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| Author | : Paul M. Farber |
| Publisher | : |
| Total Pages | : 336 |
| Release | : 2019 |
| Genre | : Architecture |
| ISBN | : 9781439916063 |
How to Build a Monument / Paul M. Farber -- Memorializing Philadelphia as a Place of Crisis and Boundless Hope / Ken Lum -- Public Practice / Jane Golden -- Tania Bruguera, Monument to New Immigrants -- Mel Chin, Two Me -- Kara Crombie, Sample Philly -- The Art of the Proposal: Reading the Monument Lab Open Data Set / Laurie Allen.
| Author | : Chinua Achebe |
| Publisher | : Prestel Publishing |
| Total Pages | : 504 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : |
Art, cloth/posters, photography, architecture, music, theater/literature, film, anthology of Africa.
| Author | : Zhen Chen |
| Publisher | : Verlag Fur Moderne Kunst |
| Total Pages | : 100 |
| Release | : 2007 |
| Genre | : Art |
| ISBN | : |
Chen Zhen (1955-2000) was among the members of the Chinese avant-garde who chose exile over political repression. In 1986, he left home for Paris, where, after a few years of seclusion, he began to show pioneering work he called "open sculpture," which found swift international acclaim. Chen Zhen's pieces often presented utopias of multicultural dialogue, poetic landscapes full of unusual material alliances, hybrids and new connections between Eastern traditions and the Western artistic vocabulary. That fundamentally personal approach, in echoing his own spiritual seeking and cultural homelessness, radiates enormous power. Later the artist fused his chosen exile, his illness and traditional Chinese medicine, surveying and synergizing the relationships that define the social body. Works like "Lumière innocente," an incandescent cocoon of hospital tubing woven around the frame of an antique crib, and dated 2000, the year of his death, are both elegant and heart-wrenching. This selection of more than 30 drawings, photographic works, sculptures, and installations made between 1978 and 2000 tracks each major phase of the artist's work.
| Author | : Leo Ou-fan Lee |
| Publisher | : Harvard University Press |
| Total Pages | : 465 |
| Release | : 1999-09-01 |
| Genre | : Social Science |
| ISBN | : 0674805518 |
In the midst of ChinaÕs wild rush to modernize, a surprising note of reality arises: Shanghai, it seems, was once modern indeed, a pulsing center of commerce and art in the heart of the twentieth century. This book immerses us in the golden age of Shanghai urban culture, a modernity at once intrinsically Chinese and profoundly anomalous, blending new and indigenous ideas with those flooding into this Òtreaty portÓ from the Western world. A preeminent specialist in Chinese studies, Leo Ou-fan Lee gives us a rare wide-angle view of Shanghai culture in the making. He shows us the architecture and urban spaces in which the new commercial culture flourished, then guides us through the publishing and filmmaking industries that nurtured a whole generation of artists and established a bold new style in urban life known as modeng. In the work of six writers of the time, particularly Shi Zhecun, Mu Shiying, and Eileen Chang, Lee discloses the reflection of ShanghaiÕs urban landscapeÑforeign and familiar, oppressive and seductive, traditional and innovative. This work acquires a broader historical and cosmopolitan context with a look at the cultural links between Shanghai and Hong Kong, a virtual genealogy of Chinese modernity from the 1930s to the present day.
| Author | : Christopher K. Ho |
| Publisher | : |
| Total Pages | : 348 |
| Release | : 2021-02-24 |
| Genre | : Asian American artists |
| ISBN | : 9781736507902 |
This collection of seventy-three letters written in 2020 captures an unprecedented moment in politics and society through the experiences of Asian-American artists, curators, educators, art historians, editors, writers, and designers. The form of the letter offers readers intimate insights into the complexities of Asian American experiences, moving beyond the model-minority myth. Chronicling everyday lives, dreams, rage, family histories, and cultural politics, these letters ignite new ways of being, and modes of creating, at a moment of racial reckoning.
| Author | : Penny Cousineau-Levine |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 356 |
| Release | : 2003 |
| Genre | : Photography |
| ISBN | : 9780773528260 |
In Faking Death Penny Cousineau-Levine examines the work of over 120 Canadian photographers, revealing important aspects of Canadian identity and imagination. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is "elsewhere," a doubling and duality that also occurs in Canadian literature, film, and political life. Subverting the documentary tradition and other stylistic idioms for their own distinctive ends, Canadian photographers exhibit an ambivalent preoccupation with death and dying, bondage, and entrapment. Cousineau-Levine argues that this is characteristically a 'faked' death that expresses a collective Canadian wish for a symbolic passage to national maturity. Faking Death includes 16 colour reproductions and 150 duotones by artists such as Raymonde April, Jeff Wall, Lynne Cohen, Charles Gagnon, Evergon, Michel Lambeth, Thaddeus Holownia, Geoffrey James, Geneviève Cadieux, Shelley Niro, Diana Thorneycroft, Jin-me Yoon, Ian Wallace, and Ken Lum. By bringing together this many Canadian works Faking Death provides a compelling visual introduction to one of Canada's most vibrant and internationally recognized artistic media. It is an invaluable tool for curators, artists, teachers, students, and scholars in art history, fine arts, Canadian studies, film, communications, literature, and cultural studies.
| Author | : Julie Hollenbach |
| Publisher | : Springer Nature |
| Total Pages | : 233 |
| Release | : 2021-09-21 |
| Genre | : Social Science |
| ISBN | : 3030805549 |
What is depression? An “imagined sun, bright and black at the same time?” A “noonday demon?” In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and innovative representations of a range of experiences that might get called “depression.” Texts such as Julia Kristeva’s Black Sun: Depression and Melancholia (1989), Andrew Solomon’s The Noonday Demon (2000), Allie Brosh’s cartoons, “Adventures in Depression” (2011) and “Depression Part Two” (2013), and Lars von Trier’s film Melancholia (2011) each offer portraits of depression that deviate from, or altogether reject, the dominant language of depression that has been articulated by and within psychiatry. Most recently, Ann Cvetkovich’s Depression: A Public Feeling (2012) has answered the author’s own call for a multiplication of discourses on depression by positing crafting as one possible method of working through depression-as-“impasse.” Inspired by Cvetkovich’s efforts to re-shape the depressive experience itself and the critical ways in which we communicate this experience to others, Re/Imagining Depression: Creative Approaches to “Feeling Bad” harnesses critical theory, gender studies, critical race theory, affect theory, visual art, performance, film, television, poetry, literature, comics, and other media to generate new paradigms for thinking about the depressive experience. Through a combination of academic essays, prose, poetry, and interviews, this anthology aims to destabilize the idea of the mental health “expert” to instead demonstrate the diversity of affects, embodiments, rituals and behaviors that are often collapsed under the singular rubric of “depression.”
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 423 |
| Release | : 2009-01-01 |
| Genre | : Literary Criticism |
| ISBN | : 9042027444 |
Verbal imagery and visual images as well as the intricate relationships between verbal and visual representations have long shaped the imagination and the practice of intercultural relationships. The contributions to this volume take a fresh look at the ideology of form, especially the gendered and racial implications of the gaze and the voice in various media and intermedial transformations. Analyses of how culturally specific forms of visual and verbal expression are individually understood and manipulated complement reflections on the potential and limitations of representation. The juxtaposition of visual and verbal signifiers explores the gap between them as a space beyond cultural boundaries. Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children’s fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film. Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro.
| Author | : Penny Cousineau-Levine |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 354 |
| Release | : 2003 |
| Genre | : Photography |
| ISBN | : 0773525262 |
In Faking Death Penny Cousineau-Levine examines the work of over 120 Canadian photographers, revealing important aspects of Canadian identity and imagination. Contrasting Canadian photography with American and European traditions, she shows that Canadian photographers are often preoccupied with a place that is elsewhere, a doubling and duality that also occurs in Canadian literature, film and political life. Subverting the documentary tradition and other stylistic idioms for their own distinctive ends, Canadian photographers exhibit an ambivalent preoccupation with death and dying, bondage, and entrapment. Cousineau-Levine argues that this is characteristically a faked death that expresses a collective Canadian wish for a symbolic passage to national maturity. The book includes 16 colour reproductions and 150 duotones by artists such as Raymonde April, Jeff Wall, Lynne Cohen, Charles Gagnon, Evergon, Michel Lambeth, Thaddeus Holownia, Geoffrey James, Genevi ve Cadieux, Shelley Niro, Diana Thorneycroft, Jin-me Yoon, Ian Wallace, and Ken Lum. This work provides a visual introduction to one of Canada's most vibrant and internationally recognized artistic media.
