Jozef Czapski
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| Author | : Jozef Czapski |
| Publisher | : New York Review of Books |
| Total Pages | : 137 |
| Release | : 2018-11-06 |
| Genre | : Literary Criticism |
| ISBN | : 1681372592 |
The first translation of painter and writer Józef Czapski's inspiring lectures on Proust, first delivered in a prison camp in the Soviet Union during World War II. During the Second World War, as a prisoner of war in a Soviet camp, and with nothing but memory to go on, the Polish artist and soldier Józef Czapski brought Marcel Proust’s In Search of Lost Time to life for an audience of prison inmates. In a series of lectures, Czapski described the arc and import of Proust’s masterpiece, sketched major and minor characters in striking detail, and movingly evoked the work’s originality, depth, and beauty. Eric Karpeles has translated this brilliant and altogether unparalleled feat of the critical imagination into English for the first time, and in a thoughtful introduction he brings out how, in reckoning with Proust’s great meditation on memory, Czapski helped his fellow officers to remember that there was a world apart from the world of the camp. Proust had staked the art of the novelist against the losses of a lifetime and the imminence of death. Recalling that triumphant wager, unfolding, like Sheherazade, the intricacies of Proust’s world night after night, Czapski showed to men at the end of their tether that the past remained present and there was a future in which to hope.
| Author | : Eric Karpeles |
| Publisher | : National Geographic Books |
| Total Pages | : 0 |
| Release | : 2019-10-15 |
| Genre | : Art |
| ISBN | : 0500023042 |
This thoughtful and engaging monograph finally gives a remarkable artist who bore witness to the twentieth century his due. “Mr. Karpeles, a California-based painter and art critic, has ignited international interest in Czapski’s artwork.” —Wall Street Journal This stunning monograph, a long-overdue critical appraisal of Polish artist Jo´zef Czapski arrives at a moment when the artist’s legacy is gaining new recognition. Within these pages, author Eric Karpeles conveys how making art was so enmeshed with Czapski’s way of seeing and being in the world that it was second nature. Given that he lived into his ninety-seventh year, it’s no surprise that the artist has works dating from every decade of the twentieth century but the first. As witness to the tumultuous events of that century, he found in painting “a refuge and a salvation.” Prolific as a painter, he was equally disciplined in recording the events of his life in pencil, ink, and watercolor in his journals. At a time when abstract art tended to dominate aesthetic discourse, he preferred to observe the world around him, to portray people going about their daily business. Some of his most compelling works depict theatergoers and art lovers doing what they do best—looking.
| Author | : Jozef Czapski |
| Publisher | : New York Review of Books |
| Total Pages | : 481 |
| Release | : 2018-12-18 |
| Genre | : History |
| ISBN | : 1681372576 |
A classic work of reportage about the Katyń Massacre during World War II by a soldier who narrowly escaped the atrocity himself. In 1941, when Germany turned against the USSR, tens of thousands of Poles—men, women, and children who were starving, sickly, and impoverished—were released from Soviet prison camps and allowed to join the Polish Army being formed in the south of Russia. One of the survivors who made the difficult winter journey was the painter and reserve officer Józef Czapski. General Anders, the army’s commander in chief, assigned Czapski the task of receiving the Poles arriving for military training; gathering accounts of what their fates had been; organizing education, culture, and news for the soldiers; and, most important, investigating the disappearance of thousands of missing Polish officers. Blocked at every level by the Soviet authorities, Czapski was unaware that in April 1940 many officers had been shot dead in Katyn forest, a crime for which Soviet Russia never accepted responsibility. Czapski’s account of the years following his release from the camp and the formation of the Polish Army, and its arduous trek through Central Asia and the Middle East to fight on the Italian front offers a stark depiction of Stalin’s Russia at war and of the suffering, stoicism, and bravery of his fellow Poles. A work of clear observation and deep compassion, Inhuman Land is one of the twentieth century’s indispensable acts of literary witness.
| Author | : Jozef Czapski |
| Publisher | : New York Review of Books |
| Total Pages | : 257 |
| Release | : 2022-03-01 |
| Genre | : Literary Collections |
| ISBN | : 1681374870 |
Vivid accounts of life in a Soviet prison camp by the author of Inhuman Land. Interned with thousands of Polish officers in the Soviet prisoner-of-war camp at Starobielsk in September 1939, Józef Czapski was one of a very small number to survive the massacre in the forest of Katyń in April 1940. Memories of Starobielsk portrays these doomed men, some with the detail of a finished portrait, others in vivid sketches that mingle intimacy with respect, as Czapski describes their struggle to remain human under hopeless circumstances. Essays on art, history, and literature complement the memoir, showing Czapski’s lifelong engagement with Russian culture. The short pieces on painting that he wrote while on a train traveling from Moscow to the Second Polish Army’s strategic base in Central Asia stand among his most lyrical and insightful reflections on art.
| Author | : Eric Karpeles |
| Publisher | : New York Review of Books |
| Total Pages | : 513 |
| Release | : 2018-11-06 |
| Genre | : Biography & Autobiography |
| ISBN | : 1681372851 |
A compelling biography of the Polish painter and writer Józef Czapski that takes readers to Paris in the Roaring Twenties, to the front lines during WWII, and into the late 20th-century art world. Józef Czapski (1896–1993) lived many lives during his ninety-six years. He was a student in Saint Petersburg during the Russian Revolution and a painter in Paris in the roaring twenties. As a Polish reserve officer fighting against the invading Nazis in the opening weeks of the Second World War, he was taken prisoner by the Soviets. For reasons unknown to this day, he was one of the very few excluded from Stalin’s sanctioned massacres of Polish officers. He never returned to Poland after the war, but worked tirelessly in Paris to keep alive awareness of the plight of his homeland, overrun by totalitarian powers. Czapski was a towering public figure, but painting gave meaning to his life. Eric Karpeles, also a painter, reveals Czapski’s full complexity, pulling together all the threads of this remarkable life.
| Author | : Keith Botsford |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Authors, Polish |
| ISBN | : 9780955889646 |
Józef Czapski (1896-1993) was an artist, author, critic, and one of the founders of the influential Polish emigré monthly Kultura (published in Paris until 2000). But who was the real Czapski? This cahier is a bold attempt by Keith Botsford to answer this question. Violating convention, he attempts to write Czapski's autobiography, or a 'biography from within'. Besides Czapski's own words, twelve of his paintings bear testimony to this momentous life.
| Author | : Eric Karpeles |
| Publisher | : |
| Total Pages | : 386 |
| Release | : 2008 |
| Genre | : Art |
| ISBN | : |
"Eric Karpele's guide offers a feast for the eyes as it celebrates the close relationship between the visual and literary arts in Proust's masterpiece, Karpeles has identified and located all of the paintings to which Proust makes exact reference. Where only a painter's name is mentioned to indicate a certain mood or appearance, he has chosen a representative work to illustrate the impression that Proust sought to evoke. Botticelli's angels, Manet's courtesans, Mantegna's warriors and Carpaccio's saints stand among Monet's water lilies and Piranesi's engravings of Rome, while Karpeles's insightful essay and lucid contextual commentary explain their significance to Proust. Extensive notes and a comprehensive index of all painters and paintings mentioned in the novel provide an invaluable resource for the reader navigating In Search of Lost Time for the first time or the fifth."--BOOK JACKET.
| Author | : Timothy Snyder |
| Publisher | : Basic Books |
| Total Pages | : 546 |
| Release | : 2012-10-02 |
| Genre | : History |
| ISBN | : 0465032974 |
From the author of the international bestseller On Tyranny, the definitive history of Hitler’s and Stalin’s politics of mass killing, explaining why Ukraine has been at the center of Western history for the last century. Americans call the Second World War “the Good War.” But before it even began, America’s ally Stalin had killed millions of his own citizens—and kept killing them during and after the war. Before Hitler was defeated, he had murdered six million Jews and nearly as many other Europeans. At war’s end, German and Soviet killing sites fell behind the Iron Curtain, leaving the history of mass killing in darkness. Assiduously researched, deeply humane, and utterly definitive, Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of a single story. With a new afterword addressing the relevance of these events to the contemporary decline of democracy, Bloodlands is required reading for anyone seeking to understand the central tragedy of modern history and its meaning today.
| Author | : Gabriel Josipovici |
| Publisher | : Yale University Press |
| Total Pages | : 213 |
| Release | : 2010-09-28 |
| Genre | : Literary Criticism |
| ISBN | : 030016582X |
The quality of today's literary writing arouses the strongest opinions. For novelist and critic Gabriel Josipovici, the contemporary novel in English is profoundly disappointing--a poor relation of its groundbreaking Modernist forebears. This agile and passionate book asks why. Modernism, Josipovici suggests, is only superficially a reaction to industrialization of a revolution in diction and form; essentially, it is art arriving at a consciousness of its own limits and responsibilities. And its origins are to be sought not in 1850 or even 1800, but in the early 1500s, with the crisis of society and perception that also led to the rise of Protestantism. With sophistication and persuasiveness, Josipovici charts some of Modernism's key stages, from Dürer, Rabelais, and Cervantes to the present, bringing together a rich array of artists, musicians, and writers both familiar and unexpected--including Beckett, Borges, Friedrich, Cézanne, Stevens, Robbe-Grillet, Beethoven, and Wordsworth. He concludes with a stinging attack on the current literary scene in Britain and America, which raises questions not only about national taste, but about contemporary culture itself. Gabriel Josipovici has spent a lifetime writing and writing about other writers. This book is a strident call to arms and a tour de force of literary, artistic, and philosophical explication that will stimulate anyone interested in art in the twentieth century and today.
| Author | : Alex Christofi |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 257 |
| Release | : 2021-01-21 |
| Genre | : Biography & Autobiography |
| ISBN | : 1472964705 |
'A daring and mesmerizing twist on the art of biography' – Douglas Smith, author of Rasputin: The Biography 'Anyone who loves [Dostoevsky's] novels will be fascinated by this book' – Sue Prideaux, author of I Am Dynamite! A Life of Friedrich Nietzsche Dostoevsky's life was marked by brilliance and brutality. Sentenced to death as a young revolutionary, he survived mock execution and Siberian exile to live through a time of seismic change in Russia, eventually being accepted into the Tsar's inner circle. He had three great love affairs, each overshadowed by debilitating epilepsy and addiction to gambling. Somehow, amidst all this, he found time to write short stories, journalism and novels such as Crime and Punishment, The Idiot and The Brothers Karamazov, works now recognised as among the finest ever written. In Dostoevsky in Love Alex Christofi weaves carefully chosen excerpts of the author's work with the historical context to form an illuminating and often surprising whole. The result is a novelistic life that immerses the reader in a grand vista of Dostoevsky's world: from the Siberian prison camp to the gambling halls of Europe; from the dank prison cells of the Tsar's fortress to the refined salons of St Petersburg. Along the way, Christofi relates the stories of the three women whose lives were so deeply intertwined with Dostoevsky's: the consumptive widow Maria; the impetuous Polina who had visions of assassinating the Tsar; and the faithful stenographer Anna, who did so much to secure his literary legacy. Reading between the lines of his fiction, Christofi reconstructs the memoir Dostoevsky might have written had life – and literary stardom – not intervened. He gives us a new portrait of the artist as never before seen: a shy but devoted lover, an empathetic friend of the people, a loyal brother and friend, and a writer able to penetrate to the very depths of the human soul.
