Journal Of The Asiatic Society Of Mumbai
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Journal of the Asiatic Society of Bombay
Author | : Asiatic Society of Bombay |
Publisher | : |
Total Pages | : 488 |
Release | : 2004 |
Genre | : Asia |
ISBN | : |
Vol. 1-new ser., v. 7 include the society's Proceedings for 1841-1929 (title varies)
Journal of the Asiatic Society of Bombay
Author | : Asiatic Society of Bombay |
Publisher | : |
Total Pages | : 730 |
Release | : 1848 |
Genre | : Asia |
ISBN | : |
Vol. 1-new ser., v. 7 include the society's Proceedings for 1841-1929 (title varies).
Journal of the Bombay Branch of the Royal Asiatic Society
Author | : Asiatic Society of Bombay |
Publisher | : |
Total Pages | : 512 |
Release | : 1908 |
Genre | : India |
ISBN | : |
Râs Mâlâ, Or, Hindu Annals of the Province of Goozerat in Western India
Author | : Alexander Kinloch Forbes |
Publisher | : |
Total Pages | : 750 |
Release | : 1878 |
Genre | : Folklore |
ISBN | : |
Bombay Islam
Author | : Nile Green |
Publisher | : Cambridge University Press |
Total Pages | : 345 |
Release | : 2011-03-21 |
Genre | : History |
ISBN | : 1139496638 |
As a thriving port city, nineteenth-century Bombay attracted migrants from across India and beyond. Nile Green's Bombay Islam traces the ties between industrialization, imperialism and the production of religion to show how Muslim migration fueled demand for a wide range of religious suppliers, as Christian missionaries competed with Muslim religious entrepreneurs for a stake in the new market. Enabled by a colonial policy of non-intervention in religious affairs, and powered by steam travel and vernacular printing, Bombay's Islamic productions were exported as far as South Africa and Iran. Connecting histories of religion, labour and globalization, the book examines the role of ordinary people - mill hands and merchants - in shaping the demand that drove the market. By drawing on hagiographies, travelogues, doctrinal works, and poems in Persian, Urdu and Arabic, Bombay Islam unravels a vernacular modernity that saw people from across the Indian Ocean drawn into Bombay's industrial economy of enchantment.
Congress Radio
Author | : Usha Thakkar |
Publisher | : Penguin Random House India Private Limited |
Total Pages | : 320 |
Release | : 2021-08-14 |
Genre | : History |
ISBN | : 9354921663 |
This is the Congress Radio calling on 42.34 metres from somewhere in India,' Usha Mehta's voice rang defiant and clear to the entire country on a ghost transmitter. These words would come to reverberate across the struggle for Indian independence. It was August 1942. The Quit India Movement had just been launched at the Bombay session of the All-India Congress Committee by Mahatma Gandhi. Inspired by his rallying cry, the twenty-two-year-old student of Wilson College stumbled upon the idea to start an underground radio station to cut through the imperial din of the government's mouthpiece,the All India Radio. Risking it all for the country in the face of crackdown, Mehta and her intrepid co-conspirators filled Indian airwaves with the heady zeal of rebellion. The clandestine station-Congress Radio-broadcast recorded messages from Gandhi and other prominent leaders to devoted followers of the freedom struggle. Moving from location to location to dodge authorities, reporting on events from Chittagong to Jamshedpur, the radio station fought the propaganda and disinformation of the colonial government for nearly three months-until their arrest and imprisonment in November of the same year. In this riveting account, Usha Thakkar brings to life this high-voltage tale of derring-do, complete with stouthearted revolutionaries, thrilling escapes and a cruel betrayal, through the extraordinary story of Usha Mehta, the woman who briefly became, quite literally, the voice of the resistance.
Journal of the Bombay Branch of the Royal Asiatic Society
Author | : Asiatic Society of Bombay |
Publisher | : |
Total Pages | : 534 |
Release | : 1844 |
Genre | : Asia |
ISBN | : |
Portraits in Princely India, 1700-1947
Author | : Rosie Llewellyn-Jones |
Publisher | : |
Total Pages | : 144 |
Release | : 2008 |
Genre | : Art |
ISBN | : |
Since Independence, the princes and regional rulers of India have mostly been seen as anachronistic figures, too closely associated with the former colonial government, and often a byword for extravagance, sybaritic lifestyles, and mild despotism. When in 1967 they were stripped of their privy purses by Prime Minister Indira Gandhi, there were more protests in Britain than in India. No serious efforts have been made to put these men, and a few women, in a pictorial context, to examine the differing styles of portraiture favoured by them, and the motives behind the pictures, until now. The more one gazes at these important but hitherto neglected works of art, the more questions are raised. This book attempts to answer and interpret some of them. The arrival of European painters in late 18th century India presented a new opportunity for Indian rulers to commission self-portraits of a different kind, and also to influence indigenous artists in new styles and paint mediums. The arrival of photography brought a further opportunity for them to be pictured in different ways.