Joyce & Paris, 1902.....1920-1940.....1975
Author | : Jacques Aubert |
Publisher | : |
Total Pages | : 172 |
Release | : 1979 |
Genre | : |
ISBN | : 9782222023890 |
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Author | : Jacques Aubert |
Publisher | : |
Total Pages | : 172 |
Release | : 1979 |
Genre | : |
ISBN | : 9782222023890 |
Author | : Martin Puchner |
Publisher | : JHU Press |
Total Pages | : 247 |
Release | : 2002-08-31 |
Genre | : Drama |
ISBN | : 0801868556 |
An exploration of the conflict between avant-garde theatre and modernism. It shows that modernism's ambivalence about the theatre was shared by playwrights and directors and thus was a productive force responsible for some great achievements in dramatic literature and theatre.
Author | : Anthony Paraskeva |
Publisher | : Bloomsbury Publishing |
Total Pages | : 204 |
Release | : 2017-02-23 |
Genre | : Literary Criticism |
ISBN | : 1472527372 |
In 1936, Samuel Beckett wrote a letter to the Soviet film director Sergei Eisenstein expressing a desire to work in the lost tradition of silent film. The production of Beckett's Film in 1964, on the cusp of his work as a director for stage and screen, coincides with a widespread revival of silent film in the period of cinema's modernist second wave. Drawing on recently published letters, archival material and production notebooks, Samuel Beckett and Cinema is the first book to examine comprehensively the full extent of Beckett's engagement with cinema and its influence on his work for stage and screen. The book situates Beckett within the context of first and second wave modernist filmmaking, including the work of figures such as Vertov, Keaton, Lang, Epstein, Flaherty, Dreyer, Godard, Bresson, Resnais, Duras, Rogosin and Hitchcock. By examining the parallels between Beckett's methods, as a writer-director, and particular techniques, such as the embodied presence of the camera, the use of asynchronous sound, and the cross-pollination of theatricality and cinema, as well as the connections between his collaborators and the nouvelle vague, the book reveals how Beckett's aesthetic is fundamentally altered by his work for the screen, and his formative encounters with modernist film culture.
Author | : Florence Saunders Boos |
Publisher | : |
Total Pages | : 454 |
Release | : 1989 |
Genre | : American literature |
ISBN | : |
Author | : Dermot Kelly |
Publisher | : |
Total Pages | : 152 |
Release | : 1988 |
Genre | : Literary Criticism |
ISBN | : |
Author | : Geert Lernout |
Publisher | : |
Total Pages | : 310 |
Release | : 1990 |
Genre | : Literary Criticism |
ISBN | : |
A major contribution to James Joyce studies, as well as a historical review of the French intellectual climate since the 1960s
Author | : Geert Lernout |
Publisher | : Continuum |
Total Pages | : 248 |
Release | : 2004 |
Genre | : Literary Criticism |
ISBN | : 9780826458254 |
James Joyce is now widely considered the most influential writer of the twentieth century. His name and his most important works appeared again and again in fin-de-millennium surveys. This is the case not only in the English-speaking world, but also in many European literatures. Joyce's influence is most pronounced in French, German and Italian literatures, where translations of most of his works appeared during his life-time and where he had a clear impact on his fellow-writers. In other countries and cultures, his influence took more time to register, sometimes after the war in the fifties and sixties, and sometimes only in the final decade of the century. This was the case in most of the languages of Eastern Europe, where the translation of Joyce's work could only begin after the collapse of the Soviet Union in the 1990s. This book contains two volumes. Series Editor: Dr Elinor Shaffer FBA, Institute of Germanic & Romance Studies, School of Advanced Study, University of London Contributors to the volume include: Sonja Basic (University of Zagreb) Eric Bulson, (Columbia University) Astradur Eysteinsson (University of Reykjavik) Kalina Filipova (University of Sofia) Marta Goldmann (University of Budapest) Jakob Greve (University of Copenhagen) Manana Khergiani (New York) Teresa Iribarren (University of Barcelona) Onno R. Kosters and Ron Hoffman (The Netherlands) Alberto Lázaro (University of Alcalá, Madrid) Marisol Morales Ladrón (University of Alcalá, Madrid) Maria Filomena Louro (University of Minho, Portugal) Tina Mahkota (University of Ljubljana) John McCourt (University of Trieste) Patrick O'Neill (Queen's University, Canada) Adrian Otoiu (North University of Baia Mare, Rumania) Miltos Pehlivanos (Aristotle University, Greece) Aleš Pogacnik (Slovenia) Jina Politi (Aristotle University, Greece) Steen Klitgård Povlsen (University of Aarhus) H.K.Riikonen (University of Helsinki) Frank Sewell (University of Ulster) Sam Slote (University of Buffalo) Per Svenson (Sweden) Emily Tall (University of Buffalo) Björn Tysdahl (University of Oslo) Tomo Virk (University of Ljubljana) Jolanta W. Wawrzycka (Radford University) Robert Weninger (Oxford Brookes University) Wolfgang Wicht (University of Potsdam) Serenella Zanotti (University of Rome)
Author | : British Library |
Publisher | : |
Total Pages | : 650 |
Release | : 1983 |
Genre | : English imprints |
ISBN | : |
Author | : Hugh Kenner |
Publisher | : |
Total Pages | : 472 |
Release | : 2008 |
Genre | : Biography & Autobiography |
ISBN | : |
The extant letter written to each other by the renowned Joyce scholars, Hugh Kenner and Adaline Glasheen between 1953 and 1984.