Joschka Fischer And The Making Of The Berlin Republic
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| Author | : Paul Hockenos |
| Publisher | : Oxford University Press |
| Total Pages | : 395 |
| Release | : 2008 |
| Genre | : Biography & Autobiography |
| ISBN | : 0195181832 |
Over the course of his long and controversial career, Joschka Fischer evolved from an archetypal 1960s radical--a firebrand street activist--into a shrewd political insider, operating at the heights of German politics. In the 1980s he was one of the first elected Greens and went on to become Germany's foreign minister from 1998 to 2005. His famous challenge to Donald Rumsfeld's case for invading Iraq--"Excuse me, I am not convinced"--won him worldwide recognition, and the Bush administration's contempt.Here is both a lively biography of Joschka Fischer and a gripping history 'from below'of postwar Germany. Paul Hockenos begins in the ruins of postwar Germany and guides us through the flashpoints of the late sixties and seventies, from the student protests and the terrorism of the Baader-Meinhof group to the evolution of Europe's premier Green party, and brings us up to the present in the united Germany. He shows how the grassroots movements that became the German Greens challenged and changed the republic's status quo, making postwar Germany more democratic, liberal and worldly along the way. Despite the ideological twists and turns of Fischer and his peers, the lessons of the Holocaust and the Nazi terror remained their constant coordinates. Hockenos traces that political journey, providing readers with unique insight into the impact that these movements and the Greens have had on Germany.Informed by hundreds of interviews with key figures and fellow travelers, Joschka Fischer and the Making of the Berlin Republic presents readers with one of the most intriguing personalities on the European scene, and paints a rich picture of the rebellious generation of 1968 that became the political elite of modern Germany.
| Author | : Dieter Dettke |
| Publisher | : Berghahn Books |
| Total Pages | : 292 |
| Release | : 2003 |
| Genre | : History |
| ISBN | : 9781571813435 |
The "Berlin Republic" has become the key concept of post-Cold War Germany and as such has been widely discussed inside as well as outside Germany. Symbolized by the move of the government from Bonn to Berlin it signals all the tangible and intangible changes in Germany's position in the world that have taken place during the 1990s. Well known German authors, decision-makers, and cultural leaders as well as internationally renowned experts on German affairs contribute to this volume, examining various aspects of the New Germany and its old/new capital, such as history, foreign policy, art, architecture, and culture. In this way, the reader gains a varied but comprehensive picture of Germany after unification as perceived by its neighbors, friends, and allies.
| Author | : William Paterson |
| Publisher | : Burns & Oates |
| Total Pages | : 224 |
| Release | : 2002-10-31 |
| Genre | : Germany |
| ISBN | : 9781902459189 |
| Author | : Paul Hockenos |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : Art |
| ISBN | : 9781620971956 |
An "account of the 1989 'peaceful revolution' in East Germany that upended communism and the tumultuous years of artistic ferment, political improvisation, and pirate utopias that followed. It's the story of a newly undivided Berlin when protest and punk rock, bohemia and direct democracy, techno and free theater were the order of the day. In a story stocked with ... characters from Berlin's highly politicized undergrounds--including playwright Heiner Muller, cult figure Blixa Bargeld, ... the ... French Wall artist Thierry Noir, the American multimedia artist Danielle de Picciotto, ... and David Bowie during his Ziggy Stardust incarnation--Hockenos argues that the DIY energy and raw urban vibe of the early 1990s shaped the new Berlin and still pulses through the city today"--Provided by publisher.
| Author | : Kimberly Mair |
| Publisher | : McGill-Queen's Press - MQUP |
| Total Pages | : 382 |
| Release | : 2016-05-01 |
| Genre | : Social Science |
| ISBN | : 0773598758 |
The violent operations performed in the 1970s by West German urban guerrillas – such as the Red Army Faction (RAF) – were so vivid and incomprehensible that it seemed to be more urgent to produce spectacle than to be politically successful. In Guerrilla Aesthetics, Kimberly Mair challenges the assumption that these guerrillas sought to realize specific political goals. Instead, she tracks the guerrilla fighters’ plunge into an avant-garde-inspired negativity that rejected rationality and provoked the state. Focusing on the Red Decade of 1967 to 1977, which was characterized not only by terrorism and police brutality but also by counterculture aesthetics, Mair draws from archives, grey literatures, popular culture, art, and memorial and curatorial practices to explore the sensorial aspects of guerrilla communications performed by the RAF, as well as the 2nd of June Movement and the Socialist Patients' Collective. Turning to cultural and artistic responses to the decade and its legacy of raw public feelings, Mair also examines works by Eleanor Antin, Erin Cosgrove, Christoph Draeger, Bruce LaBruce, Gerhard Richter, and others. Reconsidering an enigmatic period in the history of terrorism, Guerrilla Aesthetics innovatively engages with the inherent connections between violence, performance, the senses, and memory.
| Author | : Paul Berman |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 172 |
| Release | : 2007-04-17 |
| Genre | : Biography & Autobiography |
| ISBN | : 0393352773 |
The author of the best-selling Terror and Liberalism on the rise to power of the generation of 1968. The student uprisings of 1968 erupted not only in America but also across Europe, expressing a distinct generational attitude about politics, the corrupt nature of democratic capitalism, and the evil of military interventions. Yet, decades later, many in that radical generation had come into conventional positions of power: among them Bill Clinton (who reportedly stayed up all night reading this book) and Joschka Fischer, foreign minister of Germany. During a 1970s street protest, Fischer was photographed beating a cop to the ground; during the 1990s, he was supporting Clinton in a NATO-led military intervention in the Balkans. Here Paul Berman, "one of America's best exponents of recent intellectual history" (The Economist), masterfully traces the intellectual and moral evolution of an impassioned generation—and gives an acute analysis of what it means to go to war in the name of democracy and human rights.
| Author | : Pepijn Corduwener |
| Publisher | : Taylor & Francis |
| Total Pages | : 212 |
| Release | : 2016-08-25 |
| Genre | : History |
| ISBN | : 1134996268 |
The current perception of democratic crisis in Western Europe gives a renewed urgency to a new perspective on the way democracy was reconstructed after World War II and the principles that underpinned its postwar transformation. This study accounts for the formation of the postwar democratic order in Western Europe by studying how the main political actors in France, West Germany and Italy conceptualized democracy and strove over its meaning. Based upon a wide range of librarian and archival sources from these countries, it tracks changing conceptions of democracy among leading politicians, political parties, and leaders of social movements, and unveils how they were deeply divided over key principles of postwar democracy – such as the political party, the free market economy, representation, and civic participation. By comparing three national debates on the question what democracy meant and how it should be institutionalized and practiced, this study argues that only in the 1970s conceptions of democracy converged and key political actors accepted each other as democrats with similar conceptions of democracy. This study thereby deconstructs the myth of the quick emergence of one consensual Western European model of democracy after 1945, demonstrates that its formation was a long and contentious process in which national differences were often of crucial importance, and contributes to an enhanced understanding of the historical roots of the current sentiment of democratic crisis.
| Author | : Martin Jay |
| Publisher | : Verso Books |
| Total Pages | : 241 |
| Release | : 2023-10-17 |
| Genre | : Philosophy |
| ISBN | : 1804292532 |
The Frankfurt School’s own legacy is best preserved by exercising an immanent critique of its premises and the conclusions to which they often led. By distinguishing between what is still and what is no longer alive in Critical Theory, these essays seek to demonstrate its continuing relevance in the 21st century. Fifty years after the appearance of The Dialectical Imagination, his pioneering history of the Frankfurt School, Martin Jay reflects on what may be living and dead in its legacy. Rather than treating it with filial piety as a fortress to be defended, he takes seriously its anti-systematic impulse and sensitivity to changing historical circumstances. Honouring the Frankfurt School's practice of immanent critique, he puts critical pressure on a number of its own ideas by probing their contradictory impulses. Among them are the pathologization of political deviance through stigmatizing "authoritarian personalities," the undefended theological premises of Walter Benjamin's work, and the ambivalence of its members' analyses of anti-Semitism and Zionism. Additional questions are asked about other time-honored Marxist themes: the meaning of alienation, the alleged damages of abstraction, and the advocacy of a politics based on a singular notion of the truth. Rather, however, than allowing these questions to snowball into an unwarranted repudiation of the Frankfurt School legacy as a whole, the essays also acknowledge a number of its still potent arguments. They explore its neglected, but now timely analysis of "racket society," Adorno's dialectical reading of aesthetic sublimation, and the unexpected implications of Benjamin's focus on the corpse for political theory. Jay shows that it is a still evolving theoretical tradition which offers resources for the understanding of–and perhaps even practical betterment–of our increasingly troubled world.
| Author | : Spencer C. Tucker |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 4179 |
| Release | : 2020-10-27 |
| Genre | : History |
| ISBN | : |
This sweeping reference work covers every aspect of the Cold War, from its ignition in the ashes of World War II, through the Berlin Wall and the Cuban Missile Crisis, to the collapse of the Soviet Union in 1991. The Cold War superpower face-off between the Soviet Union and the United States dominated international affairs in the second half of the 20th century and still reverberates around the world today. This comprehensive and insightful multivolume set provides authoritative entries on all aspects of this world-changing event, including wars, new military technologies, diplomatic initiatives, espionage activities, important individuals and organizations, economic developments, societal and cultural events, and more. This expansive coverage provides readers with the necessary context to understand the many facets of this complex conflict. The work begins with a preface and introduction and then offers illuminating introductory essays on the origins and course of the Cold War, which are followed by some 1,500 entries on key individuals, wars, battles, weapons systems, diplomacy, politics, economics, and art and culture. Each entry has cross-references and a list of books for further reading. The text includes more than 100 key primary source documents, a detailed chronology, a glossary, and a selective bibliography. Numerous illustrations and maps are inset throughout to provide additional context to the material.
| Author | : Tina Frühauf |
| Publisher | : Oxford University Press |
| Total Pages | : 329 |
| Release | : 2014-09-11 |
| Genre | : Music |
| ISBN | : 0199367493 |
Winner of the 2015 Ruth A. Solie Award from the American Musicological Society The first volume of its kind, Dislocated Memories: Jews, Music, and Postwar German Culture draws together three significant areas of inquiry: Jewish music, German culture, and the legacy of the Holocaust. Jewish music-a highly debated topic-encompasses a multiplicity of musics and cultures, reflecting an inherent and evolving hybridity and transnationalism. German culture refers to an equally diverse concept that, in this volume, includes the various cultures of prewar Germany, occupied Germany, the divided and reunified Germany, and even "German (Jewish) memory," which is not necessarily physically bound to Germany. In the context of these perspectives, the volume makes powerful arguments about the impact of the Holocaust and its aftermath in changing contexts of musical performance and composition. In doing so, the essays in Dislocated Memories cover a wide spectrum of topics from the immediate postwar period with music in the Displaced Persons camps to the later twentieth century with compositions conceived in response to the Holocaust and the klezmer revival at the turn of this century. Dislocated Memories builds on a wide range of recent and critical scholarship in Cold War studies, cultural history, German studies, Holocaust studies, Jewish studies, and memory studies. What binds these distinct fields tightly together are the contributors' specific theoretical inquiries that reflect separate yet interrelated themes such as displacement and memory. While these concepts link the multi-faceted essays on a micro-level, they are also largely connected in their conceptual query by focus, on the macro-level, on the presence and the absence of Jewish music in Germany after 1945. Filled with original research by scholars at the forefront of music, history, and Jewish studies, Dislocated Memories will prove an essential text for scholars and students alike.
