Kara Walker
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Author | : |
Publisher | : DelMonico Books |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Art, Modern |
ISBN | : 9783791356792 |
"Now in its fourth iteration, Prospect New Orleans draws its inspiration from the city itself, a place of graceful beauty that thrives in adverse conditions. By positioning itself in the city of New Orleans, the Prospect triennial aims to echo the city's history of cross-cultural fertilization. From Creole culture to jazz, in waves of migration and colonization, and as the American South's largest port, New Orleans is truly a cultural and historic nexus. 'Prospect.4' plumbs New Orleans's richly hybrid character to offer a diverse and exhilarating panoply of new and exciting art. Exhibition: New Orleans (various venues), United States (11.11.2017-25.02.2018)"--
Author | : Gwendolyn DuBois Shaw |
Publisher | : Duke University Press |
Total Pages | : 209 |
Release | : 2004-12-06 |
Genre | : Art |
ISBN | : 0822386208 |
One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker. Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.
Author | : Anita Haldemann |
Publisher | : Jrp Ringier |
Total Pages | : 600 |
Release | : 2020-10-27 |
Genre | : |
ISBN | : 9783037645574 |
An enormous clothbound panorama of Kara Walker's works on paper--all reproduced for the first time This gorgeous 600-page volume provides an exciting opportunity to delve into the creative process of Kara Walker, one of the most celebrated artists working in the United States today. Primarily recognized for her monumental installations, Walker also works with ink, graphite and collage to create pieces that demonstrate her continued engagement with her own identity as an artist, an African American, a woman and a mother. More than 700 works on paper created between 1992 and 2020--which are reproduced in print for the first time from the artist's own strictly guarded private archive--are collected in this volume, thus capturing Walker's career with an unprecedented level of intimacy. Since the early 1990s, the foundation of her artistic production has been drawing and working on paper in various ways. Walker's completed large-format pieces are presented among typewritten notes on index cards and dream journal entries; sketches and studies for pieces appear alongside collages. The result is a volume that allows readers to become eyewitnesses to the genesis of Walker's art and the transformative power of the figures and narratives she has created over the course of her career. Now based in New York, Kara Walkerwas born in Stockton, California, in 1969. She received her Master of Fine Arts from the Rhode Island School of Design in 1994; soon afterwards, Walker rose to prominence for her large, provocative silhouettes installed directly onto the walls of exhibition spaces. Walker's work confronts history, race relations and sexuality in a decidedly non-conciliatory manner, urging the public to reconsider established narratives surrounding the experiences of African Americans in particular.
Author | : Kara Elizabeth Walker |
Publisher | : |
Total Pages | : 414 |
Release | : 2007 |
Genre | : Art |
ISBN | : |
Text by Philippe Vergne, Sander Gilman, Thomas McEvilley, Robert Storr, Kevin Young, Yasmil Raymond.
Author | : Kara Elizabeth Walker |
Publisher | : |
Total Pages | : 19 |
Release | : 1997-01-01 |
Genre | : African American women |
ISBN | : 9780966013900 |
"The future vision of a soon-to-be emancipated 19th century Negress."--Prelim. leaf.
Author | : Kara Elizabeth Walker |
Publisher | : Gregory R. Miller |
Total Pages | : 0 |
Release | : 2013 |
Genre | : African American art |
ISBN | : 9780982681367 |
"The works reproduced in this book were exhibited in their entirety in an exhibition titled 'Dust Jackets for the Niggerati - and Supporting Dissertations, Drawings submitted ruefully by Dr. Kara E. Walker' at Sikkema Jenkins & Co, New York, from April 21-June 11, 2011" -- from colophon.
Author | : |
Publisher | : |
Total Pages | : 0 |
Release | : 2009 |
Genre | : African American artists |
ISBN | : 9781877675720 |
Author | : Kara Elizabeth Walker |
Publisher | : |
Total Pages | : 136 |
Release | : 2008 |
Genre | : Silhouettes |
ISBN | : |
Walker es una artista con amplia trayectoria y reconocimiento, en cuya obra se trabajan temas como el racismo, el apartheid, la explotación, las cuestiones de género, las injusticias sociales y la esclavitud. La muestra de basa en una instalación que Walker ha creado especialmente para el CAC, en la que se recrean una serie de figuras, en apariencia inocentes y de estilo victoriano, recortadas, al estilo de las primeras imágenes del cine.
Author | : Kara Elizabeth Walker |
Publisher | : |
Total Pages | : 112 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
"This book features the works from the new series "Bureau of Refugees, Freedmen and Abandoned Lands - Records, 'Miscellaneous Papers' National Archives M809 Roll 23," named after the historical record that documents, among other things, atrocities against freed blacks during Reconstruction. These small, economically rendered cutouts reflect on the sad, repetitive nature of racist atrocities, as well as art's tenuous relationship with the real world of political injustice. Also included are paintings with collaged elements and Kara Walker's signature silhouettes, and a multipart work consisting solely of handwritten texts in which the artist meditates on the "perpetrator" as well as willing and unwilling victims of circumstances." --Book Jacket.
Author | : Karen Marta |
Publisher | : Deste Foundation for Contemporary Art |
Total Pages | : 88 |
Release | : 2019-05-21 |
Genre | : Art |
ISBN | : 9786185039325 |
Kara Walker's (born 1969) Figa, a sculpture monumental in both size and symbol, was installed at the DESTE Foundation's Hydra Slaughterhouse in 2017. Once a part of Walker's colossal 2014 installation A Subtlety at the Domino Sugar Refinery in Brooklyn, Figa is made up of the hand piece from the anamorphic sphinx that gestures a "fig sign," at once both a symbol of fertility and a "fuck you." In making a return to the site of the Sugar Factory work and the work's progeny in Hydra, this book offers critical insight on A Subtlety and Figa. Through extensive photographic documentation of the installation of the hand sculpture in Hydra by Ari Marcopoulos and seven fables written by Walker illustrating the power of folklore, mythology and black identity across the history of the United States, Figa in book form captures a blockbuster exhibition in two parts.