Judeo Christian Thought In Shakespeares Plays
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| Author | : Thomas Arthur Bunger |
| Publisher | : Archway Publishing |
| Total Pages | : 162 |
| Release | : 2018-01-30 |
| Genre | : Literary Criticism |
| ISBN | : 1480857459 |
Shakespeares works contain some of the most time-honored truths in Western civilization, and Shakespeare himself was a forward-thinking, enlightened man who wanted us to explore the way things were during his life, suggesting that we could all be better than what we are by human nature. Yet these now-revered Shakespearean truths were not created in a vacuum, and though Shakespeare was a product of the Renaissance, the England in which he lived was heavily influenced by Judeo-Christian thought. In Judeo-Christian Thought in Shakespeares Plays, author Thomas Arthur Bunger explores the continuing thread of Judeo-Christian thought that can be traced through the playwrights work. He offers an in-depth look at ten of Shakespeares plays as they relate to morality in the King James Bible, with Hamlet, Macbeth, Othello, King Lear, The Merchant of Venice, Henry V, Richard III, The Tempest, Julius Caesar, and Romeo and Juliet forming the basis for finding this thread. Shakespeare is not just a treasure of Western civilization; he is a treasure for the whole world, and his characters and their motives speak to humanity in general. There must, therefore, be something more to his insights than simply Western thought, and perhaps the inherent truth of living the godly life is what draws so many, everywhere, to Shakespeare.
| Author | : David Scott Kastan |
| Publisher | : Oxford University Press |
| Total Pages | : 168 |
| Release | : 2014 |
| Genre | : Drama |
| ISBN | : 0199572895 |
A Will to Believe is a revised version of Kastan's 2008 Oxford Wells Shakespeare Lectures, providing a provocative account of the ways in which religion animates Shakespeare's plays.
| Author | : Caroline Wiesenthal Lion |
| Publisher | : Taylor & Francis |
| Total Pages | : 218 |
| Release | : 2022-08-24 |
| Genre | : History |
| ISBN | : 100063003X |
Reading Shakespeare in Jewish Theological Frameworks: Shylock Beyond the Holocaust uses Jewish theology to mount a courageous new reading of a four-hundred-year-old play, The Merchant of Venice. While victimhood and antisemitism have been the understandable focus of the Merchant critical history for decades, Lion urges scholars, performers, and readers to see beyond the racism in Shakespeare's plays by recovering Shakespearean themes of potentiality and human flourishing as they emerge within the Jewish tradition itself. Lion joins the race conversation in Shakespeare studies today by drawing on the intellectual history and oppression of the Jewish people, borrowing from thinkers Franz Rosenzweig and Abraham Joshua Heschel as well as Hannah Arendt, Walter Benjamin, Jacques Derrida, Emmanuel Levinas, and rabbis from the Talmud to today. This volume interweaves post-confessional, Protestant, Catholic, Muslim, Jewish, and mystical ideas with Shakespeare's poetry and opens conversations of prophecy, love, spirituality, care, and community. It concludes with brief critical sketches of Antony and Cleopatra, Hamlet, and Macbeth to demonstrate that Shakespeare when interpreted through Jewish theological frameworks can point to post-credal solutions and transformed societal paradigms of repair that encourage action and the shaping of a finer world.
| Author | : Julia Reinhard Lupton |
| Publisher | : Routledge |
| Total Pages | : 279 |
| Release | : 2016-04-20 |
| Genre | : Literary Criticism |
| ISBN | : 1317632893 |
This volume focuses on hospitality as a theoretically and historically crucial phenomenon in Shakespeare's work with ramifications for contemporary thought and practice. Drawing a multifaceted picture of Shakespeare's scenes of hospitality—with their numerous scenes of greeting, feeding, entertaining, and sheltering—the collection demonstrates how hospitality provides a compelling frame for the core ethical, political, theological, and ecological questions of Shakespeare's time and our own. By reading Shakespeare's plays in conjunction with contemporary theory as well as early modern texts and objects—including almanacs, recipe books, husbandry manuals, and religious tracts — this book reimagines Shakespeare's playworld as one charged with the risks of hosting (rape and seduction, war and betrayal, enchantment and disenchantment) and the limits of generosity (how much can or should one give the guest, with what attitude or comportment, and under what circumstances?). This substantial volume maps the terrain of Shakespearean hospitality in its rich complexity, demonstrating the importance of historical, rhetorical, and phenomenological approaches to this diverse subject.
| Author | : Stanley Wells |
| Publisher | : Cambridge University Press |
| Total Pages | : 316 |
| Release | : 2002-11-28 |
| Genre | : Drama |
| ISBN | : 9780521523806 |
The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
| Author | : David V. Urban |
| Publisher | : MDPI |
| Total Pages | : 234 |
| Release | : 2020-12-10 |
| Genre | : Social Science |
| ISBN | : 3039281941 |
Offering a wide range of scholarly perspectives, Religions in Shakespeare’s Writings explores Shakespeare’s depictions, throughout his canon, of various religions and matters related to them. This collection’s fifteen essays explore matters pertaining to Catholic, Anglican, and Puritan Christianity, the Albigensian heresy of the high middle ages, Islam, Judaism, Roman religion, different manifestations of religious paganism, and even the “religion of Shakespeare” practiced by Shakespeare’s nineteenth-century admirers. These essays analyze how Shakespeare depicts both tensions between religions and the syntheses of different religious expressions on topics as diverse as Shakespeare’s varied portrayals of the afterlife, religious experience in Measure for Measure, and Black natural law and The Tempest. This collection also explores the political ramifications of religion within Shakespeare’s works, as well as Shakespeare’s multifaceted uses of the Bible. Additionally, while this collection does not present a Shakespeare whose particular religious beliefs can definitely be known or are displayed uniformly throughout his canon, various essays consider to what extent Shakespeare’s individual works demonstrate a Christian foundation. Contributors include John D. Cox, Cyndia Susan Clegg, Grace Tiffany, Matthew J. Smith, Bethany C. Besteman, Sarah Skwire, Feisal Mohamed, Benedict J. Whalen, Benjamin Lockerd, Bryan Adams Hampton, Debra Johanyak, John E. Curran, Emily E. Stelzer, David V. Urban, and Julia Reinhard Lupton.
| Author | : James Shapiro |
| Publisher | : Columbia University Press |
| Total Pages | : 351 |
| Release | : 2016-03-08 |
| Genre | : Literary Criticism |
| ISBN | : 0231541872 |
First published in 1996, James Shapiro's pathbreaking analysis of the portrayal of Jews in Elizabethan England challenged readers to recognize the significance of Jewish questions in Shakespeare's day. From accounts of Christians masquerading as Jews to fantasies of settling foreign Jews in Ireland, Shapiro's work delves deeply into the cultural insecurities of Elizabethans while illuminating Shakespeare's portrayal of Shylock in The Merchant of Venice. In a new preface, Shapiro reflects upon what he has learned about intolerance since the first publication of Shakespeare and the Jews.
| Author | : Jenny Wong |
| Publisher | : Wipf and Stock Publishers |
| Total Pages | : 306 |
| Release | : 2018-05-29 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1532638175 |
This interdisciplinary study traverses the disciplines of translation studies, hermeneutics, theater studies, and sociology. Under the "power turn" or "political turn" in translation studies, the omission and untranslatability of religious material are often seen as the product of censorship or self-censorship. But the theology of each individual translating agent is often neglected as a contributing factor to such untranslatability. This book comprehensively traces the hermeneutical process of the translators as readers, and the situational process and semiotics of theater translation. Together these factors contribute to an image of translated literature that in turn influences the literature's reception. While translation theorists influenced by the current "sociological turn" view social factors as determining translation activities and strategies, this volume argues that the translator's or the dramatist's theology and religious values interact with the socio-cultural milieu to carve out a unique drama production. Often it is the religious values of the translating agents that determine the product, rather than social factors. Further, the translatability of religious discourse should be understood in a broader sense according to the seven dimensions proposed by Ninian Smart, rather than merely focusing on untranslatability as a result of semantic and linguistic differences.
| Author | : E. Beatrice Batson |
| Publisher | : Baylor University Press |
| Total Pages | : 198 |
| Release | : 2006 |
| Genre | : Drama |
| ISBN | : 1932792368 |
This volume explores the influences of Catholicism and Protestantism in a trio of Shakespeare's tragedies: Julius Caesar, Macbeth, and Hamlet. Bypassing the discussion of Shakespeare's personal religious beliefs, Batson instead focuses on distinct footprints left by Catholic and Protestant traditions that underlie and inform Shakespeare's artistic genius.
| Author | : Margie Burns |
| Publisher | : Vernon Press |
| Total Pages | : 252 |
| Release | : 2025-01-07 |
| Genre | : Literary Criticism |
| ISBN | : |
Twelve research articles deal with aspects of religion in the plays of William Shakespeare, from early in the dramatist’s career to the end. Ordered by chronology, two chapters focus on history plays; three chapters focus on comedies and three on tragedies; one deals with "Troilus and Cressida," and three chapters deal with the late romances. The anthology does not cover all of Shakespeare’s plays and collaborations or the lyric poems. The collection is ecumenical and transnational. While the contributors all recognize that Shakespeare wrote in a Renaissance Christian universe, Christianity is not the only world religion dealt with. Approaches involve history and philosophy as well as theology, and individual perspectives vary. One thing the collection makes clear is that religion, in some sense, operates in every Shakespearean work, and its large spectrum ranges through plot and character from shallow to deep, self-interested to elevated, bloody to harmonious. Religion and religious differences were also part of the fabric and history of the playwright’s world, manifesting in the plays in situation, language, and iconography. From various perspectives, a common denominator is that the authors approach aspects of religion as one element in an informed analysis of the works.
