Kaiser, Classicists and Moderns
Author | : James C. Albisetti |
Publisher | : |
Total Pages | : 692 |
Release | : 1976 |
Genre | : Education and state |
ISBN | : |
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Author | : James C. Albisetti |
Publisher | : |
Total Pages | : 692 |
Release | : 1976 |
Genre | : Education and state |
ISBN | : |
Author | : Michael M. Kaiser |
Publisher | : Brandeis University Press |
Total Pages | : 239 |
Release | : 2013-08-13 |
Genre | : Business & Economics |
ISBN | : 1611684781 |
In the third book of his popular trilogy on creating and sustaining arts organizations, Michael Kaiser reveals the hidden engine that powers consistent success. According to Kaiser, successful arts organizations pursue strong programmatic marketing campaigns that compel people to buy tickets, enroll in classes, and so on—in short, to participate in the organization’s programs. Additionally, they create exciting activities that draw people to the organization as a whole. This institutional marketing creates a sense of enthusiasm that attracts donors, board members, and volunteers. Kaiser calls this group of external supporters the family. When this hidden engine is humming, staff, board, and audience members, artists, and donors feel confidence in the future. Resources are reinvested in more and better art, which is marketed aggressively; as a result, the “family” continues to grow, providing even more resources. This self-reinforcing cycle underlies the activities of all healthy arts organizations, and the theory behind it can be used as a diagnostic tool to reveal—and remedy—the problems of troubled ones. This book addresses each element of the cycle in the hope that more arts organizations around the globe—from orchestras, theaters, museums, opera companies, and classical and modern dance organizations to service organizations and other not-for-profit cultural institutions—will be able to sustain remarkable creativity, pay the bills, and have fun doing so!
Author | : Robert Gaudi |
Publisher | : Penguin |
Total Pages | : 450 |
Release | : 2017-01-31 |
Genre | : History |
ISBN | : 0698411528 |
The incredible true account of World War I in Africa and General Paul von Lettow-Vorbeck, the last undefeated German commander. “Let me say straight out that if all military histories were as thrilling and well written as Robert Gaudi’s African Kaiser, I might give up reading fiction and literary biography… Gaudi writes with the flair of a latter-day Macaulay. He sets his scenes carefully and describes naval and military action like a novelist.”—Michael Dirda, The Washington Post As World War I ravaged the European continent, a completely different theater of war was being contested in Africa. And from this very different kind of war, there emerged a very different kind of military leader.... At the beginning of the twentieth century, the continent of Africa was a hotbed of international trade, colonialism, and political gamesmanship. So when World War I broke out, the European powers were forced to contend with one another not just in the bloody trenches, but in the treacherous jungle. And it was in that unforgiving land that General Paul von Lettow-Vorbeck would make history. With the now-legendary Schutztruppe (Defensive Force), von Lettow-Vorbeck and a small cadre of hardened German officers fought alongside their fanatically devoted native African allies as equals, creating the first truly integrated army of the modern age. African Kaiser is the fascinating story of a forgotten guerrilla campaign in a remote corner of Equatorial Africa in World War I; of a small army of ultraloyal African troops led by a smaller cadre of rugged German officers—of white men and black who fought side by side. But mostly it is the story of von Lettow-Vorbeck—the only undefeated German commmander in the field during World War I and the last to surrender his arms.
Author | : Gerald Kaiser |
Publisher | : Springer Science & Business Media |
Total Pages | : 318 |
Release | : 2010-11-03 |
Genre | : Mathematics |
ISBN | : 0817681116 |
This volume is designed as a textbook for an introductory course on wavelet analysis and time-frequency analysis aimed at graduate students or advanced undergraduates in science and engineering. It can also be used as a self-study or reference book by practicing researchers in signal analysis and related areas. Since the expected audience is not presumed to have a high level of mathematical background, much of the needed analytical machinery is developed from the beginning. The only prerequisites for the first eight chapters are matrix theory, Fourier series, and Fourier integral transforms. Each of these chapters ends with a set of straightforward exercises designed to drive home the concepts just covered, and the many graphics should further facilitate absorption.
Author | : David E. Kaiser |
Publisher | : Harvard University Press |
Total Pages | : 612 |
Release | : 2000 |
Genre | : Biography & Autobiography |
ISBN | : 9780674006720 |
A re-creation of the deliberations, actions, and deceptions that brought two decades of post-World War II confidence to an end, this book offers an insight into the Vietnam War at home and abroad - and into American foreign policy in the 1960s.
Author | : Walter C. Kaiser, Jr. |
Publisher | : InterVarsity Press |
Total Pages | : 244 |
Release | : 2001-08-17 |
Genre | : Religion |
ISBN | : 9780830819751 |
: Are They Reliable and Relevant? In this thought-provoking book Walter C. Kaiser Jr. makes the case that the Old Testament documents are both historically reliable and personally relevant. Also includes a helpful glossary of terms.
Author | : Michael M. Kaiser |
Publisher | : Brandeis University Press |
Total Pages | : 197 |
Release | : 2015-01-23 |
Genre | : Performing Arts |
ISBN | : 1611687047 |
In this clear-minded but sobering book, Michael M. Kaiser assesses the current state of arts institutions-orchestras; opera, ballet, modern dance, and theater companies; and even museums. According to Kaiser, new developments in the twenty-first century, including the Internet explosion, the death of the recording industry, the near-death of subscriptions, economic instability, the focus on STEM education in schools, the introduction of movie-theater opera, the erosion of newspapers, the threat to serious arts criticism, and the aging of the donor base have together created tremendous challenges for all arts organizations. Using Michael Porter's model of industry structure to describe how industries evolve, Kaiser argues persuasively that unless steps are taken now, midsized performing arts institutions will have all but evaporated by 2035. Only the largest arts organizations will survive, with tickets priced for the very wealthy and programming limited to the most popular and lucrative productions. Kaiser concludes with a call to arms. With three extraordinary decades' experience as an arts administrator behind him, he advocates passionately for risk-taking in programming and more creative marketing, and details what needs to happen now-building strong donor bases, creating effective boards, and collective action-to sustain the performing arts for generations to come.
Author | : Ken Kaiser |
Publisher | : Macmillan |
Total Pages | : 292 |
Release | : 2004-04-19 |
Genre | : Biography & Autobiography |
ISBN | : 9780312997106 |
In this hysterical autobiography, Major League Baseball umpire Ken Kaiser brings to life his twenty-five years on the baseball diamond.
Author | : Theodore Ziolkowski |
Publisher | : Oxford University Press |
Total Pages | : 188 |
Release | : 2008-07-17 |
Genre | : Literary Criticism |
ISBN | : 0199714282 |
Minos and the Moderns considers three mythological complexes that enjoyed a unique surge of interest in early twentieth-century European art and literature: Europa and the bull, the minotaur and the labyrinth, and Daedalus and Icarus. All three are situated on the island of Crete and are linked by the figure of King Minos. Drawing examples from fiction, poetry, drama, painting, sculpture, opera, and ballet, Minos and the Moderns is the first book of its kind to treat the role of the Cretan myths in the modern imagination. Beginning with the resurgence of Crete in the modern consciousness in 1900 following the excavations of Sir Arthur Evans, Theodore Ziolkowski shows how the tale of Europa-in poetry, drama, and art, but also in cartoons, advertising, and currency-was initially seized upon as a story of sexual awakening, then as a vehicle for social and political satire, and finally as a symbol of European unity. In contast, the minotaur provided artists ranging from Picasso to Dürrenmatt with an image of the artist's sense of alienation, while the labyrinth suggested to many writers the threatening sociopolitical world of the twentieth century. Ziolkowski also considers the roles of such modern figures as Marx, Nietzsche, and Freud; of travelers to Greece and Crete from Isadora Duncan to Henry Miller; and of the theorists and writers, including T. S. Eliot and Thomas Mann, who hailed the use of myth in modern literature. Minos and the Moderns concludes with a summary of the manners in which the economic, aesthetic, psychological, and anthropological revisions enabled precisely these myths to be taken up as a mirror of modern consciousness. The book will appeal to all readers interested in the classical tradition and its continuing relevance and especially to scholars of Classics and modern literatures.
Author | : Jeffrey Allan Johnson |
Publisher | : UNC Press Books |
Total Pages | : 270 |
Release | : 2017-03-01 |
Genre | : History |
ISBN | : 1469610124 |
In the early twentieth century, an elite group of modern-minded scientists in Germany, led by the eminent organic chemist Emil Fischer, set out to create new centers and open new sources of funding for chemical research. Their efforts led to the establishment in 1911 of the chemical institues of the Kaiser Wilhelm Society for the Advancement of the Sciences, whose original staff included several future Nobel laureates. Although these institutes were designed to promote "free research" that would uphold German Leadership in international science, they also came to promote the integration of science in the German war effort after 1914. According to Jeffrey Johnson, the development of the Kaiser Wilhelm Institutes exemplifies the origins and dilemmas of one of the most significant innovations in modern science: the creation of institutions for basic research, both theoretical and practical. The Kaiser Wilhelm Society was a quasi-official institution under the "protection" of Kaiser Wilhelm II, but it received most of its funding from German industry rather than the Imperial Treasury. After 1914, however, the Kaiser's chemists and their institutes provided key support to the German war effort. Within a few months of the outbreak of World War I, the institutes had been integrated into war mobilization activities. They conducted research both in weapons, such as poison gas, and in strategic resources, especially synthetics to replace naturally produced goods cut off by Britain's blockade of German ports. By examining the Kaiser Wilhelm Society in the framework of both scientific and social change, Johnson is able to answer questions that seem puzzling if not viewed from this dual perspective, such as why German chemists pushed for institutional change at this particular time. Johnson argues that the new institutes arose from a characteristically modern tension between internationally set scientific goals and the competing national priorities of a country headed for war. Johnson's sources include the papers of Emil Fischer; the archives of several major German corporations, including Bayer, Hoechst, and Krupp; government records; and the archives of the Max Planck Society, which grew out of the Kaiser Wilhelm Society after World War II. Originally published in 1990. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.