Journal Of The American Musicological Society Volume Xxiv
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Journal of the American Musicological Society
Author | : American Musicological Society |
Publisher | : |
Total Pages | : 1192 |
Release | : 1973 |
Genre | : Music |
ISBN | : |
Organ Literature
Author | : Corliss Richard Arnold |
Publisher | : Scarecrow Press |
Total Pages | : 399 |
Release | : 2003-02 |
Genre | : Music |
ISBN | : 0810846977 |
Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
The Combinative Chanson
Author | : Maria Rika Maniates |
Publisher | : A-R Editions, Inc. |
Total Pages | : 162 |
Release | : 1989-01-01 |
Genre | : History |
ISBN | : 0895792362 |
Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries
Author | : Robin Stowell |
Publisher | : Cambridge University Press |
Total Pages | : 436 |
Release | : 1990-07-27 |
Genre | : Music |
ISBN | : 9780521397445 |
This volume examines in detail the numerous violin treatises of the late- 18th and early-19th centuries. It provides an historical and technical guide to violin pedagogical method, technique and performance practice during this period.
A New Look at Segovia, His Life, His Music, Volume 1
Author | : Graham Wade |
Publisher | : Mel Bay Publications |
Total Pages | : 513 |
Release | : 2016-03-31 |
Genre | : Music |
ISBN | : 1619115794 |
A scholarly edition of over 500 pages written to explore and evaluate Andres Segovia's achievements. Volume One contains a biography of the years of 1893 -1957 and focuses on Segovia's renditions of Renaissance, Baroque and Classical masterpieces by Narvaez, Frescobaldi, Bach, Scarlatti and Sor
Ligeti’s Macroharmonies
Author | : Nicolas Namoradze |
Publisher | : Springer Nature |
Total Pages | : 207 |
Release | : 2022-02-24 |
Genre | : Mathematics |
ISBN | : 3030856941 |
In the third and final book of his iconic piano etudes György Ligeti charts a new path relative to the rest of his musical output, representing a significant arrival in a composer’s oeuvre known for its stylistic transformations. This monograph is the first dedicated study of these capstone works, investigating them through a novel lens of statistical-graphical analysis that illuminates their compositional uniqueness as well as broader questions regarding the perception of stability in musical texture. With nearly 200 graphical illustrations and a detailed commentary, this examination reveals the unique manner in which Ligeti treads between tonality and atonality—a key idea in his late style—and the centrality of processes related to broader scale areas (or “macroharmony”) in articulating structures and narratives. The analytical techniques developed here are a powerful tool for investigating macroharmonic stability that can be applied to a wide range of repertoire beyond these works. This book is intended for graduate-level and professional music theorists, musicologists, performers and mathematicians.