhetoric of Motives and Ellison's Invisible Man. In addition, the book connects this dialogue to changes in American discourse about race. Crable shows that these two men were deeply connected, intellectually and personally, but the social division between white and black Americans produced hesitation, embarrassment, mystery, and estrangement where Ellison and Burke might otherwise have found unity. By using Ellison's nonfiction and Burke's rhetorical theory to articulate a new vocabulary of race, the author concludes not with a simplistic "healing" of the divide but with a challenge to embrace the responsibility inherent to our social order. American Literatures Initiative
Author | : Herbert W. Simons |
Publisher | : Univ of Wisconsin Press |
Total Pages | : 348 |
Release | : 1989 |
Genre | : Literary Criticism |
ISBN | : 9780299118341 |
Capturing the lively modernist milieu of Kenneth Burke's early career in Greenwich Village, where Burke arrived in 1915 fresh from high school in Pittsburgh, this book discovers him as an intellectual apprentice conversing with "the moderns." Burke found himself in the midst of an avant-garde peopled by Malcolm Cowley, Marianne Moore, Jean Toomer, Katherine Anne Porter, William Carlos Williams, Allen Tate, Hart Crane, Alfred Stieglitz, and a host of other fascinating figures. Burke himself, who died in 1993 at the age of 96, has been hailed as America's most brilliant and suggestive critic and the most significant theorist of rhetoric since Cicero. Many schools of thought have claimed him as their own, but Burke has defied classification and indeed has often been considered a solitary, eccentric genius immune to intellectual fashions. But Burke's formative work of the 1920s, when he first defined himself and his work in the context of the modernist conversation, has gone relatively unexamined. Here we see Burke living and working with the crowd of poets, painters, and dramatists affiliated with Others magazine, Stieglitz's "291" gallery, and Eugene O'Neill's Provincetown Players; the leftists associated with the magazines The Masses and Seven Arts; the Dadaists; and the modernist writers working on literary journals like The Dial, where Burke in his capacity as an associate editor saw T. S. Eliot's "The Wasteland" into print for the first time and provided other editorial services for Thomas Mann, e.e. cummings, Ezra Pound, and many other writers of note. Burke also met the iconoclasts of the older generation represented by Theodore Dreiser and H. L. Mencken, the New Humanists, and the literary nationalists who founded Contact and The New Republic. Jack Selzer shows how Burke's own early poems, fiction, and essays emerged from and contributed to the modernist conversation in Greenwich Village. He draws on a wonderfully rich array of letters between Burke and his modernist friends and on the memoirs of his associates to create a vibrant portrait of the young Burke's transformation from aesthete to social critic.
Author | : Ann George |
Publisher | : Univ of South Carolina Press |
Total Pages | : 348 |
Release | : 2007 |
Genre | : History |
ISBN | : 9781570037009 |
An invitation to mingle with Burke in the 30s and witness the development of his major works of the era
Author | : Kenneth Burke |
Publisher | : David R. Godine Publisher |
Total Pages | : 436 |
Release | : 2005 |
Genre | : Fiction |
ISBN | : 9781574232011 |
The rhetorically gorgeous essay-stories of Kenneth Burke were unlike any other fiction of the 1920s. Here & Elsewhere gathers, for the first time, all of Burke's fiction: 23 short stories and Towards a Better Life, which Denis Donoghue calls "one of my favorite novels, full of sentences so luminous that I could be easily persuaded that style is everything."
Author | : Timothy W. Crusius |
Publisher | : SIU Press |
Total Pages | : 276 |
Release | : 1999-03-30 |
Genre | : Language Arts & Disciplines |
ISBN | : 9780809322077 |
This study of Kenneth Burke's writings traces the critic's commitment and contribution to philosophy prior to 1945. The author contends that rather than belonging to the late-modernist tradition, Burke actually starts from a position closely akin to such postmodern figures as Michel Foucault.
Author | : Ross Wolin |
Publisher | : Univ of South Carolina Press |
Total Pages | : 302 |
Release | : 2001 |
Genre | : Language Arts & Disciplines |
ISBN | : 9781570034046 |
Blending the genres of biography, intellectual history, and rhetorical theory, this study presents an analysis of Burke's (1897-1993) early essays and his eight theoretical works, placing them in the context of their social and political history. Wolin (humanities and rhetoric, Boston University) casts each work as a re-articulation and extension of the ideas imbedded in Burke's previous efforts. The tactics of conflict, cooperation, and motivation are emphasized. c. Book News Inc.
Author | : Laurence Coupe |
Publisher | : Parlor Press LLC |
Total Pages | : 218 |
Release | : 2013-05-16 |
Genre | : Social Science |
ISBN | : 1602354561 |
KENNETH BURKE: FROM MYTH TO ECOLOGY is the first full-length study of a remarkable thinker's approach to those founding narratives, those essential structures of thought, which cannot be credited to any one individual but rather belong to the whole community.
Author | : Sonja K. Foss |
Publisher | : Waveland Press |
Total Pages | : 405 |
Release | : 2014-04-04 |
Genre | : Language Arts & Disciplines |
ISBN | : 1478622156 |
The anniversary edition marks thirty years of offering an indispensable review and analysis of thinkers who have exerted a profound influence on contemporary rhetorical theory: I. A. Richards, Ernesto Grassi, Chaïm Perelman and Lucie Olbrechts-Tyteca, Stephen Toulmin, Richard Weaver, Kenneth Burke, Jürgen Habermas, bell hooks, Jean Baudrillard, and Michel Foucault. The brief biographical sketches locate the theorists in time and place, showing how life experiences influenced perspectives on rhetorical thought. The concise explanations of complex concepts are clear, engaging, insightful, and highly accessible, serving as an excellent primer for reading the major works of these scholars. The critical commentary is carefully chosen to highlight implications and to place the theories within a broader rhetorical context. Each chapter ends with a complete bibliography of works by the theorists.