Kants Critique Of Aesthetic Judgment In The 20th Century
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| Author | : Stefano Marino |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 390 |
| Release | : 2020-11-09 |
| Genre | : Philosophy |
| ISBN | : 3110596490 |
Kant’s Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant’s notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant’s aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Günter Figal, Tom Huhn, Hans-Peter Krüger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.
| Author | : Stefano Marino |
| Publisher | : de Gruyter |
| Total Pages | : 0 |
| Release | : 2021 |
| Genre | : Philosophy |
| ISBN | : 9783110596137 |
This book is the first comprehensive account of the reception of Kant's Critique of Judgment in the 20th century. It cuts across different traditions, movements and geographical areas, and combines in a systematic way historical reconstruction and
| Author | : Immanuel Kant |
| Publisher | : Good Press |
| Total Pages | : 319 |
| Release | : 2024-01-09 |
| Genre | : Philosophy |
| ISBN | : |
Immanuel Kant's 'The Critique of Judgment' explores the realms of aesthetic judgment and teleological judgment in a rigorous and thought-provoking manner. In this seminal work, Kant delves into the concepts of beauty, taste, and the nature of artistic creation. He presents a detailed analysis of how judgment functions in relation to aesthetics, weaving together philosophical insights with practical examples to illustrate his points. Through his meticulous argumentation, Kant lays the groundwork for the understanding of the role of judgment in appreciating art and nature. The book's dense yet insightful prose engages readers in a contemplative journey through the intersections of art, nature, and human perception. Immanuel Kant, a renowned German philosopher of the Enlightenment era, was influenced by thinkers such as Leibniz and Rousseau. His deep interest in metaphysics and epistemology led him to ponder the fundamental principles that govern human experience. 'The Critique of Judgment' reflects Kant's comprehensive philosophical system, bridging the gap between his earlier works on metaphysics and ethics. I highly recommend 'The Critique of Judgment' to readers who are interested in delving into the complexities of aesthetic and teleological judgment. Kant's nuanced arguments and incisive analysis pave the way for a deeper appreciation of art, nature, and the human mind. This book is essential reading for anyone seeking to explore the intersections of philosophy, aesthetics, and the nature of beauty.
| Author | : Henry E. Allison |
| Publisher | : Cambridge University Press |
| Total Pages | : 322 |
| Release | : 1990-09-28 |
| Genre | : Philosophy |
| ISBN | : 9780521387088 |
An innovative and comprehensive interpretation of Kant's concept of freedom analyzes the role it plays in his moral philosophy and psychology and considers critical literature on the subject.
| Author | : Ido Geiger |
| Publisher | : Cambridge University Press |
| Total Pages | : 241 |
| Release | : 2022-04-28 |
| Genre | : Philosophy |
| ISBN | : 1108998607 |
Kant announces that the Critique of the Power of Judgment will bring his entire critical enterprise to an end. But it is by no means agreed upon that it in fact does so and, if it does, how. In this book, Ido Geiger argues that a principal concern of the third Critique is completing the account of the transcendental conditions of empirical experience and knowledge. This includes both Kant's analysis of natural beauty and his discussion of teleological judgments of organisms and of nature generally. Geiger's original reading of the third Critique shows that it forms a unified whole - and that it does in fact deliver the final part of Kant's transcendental undertaking. His book will be valuable to all who are interested in Kant's theory of the aesthetic and conceptual purposiveness of nature.
| Author | : Douglas Burnham |
| Publisher | : Indiana University Press |
| Total Pages | : 226 |
| Release | : 2007 |
| Genre | : Philosophy |
| ISBN | : 0253220351 |
Emanuel Kant's Critique of Pure Reason is one of the most widely read texts in the history of philosophy. Douglas Burnham and Harvey Young unravel this difficult text, passage by passage, making reading and appreciating this work achievable and enjoyable. Designed to be read alongside the original, this guide is essential for students and scholars at all levels.
| Author | : Paul Guyer |
| Publisher | : Rowman & Littlefield Publishers |
| Total Pages | : 283 |
| Release | : 2003-09-08 |
| Genre | : Philosophy |
| ISBN | : 058548287X |
Includes twelve of the most important modern critical discussions of the Critique of the Power of Judgment, written by the leading Kant scholars and aestheticians of the twentieth century.
| Author | : Katalin Makkai |
| Publisher | : Cambridge University Press |
| Total Pages | : 219 |
| Release | : 2021-04-15 |
| Genre | : History |
| ISBN | : 1108497799 |
This book explores Kant's compelling vision of our aesthetic and cognitive lives as anchored in experiences of attunement and animation.
| Author | : Paul Guyer |
| Publisher | : Cambridge University Press |
| Total Pages | : 504 |
| Release | : 1987-12-25 |
| Genre | : Philosophy |
| ISBN | : 9780521337724 |
This book offers a radically new account of the development and structure of the central arguments of Kant's Critique of Pure Reason: the defense of the objective validity of such categories as substance, causation, and independent existence. Paul Guyer makes far more extensive use than any other commentator of historical materials from the years leading up to the publication of the Critique and surrounding its revision, and he shows that the work which has come down to us is the result of some striking and only partially resolved theoretical tensions. Kant had originally intended to demonstrate the validity of the categories by exploiting what he called 'analogies of appearance' between the structure of self-knowledge and our knowledge of objects. The idea of a separate 'transcendental deduction', independent from the analysis of the necessary conditions of empirical judgements, arose only shortly before publication of the Critique in 1781, and distorted much of Kant's original inspiration. Part of what led Kant to present this deduction separately was his invention of a new pattern of argument - very different from the 'transcendental arguments' attributed by recent interpreters to Kant - depending on initial claims to necessary truth.
| Author | : Benjamin Morgan |
| Publisher | : University of Chicago Press |
| Total Pages | : 380 |
| Release | : 2017-05 |
| Genre | : Art |
| ISBN | : 022646220X |
Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.
