Journal Of The Conversations Of Lord Byron Noted During A Residence With His Lordship At Pisa In The Years 1821 And 1822
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The Works of Lord Byron: Letters and journals
Author | : George Gordon Byron Baron Byron |
Publisher | : |
Total Pages | : 790 |
Release | : 1904 |
Genre | : |
ISBN | : |
Records of Shelley, Byron and the Author
Author | : Edward John Trelawny |
Publisher | : Random House |
Total Pages | : 325 |
Release | : 2013-08-01 |
Genre | : Biography & Autobiography |
ISBN | : 0141392797 |
In February 1822 the writer and adventurer Edward John Trelawny arrived in Pisa to make the acquaintance of his heroes Shelley and Byron, leaving a broken marriage and an exotic seafaring career behind him. He became a close companion to them and their circle, and this collection of his reminiscences is one of the most fresh and intriguing documents of the Romantic age. It records his initial meeting with a cynical and flippant Byron, his impressions of a youthful, otherworldly Shelley and, most memorably, the poet's death at sea and the subsequent burning of his body on the sand. Trelawny's Records combine vigorous prose, vivid description and mythmaking to create one of the most memorable portraits of an age. Rosemary Ashton's new introduction explores the mysterious life and quixotic character of Trelawny, and this edition includes all the author's later revisions. Edward John Trelawny (1792-1881) was one of the most curious figures of the English Romantic Movement, and spent his long life travelling extensively as a naval officer, biographer and adventurer. After a brief education, Trelawny was assigned as a volunteer in the Royal Navy by the age of thirteen, and led an unaccomplished naval career until his resignation at nineteen. He met Shelley and Byron in Italy in 1822, where he became fascinated, almost hypnotized, by the two poets. His Records of Shelley, Byron and the Author, written after both their deaths, is the end-product of this strange obsession. An incorrigible romancer, Trelawny had three marriages - the second of which was to Tersitza, sister of the Greek warlord Odysseus Androutsos, whose cause he had joined and whose mountain fortress he looked after when Odysseus was arrested. He died after a fall at the age of eighty-eight, in England, and his ashes were buried in Rome in a plot adjacent to Shelley's grave. Rosemary Ashton was educated at the universities of Aberdeen, Heidelberg and Cambridge. She taught English literature at University College London from 1974 to 2012, and is Emeritus Quain Professor of English Language and Literature and an Honorary Fellow of UCL. She has published critical biographies of Samuel Taylor Coleridge, Thomas and Jane Carlyle, George Eliot, and George Henry Lewes, two books on Anglo-German literary and cultural relations in the nineteenth century, The German Idea: Four English Writers and the Reception of German Thought 1800-1860 (1980) and Little Germany: Exile and Asylum in Victorian England (1986), and two books about Victorian radicalism, 142 Strand: A Radical Address in Victorian London (2006) and Victorian Bloomsbury (2012). David Wright (1920-1994) was born in Johannesburg and came to England aged fourteen to attend the Northampton School for the Deaf. His first poem was published shortly after graduating from Oriel College, Oxford, and he published poetry throughout his life, including Moral Stories (1954), Monologue of a Deaf Man (1958), Metrical Observations (1980) and Elegies (1990). He was both a remarkable poet and a remarkable editor, responsible for, among others, the Penguin Classics edition of Edward Thomas's Selected Poems and Prose, The Penguin Book of English Romantic Verse and, with John Heath-Stubbs, The Oxford Book of Twentieth-Century Verse. He was also the author of a number of books on Portugal, a biography of Roy Campbell and a memoir, Deafness: A Personal Account.
Maggs Bros. Catalogues
Author | : Maggs Bros |
Publisher | : |
Total Pages | : 1042 |
Release | : 1918 |
Genre | : Antiquarian booksellers |
ISBN | : |
Captain Medwin
Author | : Ernest J. Lovell |
Publisher | : University of Texas Press |
Total Pages | : 361 |
Release | : 2014-09-10 |
Genre | : Biography & Autobiography |
ISBN | : 1477302816 |
Here is the first biography of Thomas Medwin—literary adventurer, rascal, scholar, confidence man, successful fortune hunter, and bemused speculator on a grand scale in old Italian oil paintings. Poet, novelist, translator of Aeschylus, cousin and boyhood friend of the poet Shelley, he was a man of fiery temper, fierce hatreds, and enduring loves. Although an intimate friend of Lord Byron, he was so dangerous (or disreputable) that his Lordship warned Teresa Guiccioli, his last mistress, not to be alone in Medwin's company. Later, Medwin introduced Byron's daughter to her future husband, Lord Lovelace, and so determined the poet's line of descent. Friend of Washington Irving, gentleman of the old school, neglected Boswell of the nineteenth century, Medwin reported the conversations of Byron, Shelley, Trelawny, Hazlitt, Canova the sculptor, and others. His life and adventures light up little-known aspects of the nineteenth-century literary, military, social, and publishing world—in England, India, Italy, France, Switzerland, and Germany. Medwin served as midwife to the words of a dead man—Lord Byron—who returned to laugh and sneer at the living from the Captain's pages. The Conversations of Lord Byron thus became the most controversial book of the day, going through a dozen editions, in six countries, and being translated into French, German, and Italian. It aroused the wrath, indignation, or enthusiastic interest of such individuals as Goethe, Lady Byron, Lady Caroline Lamb, the Countess Teresa Guiccioli, John Cam Hobhouse (later Lord Broughton), Sir Walter Scott, John Murray, and Washington Irving. Medwin, whose long and adventurous life extended from the rise and flowering of the Romantic Period to the mid-Victorian Age (which he regarded as a dreary decline from the great heights of his youth), was an influence of the first magnitude in determining the early public image of Byron and the reputation of Shelley. This often amusing story, as engrossing as a novel, is drawn from all the available accounts, including many important sources never before published. In effect a new contribution to the biographical study of Byron and Shelley, it clarifies Medwin's relations not only with these two poets but also with many other important and interesting figures of the day.
The Domestication of Genius
Author | : Julian North |
Publisher | : OUP Oxford |
Total Pages | : 272 |
Release | : 2009-11-19 |
Genre | : Literary Criticism |
ISBN | : 0191572349 |
This is a book about the biographical afterlives of the Romantic poets and the creation of literary biography as a popular form. It focuses on the Lives of six major poets of the period: Byron, Shelley, Wordsworth, Coleridge, Felicia Hemans, and Letitia Landon, published from the 1820s, by Thomas Moore, Mary Shelley, Thomas De Quincey, and others. It situates these within the context of the development of biography as a genre from the 1780s to the 1840s. Starting with Johnson, Boswell, and female collective Lives, it looks at how the market success of biography was built on its representation and publication of domestic life. In the 1820s and 30s biographers 'domesticated' Byron, Shelley, and other poets by situating them at home, opening up their (often scandalous) private lives to view, and bringing readers into intimate contact with greatness. Biography was an influential transmitter of the myth of 'the Romantic poet', as the self-creating, masculine genius, but it also posed one of the first important challenges to that myth, by revealing failures in domestic responsibility that were often seen as indicative of these writers' inattention to the needs of the reader. The Domestication of Genius is the most comprehensive account to date of the shaping of the Romantic poets by biography in the nineteenth-century. Written in a lively and accessible style, it casts new light on the literary culture of the 1830s and the transition between Romantic and Victorian conceptions of authorship. It offers a powerful re-evaluation of Romantic literary biography, of major biographers of the period, and of the posthumous reputations of the Romantic poets.