Katagami
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Symbol, Pattern and Symmetry
Author | : Michael Hann |
Publisher | : A&C Black |
Total Pages | : 585 |
Release | : 2013-11-21 |
Genre | : Architecture |
ISBN | : 0857854909 |
Symbol, Pattern and Symmetry: The Cultural Significance of Structure investigates how pattern and symbol has functioned in visual arts, exploring how connections and comparisons in geometrical pattern can be made across different cultures and how the significance of these designs has influenced craft throughout history. The book features illustrative examples of symbol and pattern from a wide range of historical and cultural contexts, from Byzantine, Persian and Assyrian design, to case studies of Japanese and Chinese patterns. Looking at each culture's specific craft style, Hann shows how the visual arts are underpinned with a strict geometric structure, and argues that understanding these underlying structures enables us to classify and compare data from across cultures and historical periods. Richly illustrated with both colour and black and white images, and with clear, original commentary, the book enables students, practitioners, teachers and researchers to explore the historical and cultural significance of symbol and pattern in craft and design, ultimately displaying how a geometrical dialogue in design can be established through history and culture.
Structure and Form in Design
Author | : Michael Hann |
Publisher | : A&C Black |
Total Pages | : 217 |
Release | : 2014-02-13 |
Genre | : Technology & Engineering |
ISBN | : 1472584317 |
This book provides a critical examination of structure and form in design, covering a range of topics of great value to students and practitioners engaged in any of the specialist decorative arts and design disciplines. The complexities of two-dimensional phenomena are explained and illustrated in detail, while various three-dimensional forms are also discussed. In the context of the decorative arts and design, structure is the underlying framework, and form the resultant, visible, two- or three-dimensional outcome of the creative process. Whether hidden or visually detectable in the final design, structure invariably determines whether or not a design is successful in terms of both its aesthetics and its practical performance. Hann successfully identifies various geometric concepts, and presents and discusses a number of simple guidelines to assist the creative endeavours of both accomplished and student practitioners, teachers and researchers.
Shibusa
Author | : Monty Adkins |
Publisher | : University of Huddersfield |
Total Pages | : 134 |
Release | : 2012 |
Genre | : Aesthetics, Japanese |
ISBN | : 9781862181014 |
This book celebrates a number of artistic endeavours: music, painting and the skill of making in general with particular reflection upon Japanese aesthetics. Composer, Monty Adkins and visual artist, Pip Dickens (through a Leverhulme Trust Award collaboration) investigate commonality and difference between the visual arts and music exploring aspects of rhythm, pattern, colour and vibration as well as outlining processes utilised to evolve new works within these practices. The hand-cut paper Katagami stencil: a beautiful utilitarian object once used to apply decoration on to Japanese kimonos, is used as a poignant symbol the hand-made machine - by Adkins and Dickens both within the production of paintings and sound compositions and as a thematic link throughout the book. The book reviews examples of a number of contemporary artists and craftspeople and their individual approaches to making things well. It explores the balance between hand skills and technology within a works production with particular reference to Richard Sennetts review of material culture in The Craftsman. Shibusa includes contributing essays by arts writer, Roy Exley, who examines convergence and crossover within the arts and an in-depth history, and review, of the kimono making industry by Kyoto designer, Makoto Mori.
United States Board on Geographic Names: Gazetteer
Author | : United States Board on Geographic Names |
Publisher | : |
Total Pages | : 768 |
Release | : 1955 |
Genre | : Names, Geographical |
ISBN | : |
Japan, Official Standard Names Approved by the United States Board on Geographic Names
Author | : United States. Office of Geography |
Publisher | : |
Total Pages | : 744 |
Release | : 1955 |
Genre | : Geography |
ISBN | : |
Jamesian Cultural Anxiety in the East and West
Author | : Choon-Hee Kim |
Publisher | : Cambridge Scholars Publishing |
Total Pages | : 200 |
Release | : 2020-01-31 |
Genre | : Literary Criticism |
ISBN | : 1527546454 |
This volume explores the world that shaped Henry James’s work and influenced his legacy through the themes of Jamesian cultural anxiety between and beyond spatio-temporal boundaries. As such, each chapter constructs a mode of reading to map and formulate one’s own cultural perspective in various contexts relying on their unique engagement with James’s and Jamesian creative acts of writing—aesthetics and science, the (auto-)biographical as social aspects, genre as literary-social context, the artistic and the economic, editorship and readership, and Asian perspectives on cultural influences and identities—to generate insights and establish new intercultural understandings. These are the traces of the contributors’ national, social, cultural consciousness that allow the definition of the Jamesian worldview as a particularly universal one in a global context.
Gazetteer (no. 14) Japan
Author | : United States. Hydrographic Office |
Publisher | : |
Total Pages | : 630 |
Release | : 1945 |
Genre | : Japan |
ISBN | : |
Anarchist Modernity
Author | : Sho Konishi |
Publisher | : BRILL |
Total Pages | : 440 |
Release | : 2020-05-11 |
Genre | : History |
ISBN | : 1684175313 |
"Mid-nineteenth century Russian radicals who witnessed the Meiji Restoration saw it as the most sweeping revolution in recent history and the impetus for future global progress. Acting outside imperial encounters, they initiated underground transnational networks with Japan. Prominent intellectuals and cultural figures, from Peter Kropotkin and Lev Tolstoy to Saigo Takamori and Tokutomi Roka, pursued these unofficial relationships through correspondence, travel, and networking, despite diplomatic and military conflicts between their respective nations. Tracing these non-state networks, Anarchist Modernity uncovers a major current in Japanese intellectual and cultural life between 1860 and 1930 that might be described as “cooperatist anarchist modernity”—a commitment to realizing a modern society through mutual aid and voluntary activity, without the intervention of state governance. These efforts later crystallized into such movements as the Nonwar Movement, Esperantism, and the popularization of the natural sciences. Examining cooperatist anarchism as an intellectual foundation of modern Japan, Sho Konishi offers a new approach to Japanese history that fundamentally challenges the “logic” of Western modernity. It looks beyond this foundational construct of modern history writing to understand people, practices, and cultural expressions that have been forgotten or dismissed as products of anti-modern nativist counter urges against the West."