Ken Price
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| Author | : Ken Price |
| Publisher | : |
| Total Pages | : 100 |
| Release | : 2019-09-17 |
| Genre | : Art |
| ISBN | : 9781944929220 |
Though Los Angeles artist Ken Price (1935-2012) is best known as a sculptor in ceramic, drawing was always a central component of his art: "For me drawing is really flexible," he once stated, "and I use it in different ways. It's my way of developing ideas." Ken Price: Drawings brings out this facet of Price's work fully for the first time. Featuring 78 of Price's works on paper--all reproduced for the first time, many at actual size--this book is the most comprehensive ever published on the subject. Technical innovations like five-color printing capture Price's drawings in all their wayward vitality. From preparatory works, like Price's early 1960s drawings exploring forms and colors for his abstract sculptures, to his 2000s landscapes featuring wild scenes of erupting volcanoes, cyclonic skies and turbulent seas, Ken Price: Drawings offers a long-overdue survey of Price's work on paper.
| Author | : Kenneth Price |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2013 |
| Genre | : Drawing, American |
| ISBN | : 9780942324730 |
This publication accompanies the first survey of drawings by Los Angeles artist Ken Price (1935-2013), best known for his abstract, brightly colored ceramic sculptures. Price's work was only widely exhibited later in his life, but scholars have long admired his highly original forms. As early as 1966, Lucy Lippard commented: "No one else on the East or West Coast is working like Kenneth Price." Like his better-known sculptures, these drawings feature an idiosyncratic array of amorphous shapes. The book includes an in-depth 44-page illustrated essay by exhibition curator Douglas Dreishpoon, a 20-page section detailing a rarely seen large-scale scroll drawing from 1962, and color plates of all of the nearly 70 works in the exhibition, tracking the evolution of Price's drawings over 48 years and demonstrating a wide range of characters and techniques.
| Author | : Sam Thorne |
| Publisher | : Prestel |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : |
| ISBN | : 9783791356136 |
Résumé en 4ème de couverture: "This monograph devoted to the American artist Ken Price (1935-2012) is the first publication to fully integrate the artist's acclaimed sculptures with his works on paper. Emerging from a cadre of innovative artists in postwar Los Angeles, Price transformed the art of ceramics, finding inspiration in a diverse array of sources: the Bauhaus, traditional Southwestern pottery, Japanese ceramics, and 1960s American counterculture. Through his masterful manipulation of clay, innovative glazing, and magnificent handling of color, Price created, over the course of his career, a set of highly original forms. His works on paper echo his sculptures in their brilliant colors and fantastical subjects and convey his perceptions of the locales where he enjoyed much of his life, namely, Los Angeles and New Mexico. Featuring nearly two hundred full-color images, this generously illustrated volume contains an introduction by the curator Paul Schimmel and a scholarly essay by Sam Thorne. The juxtapositions of two- and three-dimensional works throughout offer readers in-deph access to the artist's creative process. Price emerges as a multifaceted, cheerful iconoclast who approached both his work and his life with erudition and exuberance."
| Author | : Alex Kitnick |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : Bronze sculpture |
| ISBN | : 9781880146835 |
For over five decades, Ken Price (1935-2012) produced small-scale ceramic sculptures with brightly colored finishes that achieved a balance between form and surface. Then, in the last years of his life, he initiated a dramatic shift in scale and finish. Ken Price: The Large Sculptures unveils this final body of work in its entirety. With dimensions that echo those of the human body, these sculptures speak directly to the viewer's corporeality. Cast in bronze composite and painted with color-shifting automotive paint, the large sculptures are in one sense the culmination of Price's long career and in another the beginning of a new path cut tragically short. This large-format book includes a detailed essay by Alex Kitnick that situates these works in the history of modern sculpture. The plates section features multiple views of the works' seemingly ever-shifting forms. Completing the book are numerous unpublished photographs of the fabrication process at Price's studio.
| Author | : Mary Davis MacNaughton |
| Publisher | : J. Paul Getty Museum |
| Total Pages | : 231 |
| Release | : 2012 |
| Genre | : Art |
| ISBN | : 9781606061053 |
Clay's Tectonic Shift focuses on artists John Mason (b. 1927), Kenneth Price (1935-2012), and Peter Voulkos (1924–2002) and their radical early work in postwar Los Angeles where they formed the vanguard of a new California ceramics movement. The three artists broke from the craft tradition that emphasized the function of a piece. Experimenting with scale, surface, color, and volume, their work was instrumental in elevating ceramics from a craft to a fine art. Earlier exhibitions and publications stated that key innovations in this new ceramics movement were made at the Otis Art institute and that its direction was defined by a group of students surrounding the charismatic leader Voulkos. The truth is that the new trend in ceramics was driven by the works that Price, Mason, and Voulkos made in a subsequent, independent phase when they were working as professional artists in Los Angeles, and the goal of Clay's Tectonic Shift is to correct that misperception. These three artists followed individual paths as they willfully propelled a new use of the medium into the mainstream professional arena, where it was widely recognized and documented. An exhibition of the same name will be on view at the Ruth Chandler Williamson Gallery at Scripps College from January 21 through April 8, 2012, as part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California to tell the story of the birth of the Los Angeles art scene.
| Author | : Edward R. Broida |
| Publisher | : The Museum of Modern Art |
| Total Pages | : 136 |
| Release | : 2006 |
| Genre | : Art |
| ISBN | : 9780870700903 |
Accompanies an exhibition of paintings, sculptures, drawings and prints from Edward R Broida's gift to the Museum of 175 works from his collection. Dating from the 1960s, the works represent a total of thirty-eight European and American artists, whose work is reproduced here.
| Author | : Ken Perenyi |
| Publisher | : Simon and Schuster |
| Total Pages | : 235 |
| Release | : 2022-04-12 |
| Genre | : True Crime |
| ISBN | : 163936305X |
It is said that the greatest art forger in the world is the one who has never been caught. Caveat Emptor reveals the astonishing story of America’s most accomplished art forger. Ten years ago, an FBI investigation in conjunction with the U.S. Attorney’s Office in the Southern District of New York was about to expose a scandal in the art world that would have been front-page news in New York and London. After a trail of fake paintings of astonishing quality led federal agents to art dealers, renowned experts, and the major auction houses, the investigation inexplicably ended, despite an abundance of evidence collected. The case was closed and the FBI file was marked “exempt from public disclosure.” Now that the statute of limitations on these crimes has expired and the case appears hermetically sealed shut by the FBI, this book, Caveat Emptor, is Ken Perenyi’s confession. It is the story, in detail, of how he pulled it all off. Glamorous stories of art-world scandal have always captured the public imagination. However, not since Clifford Irving’s 1969 bestselling Fake has there been a story at all like this one. Caveat Emptor is unique in that it is the first and only book by and about America’s first and only great art forger. And unlike other forgers, Perenyi produced no paper trail, no fake provenance whatsoever; he let the paintings speak for themselves. And that they did, routinely mesmerizing the experts in mere seconds. In the tradition of Frank Abagnale’s Catch Me If You Can, and certain to be a bombshell for the major international auction houses and galleries, here is the story of America’s greatest art forger.
| Author | : Kenneth P Price |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 2020-12-17 |
| Genre | : |
| ISBN | : 9789493231085 |
Before World War II, Abe and Sonia Huberman were two soulmates happily married and in love, living a peaceful life with their family in Warsaw, Poland. But while Abe was away, on a short business trip to America, World War II broke out and the Nazis invaded. Abe was stranded far from home, while Sonia was left alone with their two young children to face the Nazis. This is the story of her bravery, of Sonia's survival of the Warsaw Ghetto uprising and Nazi death camps, including the notorious Auschwitz. What was supposed to be a separation of seven weeks turned into one of seven years. This is the story of their love, of soulmates reunited against all odds. Learn about history through the lens of this inspirational account that serves as a powerful reminder of the resilience of the human spirit.
| Author | : Ken Johnson |
| Publisher | : Prestel Publishing |
| Total Pages | : 0 |
| Release | : 2011 |
| Genre | : Art |
| ISBN | : 9783791344980 |
"Looking at art through the lens of psychedelic experience and culture... reveals an unexpected and illuminating dimension of art since the 1960s--not just obvious signs of psychedelic sytle but an underlying psychedelic ethos animating the works." --back cover.
| Author | : Ken Campbell |
| Publisher | : Penguin Books Canada |
| Total Pages | : 376 |
| Release | : 2014-01-07 |
| Genre | : Hockey |
| ISBN | : 9780143179924 |
Canadians have always dreamed about hockey. And we all love our kids. But somehow our desire to give everything we've got to two of the things we love the most has left both worse off. For many families, hockey has become more business than pleasure, where children don't even play anymore--now they compete. The dream of playing in the NHL and the enormous costs that come with it, are killing hockey in Canada. Drawing on decades of combined experience in hockey at all levels, Ken Campbell and Jim Parcels pull back the curtain to show just how far our national game has strayed from its roots. What they reveal is a system driven by unrealistic expectations of a financial windfall, where minor-hockey fees and new sticks for kids are deemed "investments"--and where there is no shortage of entrepreneurs more than happy to take money from starry-eyed parents. Often shocking, always informative, " Selling the Dream " is not only a guidebook for involved hockey parents across the country, it is a defence of the game we all love, and of childhood itself.
