Kabuki Theatre
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Author | : Earle Ernst |
Publisher | : University of Hawaii Press |
Total Pages | : 368 |
Release | : 1974-01-01 |
Genre | : Performing Arts |
ISBN | : 9780824803193 |
Studies the production and psychology of this Japanese drama form and compares its techniques with those of the Western theater
Author | : Adolphe Clarence Scott |
Publisher | : Courier Corporation |
Total Pages | : 344 |
Release | : 1999-01-01 |
Genre | : Performing Arts |
ISBN | : 9780486406459 |
One of the most comprehensive handbooks available on Kabuki theatre. Text describes the theater's development in the context of Japanese history, with detailed analyses of actors' techniques, music and dance, plays and playwrights, the playhouse's design evolution, and six representative Kabuki plays. Includes glossary of Japanese terms. "Highly recommended." — Library Journal.
Author | : Earle Ernst |
Publisher | : University of Hawaii Press |
Total Pages | : 361 |
Release | : 2021-05-25 |
Genre | : Performing Arts |
ISBN | : 0824846060 |
Author | : Karen Brazell |
Publisher | : Columbia University Press |
Total Pages | : 580 |
Release | : 1998 |
Genre | : Drama |
ISBN | : 9780231108737 |
The first book of its kind: a collection of the most important genres of Japanese performance--noh, kyogen, kabuki, and puppet theater--in one comprehensive, authoritative volume.
Author | : Adolphe Clarence Scott |
Publisher | : |
Total Pages | : 319 |
Release | : 1966 |
Genre | : Japanese drama |
ISBN | : |
Author | : Okamoto Shiro |
Publisher | : University of Hawaii Press |
Total Pages | : 234 |
Release | : 2001-04-01 |
Genre | : History |
ISBN | : 9780824824419 |
As part of its program to promote democracy in Japan after World War II, the American Occupation, headed by General Douglas MacArthur, undertook to enforce rigid censorship policies aimed at eliminating all traces of feudal thought in media and entertainment, including kabuki. Faubion Bowers (1917-1999), who served as personal aide and interpreter to MacArthur during the Occupation, was appalled by the censorship policies and anticipated the extinction of a great theatrical art. He used his position in the Occupation administration and his knowledge of Japanese theatre in his tireless campaign to save kabuki. Largely through Bowers's efforts, censorship of kabuki had for the most part been eliminated by the time he left Japan in 1948. Although Bowers is at the center of the story, this lively and skillfully adapted translation from the original Japanese treats a critical period in the long history of kabuki as it was affected by a single individual who had a commanding influence over it. It offers fascinating and little-known details about Occupation censorship politics and kabuki performance while providing yet another perspective on the history of an enduring Japanese art form. Read Bowers' impressions of Gen. MacArthur on the Japanese-American Veterans' Association website.
Author | : Maki Isaka |
Publisher | : University of Washington Press |
Total Pages | : 273 |
Release | : 2016-01-01 |
Genre | : History |
ISBN | : 0295806249 |
Kabuki is well known for its exaggerated acting, flamboyant costumes and makeup, and unnatural storylines. The onnagata, usually male actors who perform the roles of women, have been an important aspect of kabuki since its beginnings in the 17th century. In a “labyrinth” of gendering, the practice of men playing women’s roles has affected the manifestations of femininity in Japanese society. In this case study of how gender has been defined and redefined through the centuries, Maki Isaka examines how the onnagata’s theatrical gender “impersonation” has shaped the concept and mechanisms of femininity and gender construction in Japan. The implications of the study go well beyond disciplinary and geographic cloisters.
Author | : Jonah Salz |
Publisher | : Cambridge University Press |
Total Pages | : 1066 |
Release | : 2016-07-14 |
Genre | : Drama |
ISBN | : 1316395324 |
Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.
Author | : Faubion Bowers |
Publisher | : Tuttle Publishing |
Total Pages | : 339 |
Release | : 2013-01-08 |
Genre | : Drama |
ISBN | : 1462912184 |
Japanese Theatre presents a full historical account for Westerners of the theater arts that have flourished for centuries in Japan. Kabuki, arising in the late seventeenth century, is the theater of the commoner. The successive syllables of Kabuki mean "song – dance – skill." The precursors of Kabuki were the puppet theater and the comic interludes in the stately, aristocratic Noh drama – all fully described by the author. In the modem era the Japanese have broken away from Kabuki, and their stage has shown a realistic trend. Left–wing theater groups arose in the 1920’s, were suppressed by the militarists, and then revived during the occupation. Appended to the historical chapters are Mr. Bowers's translations of three Kabuki plays: The Monstrous Spider, Gappo and His Daughter Tsuji, and the bombastic Sukeroku. This book, with its many excellent photographs, is a permanent addition to the West's knowledge of the exotic, exciting theater of Japan and its tradition of great acting.
Author | : Ortolani |
Publisher | : BRILL |
Total Pages | : 372 |
Release | : 2022-07-04 |
Genre | : History |
ISBN | : 9004484140 |
An up-to-date cultural history of the Japanese theatre in all its forms including primitive rituals, court and popular dance-drama, puppet shows and westernized plays, is narrated here for the first time in English by a western authority in the field. The book underlines Zeami and Zenchiku's secret tradition of the nō, explaining Zen-inspired spiritual teachings for the actor's training on the way to enlightened performance. It also gives relevance to the transformation of an anti-establishment entertainment by prostitutes into spectacular kabuki stagecraft, and to the modernization process which created shingeki modern drama, and moved it into the context of world theatre. The final chapter summarizes the history of western discovery of the Japanese stage. The illustrations, the indexes, the glossary and the extensive bibliography — including all major literature in western languages until 1989 — also contribute to make this volume a must for all students of the Japanese theatre, and for anyone interested in a better understanding of Japanese culture as mirrored in its theatrical component.