Karlheinz Weinberger Photographs
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| Author | : Ben Estes |
| Publisher | : Song Cave |
| Total Pages | : 230 |
| Release | : 2020-09 |
| Genre | : Photography |
| ISBN | : 9781734035117 |
Unseen photos of rebels, outsiders, construction workers and more: celebrating the distinctive gay male gaze of Karlheinz Weinberger This landmark entry in the lifework of Zürich photographer Karlheinz Weinberger gathers more than 200 never-before-published vintage photographic prints that were rediscovered in 2017. This unique collection pairs images of Weinberger's most famous subjects, the "Halbstarke"--a loosely organized group of Swiss "rebels" in the late 1950s and early 1960s, carousing at local carnivals and on a camping trip--with a much more private side of Weinberger's oeuvre: solo portraits of men from the late 1950s through the mid-1970s, whom he invited into his makeshift studio in the rooms of the apartment he shared with his mother. The men in these portraits--construction workers, street vendors, bicycle messengers, outsiders--span a spectrum of fully clothed, arms-crossed poses to campy and flirtatious, fully nude and reclined, while others mimic art historical postures. All of these images, though, reveal a palpable tenderness between photographer and subject, offering an expansive, uncritical take on the male form in an era when being photographed was not the casual, ubiquitous record it is today. Though not a professional photographer (he worked as a warehouse stock manager), Weinberger captured his subjects with a distinctly gay male gaze, both carnal and artistic, and this collection is certain to earn his work a larger following and appreciation. Born in 1921, Karlheinz Weinbergerwas a Swiss photographer whose work predominantly explored outsider cultures. Between 1943 and 1967 Weinberger published photos of male workers, sportsmen and bikers in the gay magazine Der Kreisunder the pseudonym of "Jim." In the late '50s and early '60s he concentrated on Swiss rock 'n' roll youth, whom he photographed with both tenderness and a hint of irony. Weinberger placed little emphasis on exhibiting his work; his first comprehensive show took place only in 2000, six years before his death.
| Author | : Martynka Wawrzyniak |
| Publisher | : Rizzoli International Publications |
| Total Pages | : 178 |
| Release | : 2011 |
| Genre | : Photography |
| ISBN | : 0847836126 |
This first-of-its-kind collection presents photographer Karlheinz Weinberger’s influential portraits of rebel youth of the sixties. While Karlheinz Weinberger is known as a pioneer of male erotic imagery, the Swiss amateur photographer also left an indelible mark on the fashion world with his decades-long documenting of vibrant rebel youth culture. These working-class teenagers created looks that fused iconic American pop culture imagery—biker jackets, denim jeans, bouffant hairdos, James Dean insouciance—with their own idiosyncratic sensibilities. From the late 1950s through the ’60s, Weinberger captured the defiant glamour of these youths with a keen eye for their provocative handmade designs. Inspired by the rebel youth’s pop playfulness and fierce individuality, a legion of contemporary fashion-industry leaders have been profoundly influenced by the photographs collected in this stunning volume.
| Author | : Esther Woerdehoff |
| Publisher | : |
| Total Pages | : 239 |
| Release | : 2017 |
| Genre | : Photography of youth |
| ISBN | : 9783958293298 |
Karlheinz Weinberger's day job may have been relatively uneventful--working in a Siemen's warehouse--but the photos he took in his spare time are anything but conformist. Weinberger's passion, and the focus of this book, is the rebel youth of 1950s and '60s Switzerland, who channeled American rock-'n'-roll culture and made it their own with their rolled-up jeans and denim jackets, bouffant hairdos, striped T-shirts and customized belts boasting images of Elvis and James Dean. Weinberger's lusty, free-spirited and self-confident portraits posit the defiant attitude of youth as a response to the conservative postwar era. Swiss Rebels also includes homoerotic images of rockers, bikers, construction workers and athletes, many of whom occupy positions outside of social norms. This publication is the first to present an overview of Weinberger's provocative oeuvre. Born in 1921, Karlheinz Weinberger was a Swiss photographer whose work predominantly explored outsider cultures. Between 1943 and 1967 Weinberger published photos of male workers, sportsmen and bikers in the gay magazine Der Kreis under the pseudonym of Jim, taken from Hanns Eisler's song "The Ballad of Jim." In the late '50s and early '60s he concentrated on Swiss rock-'n'-roll youth, whom he photographed with both tenderness and a hint of irony. Weinberger placed little emphasis on exhibiting his work; his first comprehensive show took place only in 2000, six years before his death.
| Author | : Karlheinz Weinberger |
| Publisher | : Scalo Publishers |
| Total Pages | : 240 |
| Release | : 2000 |
| Genre | : Gangs |
| ISBN | : |
For decades the work of Swiss photographer Karlheinz Weinberger was shrouded in obscurity. In the 1950s he published numerous homoerotic photographs under the pseudonym "Jim" in Der Kreis (The Circle), the legendary international gay magazine that featured highly sophisticated photographs by, among others, George Platt Lynes and Herbert List. Weinberger was one of the first queer photographers to show his often working class models posing in their everyday surroundings. For Weinberger, eroticism was always grounded in the quotidian -- a revolutionary and courageous approach back in the 1950s. In the late 1950s Weinberger started to develop an obsessive interest in the nascent biker culture and its proud and self-confident celebration of the body, embarking on a longtime study of their lifestyle. In many ways, Weinberger's photographs will remind viewers of Kenneth Anger's cult classic Scorpio Rising. Weinberger's photographs are a unique document both of pre-Stonewall gay culture and postwar youth culture and its cycles. His erotic and provocative photographs are imbued with a mischievous sense of humor that makes them as vibrant and vital today as they were when they were first taken.
| Author | : Alona Pardo |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2020-03-19 |
| Genre | : Art |
| ISBN | : 3791359517 |
Examining increasingly fluid notions of masculinity over the past six decades, this book offers a culturally diverse collection of work from some of the world's most celebrated photographers. This photographic exploration draws together the work of approximately fifty artists of different ethnicities, generations, and gender identities to look at how ideas of masculinity have evolved since the 1960s. Each of its six themed chapters features bold and arresting work by artists such as Richard Avedon, John Coplans, Robert Mapplethorpe, Herb Ritts, Collier Schorr, Larry Sultan, Wolfgang Tillmans, and David Wojnarowicz, who are all renowned for their depictions of masculinity and its tropes. Others, including Rotimi Fani-Kayode, Masahisa Fukase, Adi Nes, Hank Willis Thomas, and Akram Zaatari, offer ethnically and culturally diverse perspectives. A number of female artists--Laurie Anderson, Annette Messager, Tracey Moffatt, and Marianne Wex--explore the uncomfortable and invasive nature of the male gaze and younger artists such as Sam Contis, Andrew Moisey, Paul Mpagi Sepuya, and Elle Pérez, offer a 21st-century perspective of maleness through the lens of identity and global politics. Each chapter in the book opens with an essay by a key thinker in the fields of art, history, culture, and queer studies. Spanning decades and continents, this exploration shows how increasingly difficult it is to define masculinity.
| Author | : Nikolaus Hirsch |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2021-08-24 |
| Genre | : Art |
| ISBN | : 3956795687 |
Documenting an invisible, inaccessible exhibition within the radioactive Fukushima exclusion zone. The twelfth volume of the Critical Spatial Practices series focuses on “Don’t Follow the Wind,” the acclaimed collaborative project situated in Fukushima’s radioactive exclusion zone. The book explores the long-term environmental crisis in the coastal Japanese region through this ongoing, inaccessible exhibition, which maintains traces of human presence amid the fallout of the March 2011 nuclear reactor meltdown that displaced entire towns. What can art do in a continuing catastrophe when destruction and contamination have made living impossible? The exhibition is located inside the exclusion zone, an evacuated radioactive area established after the nuclear disaster that forcibly separated residents from their homes, land, and community. In cooperation with former residents, participating artists installed newly commissioned works at sites in the exclusion zone. Although the exhibition opened in March 2015, the zone is still inaccessible to the public—the exhibition, like the radiation, is virtually invisible. The exhibition can only be viewed when restrictions are lifted and people are permitted to return. This might take several years or decades—a period that could extend beyond our lifetime. While nuclear contamination has displaced and ruptured communities, new temporary and translocal formations have emerged among the residents who have lent their sites, other former residents collaborating on the project, and the artists, curators, and cultural workers. This book includes new texts by feminist theorist Silvia Federici, art historians Noi Sawaragi and Sven Lütticken, and political philosopher Jodi Dean. The project was codeveloped and curated by the collective Don’t Follow the Wind, whose members include Chim↑Pom, Kenji Kubota, Eva & Franco Mattes, and Jason Waite. The participating artists include Ai Weiwei, Chim↑Pom, Nikolaus Hirsch & Jorge Otero-Pailos, Meiro Koizumi, Eva & Franco Mattes, Grand Guignol Mirai, Aiko Miyanaga, Ahmet Öğüt, Trevor Paglen, Taryn Simon, Nobuaki Takekawa, and Kota Takeuchi.
| Author | : Hedi Slimane |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2007-02 |
| Genre | : Biography & Autobiography |
| ISBN | : 9781888645927 |
Dior Homme designer Hedi Slimane has always stood at the intersection of fashion, art and music. Over the past 10 years, his slick, sexy designs and signature cut have revolutionized menswear. Several bodies of his photographic work--2005's London Birth of a Cult and his ongoing "Rock Diary" series for V magazine--have documented underground rock culture at its loudest and most extreme. In this latest project, Slimane teams up with the editors of Visionaire and V to deliver Portrait of a Performer, an exclusive photojournal devoted to the provocative musician and muse, Courtney Love. Shot in New York in August of 2006, just before the release of Love's latest record, the intimate black-and-white studies capture the American pop icon, semi-nude, just before her return to the Billboard charts--defiant, mesmerizing, flawed and vulnerable. Portrait of a Performer documents a highly charged encounter between two creative forces who have influenced rock and fashion, each on their own terms.
| Author | : Syeus Mottel |
| Publisher | : |
| Total Pages | : 214 |
| Release | : 1973 |
| Genre | : Architecture |
| ISBN | : 9780877494904 |
"Pioneer Works Press, in partnership with The Song Cave, is pleased to present the release of CHARAS: The Improbable Dome Builders, by Syeus Mottel (2017), a fascinating account of six ex-gang members who broke ground to construct a geodesic dome on a vacant lot in the shadow of the Manhattan Bridge after a 1970 meeting with the celebrated and revolutionary architect R. Buckminster Fuller, also known as Bucky. Originally published in 1973, this republication speaks to the issues at the heart of the CHARAS project as gentrification seems to multiply faster than communities can work to preserve themselves against it. The book acts as a record to highlight ways people have united to activate empty spaces before gentrification. As a group, CHARAS was interested in physically altering the housing conditions in their immediate neighborhood, the Lower East Side. Influenced by Bucky's teachings, the young men of CHARAS began a period of devoted study to solid geometry, spherical trigonometry, and the principles of dome building. Following this period, CHARAS developed a program that encouraged community autonomy and the reclaiming public space. More than simply a documentation of the project, the book offers stories, profiles, interviews, and images, and the group's process from their intensive study to the obstacles they faced while physically constructing domes."--pioneerworks.org
| Author | : Jim Jocoy |
| Publisher | : |
| Total Pages | : |
| Release | : 2017-01-01 |
| Genre | : |
| ISBN | : 9781942953302 |
| Author | : Charles Sanna |
| Publisher | : |
| Total Pages | : 76 |
| Release | : 2015-04-17 |
| Genre | : |
| ISBN | : 9780956795281 |
