Kants Aesthetic
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| Author | : Christian Helmut Wenzel |
| Publisher | : John Wiley & Sons |
| Total Pages | : 208 |
| Release | : 2008-04-15 |
| Genre | : Philosophy |
| ISBN | : 1405150157 |
In An Introduction to Kant’s Aesthetics, Christian Wenzel discusses and demystifies Kant’s Critique of the Power of Judgment, guiding the reader each step of the way and placing key points of discussion in the context of Kant’s other work. Explains difficult concepts in plain language, using numerous examples and a helpful glossary. Proceeds in the same order as Kant’s text for ease of reference and comprehension. Includes an illuminating foreword by Henry E. Allison. Offers twenty-six further-reading sections, commenting briefly on books and articles from the English, German, and French, that are relevant for each topic Provides an extensive bibliography and a chapter summarizing Kant's main points.
| Author | : Donald W. Crawford |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 1973 |
| Genre | : |
| ISBN | : 9780608118338 |
| Author | : Immanuel Kant |
| Publisher | : Good Press |
| Total Pages | : 319 |
| Release | : 2024-01-09 |
| Genre | : Philosophy |
| ISBN | : |
Immanuel Kant's 'The Critique of Judgment' explores the realms of aesthetic judgment and teleological judgment in a rigorous and thought-provoking manner. In this seminal work, Kant delves into the concepts of beauty, taste, and the nature of artistic creation. He presents a detailed analysis of how judgment functions in relation to aesthetics, weaving together philosophical insights with practical examples to illustrate his points. Through his meticulous argumentation, Kant lays the groundwork for the understanding of the role of judgment in appreciating art and nature. The book's dense yet insightful prose engages readers in a contemplative journey through the intersections of art, nature, and human perception. Immanuel Kant, a renowned German philosopher of the Enlightenment era, was influenced by thinkers such as Leibniz and Rousseau. His deep interest in metaphysics and epistemology led him to ponder the fundamental principles that govern human experience. 'The Critique of Judgment' reflects Kant's comprehensive philosophical system, bridging the gap between his earlier works on metaphysics and ethics. I highly recommend 'The Critique of Judgment' to readers who are interested in delving into the complexities of aesthetic and teleological judgment. Kant's nuanced arguments and incisive analysis pave the way for a deeper appreciation of art, nature, and the human mind. This book is essential reading for anyone seeking to explore the intersections of philosophy, aesthetics, and the nature of beauty.
| Author | : Stefano Marino |
| Publisher | : Walter de Gruyter GmbH & Co KG |
| Total Pages | : 390 |
| Release | : 2020-11-09 |
| Genre | : Philosophy |
| ISBN | : 3110596490 |
Kant’s Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant’s notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant’s aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Günter Figal, Tom Huhn, Hans-Peter Krüger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.
| Author | : Rodolphe Gasché |
| Publisher | : Stanford University Press |
| Total Pages | : 276 |
| Release | : 2003 |
| Genre | : Philosophy |
| ISBN | : 9780804780315 |
Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the "Critique of Judgment" as of the two earlier "Critiques." Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate "beautiful" indicates that something has minimal form and is cognizable. This book explores this concept of form, in particular the role of presentation ("Darstellung") in what Kant refers to as "mere form," which involves not only the understanding, but also reason as the faculty of ideas. Such a notion of form reveals why the beautiful can be related to the morally good. On the basis of this reinterpreted concept of form, most major concepts and themes of the "Critique of Judgment"--such as disinterestedness, free play, the sublime, genius, and beautiful arts--are examined by the author and shown in a new light.
| Author | : Salim Kemal |
| Publisher | : Palgrave Macmillan |
| Total Pages | : 197 |
| Release | : 2014-01-14 |
| Genre | : Philosophy |
| ISBN | : 9781349219452 |
In this accessible yet authoritative book, the author explains the argument and strategy of Kant's analysis of beauty. He clarifies the nature of aesthetic claims, examines the scope of Kant's justification of their validity, and shows how these lead Kant to investigate the relationship between beautiful objects, morality, and subjects. In the course of his discussion, the author links Kant's theory to contemporary commentaries, including those by Donald Crawford, Jacques Derrida, Paul Guyer, Rudolph Makkreel, Mary McCloskey, and Kenneth Rogerson.
| Author | : Rebecca Kukla |
| Publisher | : Cambridge University Press |
| Total Pages | : 7 |
| Release | : 2006-07-03 |
| Genre | : Philosophy |
| ISBN | : 1139455168 |
This volume explores the relationship between Kant's aesthetic theory and his critical epistemology as articulated in the Critique of Pure Reason and the Critique of the Power of Judgment. The essays, written specially for this volume, explore core elements of Kant's epistemology, such as his notions of discursive understanding, experience, and objective judgment. They also demonstrate a rich grasp of Kant's critical epistemology that enables a deeper understanding of his aesthetics. Collectively, the essays reveal that Kant's critical project, and the dialectics of aesthetics and cognition within it, is still relevant to contemporary debates in epistemology, philosophy of mind, and the nature of experience and objectivity. The book also yields important lessons about the ineliminable, yet problematic place of imagination, sensibility and aesthetic experience in perception and cognition.
| Author | : Henry E. Allison |
| Publisher | : Cambridge University Press |
| Total Pages | : 322 |
| Release | : 1990-09-28 |
| Genre | : Philosophy |
| ISBN | : 9780521387088 |
An innovative and comprehensive interpretation of Kant's concept of freedom analyzes the role it plays in his moral philosophy and psychology and considers critical literature on the subject.
| Author | : Kirk Pillow |
| Publisher | : MIT Press |
| Total Pages | : 400 |
| Release | : 2003-01-24 |
| Genre | : Philosophy |
| ISBN | : 9780262264075 |
The topic of the sublime is making a return to contemporary discourse on aesthetics and cognition. In Sublime Understanding, Kirk Pillow makes sublimity the center of an alternative conception of aesthetic response and interpretation. He draws an aesthetics of sublimity from Kant's Critique of Judgment, bolsters it with help from Hegel, and establishes its place in a broadened conception of human understanding (thus differing from the many scholars who use Hegel to dismiss Kant or vice versa). He argues that sublime reflection provides a model for an interpretive response to the uncanny Other outside our conceptual grasp; it advances our sense-making pursuits but eschews unified, conceptual determination. Thus "sublime understanding" is the always partial, indeterminate grasping of contextual wholes through which we make sense of the uncanny particular in both art and the lived world. The book is divided into three parts. In the first two parts, Pillow presents insightful reinterpretations of Kant's and Hegel's aesthetics. In the third part he develops his own model of an aestheticized understanding, which illuminates contemporary discussions of metaphor and interpretation, while bridging Anglo-American and continental treatments of these issues. The presentation is a model of clear and well-crafted exposition, exemplifying the practice of aesthetically reflective sublime understanding that it articulates.
| Author | : Mary A. McCloskey |
| Publisher | : SUNY Press |
| Total Pages | : 194 |
| Release | : 1987-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780887064241 |
This book presents an integrated interpretation and appraisal of Kant's mature aesthetic. The writer draws readers into the realization of what is important and enduring in the Critique of Aesthetic Judgment by taking up the issues Kant raises and relating them to contemporary themes in aesthetics. Those parts of Kant's theory that raise issues engaging contemporary discussion and debate, such as the role of pleasure, the tenability of the aesthetic attitude, the justification of claims to interpersonal agreement in aesthetic judgment in and the relation of beauty to excellence in art are given special emphasis and subjected to careful scrutiny.
