J. S. Bach and the German Motet
| Author | : Daniel R. Melamed |
| Publisher | : Cambridge University Press |
| Total Pages | : 260 |
| Release | : 1995-09-28 |
| Genre | : Music |
| ISBN | : 9780521418645 |
An exploration of Bach's motets in the context of the German motet tradition.
Js Bach And The German Motet
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Tradition and Individual Style in the Motets of J.S. Bach
| Author | : |
| Publisher | : |
| Total Pages | : |
| Release | : |
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Features "Tradition and Individual Style in the Motets of J.S. Bach," written by Natalie Beck and presented online by the Roger Wagner Center for Choral Studies of California State University, Los Angeles. Focuses on the German organist and composer Johann Sebastian Bach (1685-1750).
Hearing Bach's Passions
| Author | : Daniel R. Melamed |
| Publisher | : Oxford University Press |
| Total Pages | : 191 |
| Release | : 2005-03-24 |
| Genre | : Music |
| ISBN | : 0195169336 |
Daniel Melamed offers a study of Bach's passion settings seeking to familiarise readers with some of the intriguing issues in the study and performance of older music. He explores what it means to listen to this music today.
The Motets of J.S. Bach
| Author | : Kenneth Dale Hannaford |
| Publisher | : |
| Total Pages | : 152 |
| Release | : 1986 |
| Genre | : Choral music |
| ISBN | : |
J. S. Bach, Volume One
| Author | : Albert Schweitzer |
| Publisher | : Courier Corporation |
| Total Pages | : 466 |
| Release | : 1966-01-01 |
| Genre | : Music |
| ISBN | : 9780486216317 |
Volume 1 of 2-volume set. This stimulating narrative traces Bach's life; discusses contemporary artistic and philosophical movements; assesses the work of his predecessors Schutz, Scheidt, Buxtehude, etc., analyzes Bach's own work; and passes on brilliant recommendations for performance — tempo, phrasing, accentuation, dynamics, etc. Translated by Ernest Newman.
Listening to Bach
| Author | : Daniel R. Melamed |
| Publisher | : Oxford University Press |
| Total Pages | : 177 |
| Release | : 2018 |
| Genre | : Music |
| ISBN | : 0190881054 |
This volume encourages eighteenth-century ways of listening to J.S. Bach's Mass in B Minor and Christmas Oratorio. It explores the concept of musical style, suggests ways to listen to works created by the re-use of music for new words, and shows how modern performances are stamped with audible consequences of our place in the twenty-first century
