Kants Critique Of Judgement
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| Author | : Immanuel Kant |
| Publisher | : Good Press |
| Total Pages | : 319 |
| Release | : 2024-01-09 |
| Genre | : Philosophy |
| ISBN | : |
Immanuel Kant's 'The Critique of Judgment' explores the realms of aesthetic judgment and teleological judgment in a rigorous and thought-provoking manner. In this seminal work, Kant delves into the concepts of beauty, taste, and the nature of artistic creation. He presents a detailed analysis of how judgment functions in relation to aesthetics, weaving together philosophical insights with practical examples to illustrate his points. Through his meticulous argumentation, Kant lays the groundwork for the understanding of the role of judgment in appreciating art and nature. The book's dense yet insightful prose engages readers in a contemplative journey through the intersections of art, nature, and human perception. Immanuel Kant, a renowned German philosopher of the Enlightenment era, was influenced by thinkers such as Leibniz and Rousseau. His deep interest in metaphysics and epistemology led him to ponder the fundamental principles that govern human experience. 'The Critique of Judgment' reflects Kant's comprehensive philosophical system, bridging the gap between his earlier works on metaphysics and ethics. I highly recommend 'The Critique of Judgment' to readers who are interested in delving into the complexities of aesthetic and teleological judgment. Kant's nuanced arguments and incisive analysis pave the way for a deeper appreciation of art, nature, and the human mind. This book is essential reading for anyone seeking to explore the intersections of philosophy, aesthetics, and the nature of beauty.
| Author | : Rachel Zuckert |
| Publisher | : Cambridge University Press |
| Total Pages | : 9 |
| Release | : 2007-08-30 |
| Genre | : Philosophy |
| ISBN | : 0521865891 |
A wide-ranging and original interpretation of Kant's Critique of Judgment.
| Author | : Immanuel Kant |
| Publisher | : Newcomb Livraria Press |
| Total Pages | : 429 |
| Release | : 2008-01-01 |
| Genre | : Philosophy |
| ISBN | : |
A new translation of Immanuel Kant’s 1790 "Critique of Judgement" in modern American English with the original German in the back for reference. This is Volume IX in the Complete Works of Immanuel Kant from Newcomb Livraria Press. "Herewith I end my whole critical business" Kant states in the preface to his third and final Critique in his core triad of critical philosophical treatises. In his old age, he turned from being Polemic to being prescriptive in his vision for a future of transcendental, rational morality. Here he recaps his whole critical system and breaks out his final thoughts between a Critique of Aesthetic and Teleological Judgment. Between Pure Reason (theoretical) and Practical Reason (law and ethics) stands the mediating Power of Judgement which recognizes the particular in the general and bridges the chasm between sensuality and morality, nature and freedom, manifesting itself to the senses. Kant's Teleological, dialectal understanding of the experience of art is still used today in Modern art theory. His analysis of sublimity as "disinterested pleasure" as an aesthetic experience between the dynamics of the cognitive faculties of sensuality and rationality, creates a paradox of judgment as both subjective and universal. To Kant, the correct recognition of what beauty is, and responding to it authentically (morally), is vital to his entire project.
| Author | : Douglas Burnham |
| Publisher | : Indiana University Press |
| Total Pages | : 226 |
| Release | : 2007 |
| Genre | : Philosophy |
| ISBN | : 0253220351 |
Emanuel Kant's Critique of Pure Reason is one of the most widely read texts in the history of philosophy. Douglas Burnham and Harvey Young unravel this difficult text, passage by passage, making reading and appreciating this work achievable and enjoyable. Designed to be read alongside the original, this guide is essential for students and scholars at all levels.
| Author | : Immanuel Kant |
| Publisher | : Simon and Schuster |
| Total Pages | : 1097 |
| Release | : 2013-07-01 |
| Genre | : Philosophy |
| ISBN | : 1627932488 |
One of the cornerstone books of Western philosophy, here is Kant's seminal treatise, where he seeks to define the nature of reason itself and builds his own unique system of philosophical thought with an approach known as transcendental idealism. He argues that human knowledge is limited by the capacity for perception.
| Author | : Immanuel Kant |
| Publisher | : Simon and Schuster |
| Total Pages | : 406 |
| Release | : 2013-06-28 |
| Genre | : Philosophy |
| ISBN | : 1625582803 |
This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare s finesse to Oscar Wilde s wit, this unique collection brings together works as diverse and influential as The Pilgrim s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
| Author | : John H. Zammito |
| Publisher | : University of Chicago Press |
| Total Pages | : 490 |
| Release | : 1992-08 |
| Genre | : Philosophy |
| ISBN | : 0226978559 |
In this philosophically sophisticated and historically significant work, John H. Zammito reconstructs Kant's composition of The Critique of Judgment and reveals that it underwent three major transformations before publication. He shows that Kant not only made his "cognitive" turn, expanding the project from a "Critique of Taste" to a Critique of Judgment but he also made an "ethical" turn. This "ethical" turn was provoked by controversies in German philosophical and religious culture, in particular the writings of Johann Herder and the Sturm und Drang movement in art and science, as well as the related pantheism controversy. Such topicality made the Third Critique pivotal in creating a "Kantian" movement in the 1790s, leading directly to German Idealism and Romanticism. The austerity and grandeur of Kant's philosophical writings sometimes make it hard to recognize them as the products of a historical individual situated in the particular constellation of his time and society. Here Kant emerges as a concrete historical figure struggling to preserve the achievements of cosmopolitan Aufkl-rung against challenges in natural science, religion, and politics in the late 1780s. More specifically Zammito suggests that Kant's Third Critique was animated throughout by a fierce personal rivalry with Herder and by a strong commitment to traditional Christian ideas of God and human moral freedom. "A work of extraordinary erudition. Zammito's study is both comprehensive and novel, connecting Kant's work with the aesthetic and religious controversies of the late eighteenth century. He seems to have read everything. I know of no comparable historical study of Kant's Third Critique."-Arnulf Zweig, translator and editor of Kant's ;IPhilosophical Correspondence, 1759-1799;X "An intricate, subtle, and exciting explanation of how Kant's thinking developed and adjusted to new challenges over the decade from the first edition of the Critique of Pure Reason to the appearance of the Critique of Judgment."—John W. Burbidge, Review of Metaphysics "There has been for a long time a serious gap in English commentary on Kant's Critique of Judgment; Zammito's book finally fills it. All students and scholars of Kant will want to consult it."—Frederick Beiser, Times Literary Supplement
| Author | : Stefano Marino |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 390 |
| Release | : 2020-11-09 |
| Genre | : Philosophy |
| ISBN | : 3110596490 |
Kant’s Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant’s notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant’s aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Günter Figal, Tom Huhn, Hans-Peter Krüger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.
| Author | : Christian Helmut Wenzel |
| Publisher | : John Wiley & Sons |
| Total Pages | : 208 |
| Release | : 2008-04-15 |
| Genre | : Philosophy |
| ISBN | : 1405150157 |
In An Introduction to Kant’s Aesthetics, Christian Wenzel discusses and demystifies Kant’s Critique of the Power of Judgment, guiding the reader each step of the way and placing key points of discussion in the context of Kant’s other work. Explains difficult concepts in plain language, using numerous examples and a helpful glossary. Proceeds in the same order as Kant’s text for ease of reference and comprehension. Includes an illuminating foreword by Henry E. Allison. Offers twenty-six further-reading sections, commenting briefly on books and articles from the English, German, and French, that are relevant for each topic Provides an extensive bibliography and a chapter summarizing Kant's main points.
| Author | : Hannah Ginsborg |
| Publisher | : Oxford University Press |
| Total Pages | : 373 |
| Release | : 2015 |
| Genre | : Philosophy |
| ISBN | : 0199547971 |
Why read Kant's Critique of Judgment? For most readers, the importance of the work lies in its contributions to aesthetics and, to a lesser extent, the philosophy of biology. Hannah Ginsborg, by contrast, sees the Critique of Judgment as a central contribution to the understanding of human cognition generally. The fourteen essays collected here advance a common interpretive project: that of bringing out the philosophical significance of the notion of judgment which figures in the third Critique and showing its importance both to Kant's own theoretical philosophy and to contemporary views of human thought and cognition. For us to possess the capacity of judgment, on the interpretation defended here, is for our natural perceptual and imaginative responses to involve a claim to their own normativity with respect to the objects which cause them. It is in virtue of this capacity that we are able not merely to respond discriminatively to objects, as animals do, but to bring objects under concepts. The Critique of Judgment, on this reading, rejects the traditional dichotomy between the natural and the normative: our natural psychological responses to the spatio-temporal objects which affect our senses are both causally determined by those objects, and normatively appropriate to them. The essays in this book aim collectively to develop and illuminate this understanding of judgment in its own right, and to use it to address specific interpretive issues in Kant's aesthetics, theory of knowledge, and philosophy of biology; they are also concerned to bring out the relevance of this conception of judgment to contemporary debates regarding concept-acquisition, the content of perception, and skepticism about rules and meaning.
