Joos Van Cleve
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Author | : John Oliver Hand |
Publisher | : Yale University Press |
Total Pages | : 251 |
Release | : 2004-01-01 |
Genre | : Art |
ISBN | : 0300105789 |
"Joos van Cleve (active 1505/08-1540/41), an accomplished and influential Netherlandish artist, and a superb technician and sensitive colorist, created some of the most attractive and endearing images in northern Renaissance painting. In this book - the first major study of Joos in nearly eighty years - the foremost authority on the artist provides a complete and up-to-date account of Joos's life and works." "John Hand discusses events in the artist's career, the increasing obscurity of his works in the centuries after his death, and their rediscovery in the nineteenth century. Hand then examines specific paintings in Joos's oeuvre, addressing a broad spectrum of topics concerning the artist's style, chronology, iconography, influences, and the wide range of his commission."--Jacket.
Author | : Micha Leeflang |
Publisher | : Brepols Publishers |
Total Pages | : 0 |
Release | : 2015 |
Genre | : Artists |
ISBN | : 9782503554365 |
The painter Joos van Cleve (c. 1485/90-1540/41) founded an important and influential workshop in Antwerp at the beginning of the sixteenth century. His business instinct and managerial character ensured that the shop ran smoothly and that there were both local and international clients for his output. More than 300 works are currently attributed to Van Cleve and his workshop. It is a remarkably large oeuvre, far exceeding that of any other contemporary Antwerp artist. The paintings that left his shop are of a superb quality and craftsmanship. Van Cleve and his assistants were responsible for lifelike portraits, altarpieces of varying sizes, and the mass production of popular devotional panels with subjects like The Holy Family, The Madonna of the Cherries and The Infants Christ and St John the Baptist Embracing. How, then, is it possible that these paintings are of such a high quality and craftsmanship? This book contains the answer. The international nature of Antwerp's economy, and of its art trade in particular, made Joos van Cleve and his paintings known far beyond the confines of the Low Countries. Although the information about his life and the composition of his oeuvre was unclear for a long time, Joos van Cleve can now once again be numbered among the great successful painters of the early sixteenth century.
Author | : John Oliver Hand |
Publisher | : |
Total Pages | : 694 |
Release | : 1978 |
Genre | : |
ISBN | : |
Author | : Molly Faries |
Publisher | : Brepols Publishers |
Total Pages | : 292 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
This volume is about Netherlandish workshop practice from the late fifteenth century to the 1560s. Some articles present the results of new technical studies that are comprehensive in nature, revealing the inter-relationship between prints and painting practices, modes of collaboration, shifts in procedure, the development and use of shop models, and the impact of international commerce. Others present new documentary evidence and new methods of historical statistics revealing trends in workshop size, career trajectories, and immigration.The essays have been collected around the theme of a session on workshop practice organized by Molly Faries for the 2002 Historians of Netherlandish Art International Conference held in Antwerp.
Author | : |
Publisher | : BRILL |
Total Pages | : 541 |
Release | : 2018-11-26 |
Genre | : Art |
ISBN | : 9004379592 |
A team of 16 experts underline the binds and exchanges between different contexts and artistic techniques that copies established in the Renaissance, and how the history of taste is sophisticated and complex.
Author | : Anne-Sophie V. Radermecker |
Publisher | : BRILL |
Total Pages | : 340 |
Release | : 2021-05-25 |
Genre | : Art |
ISBN | : 9004460209 |
In Anonymous Art at Auction, Anne-Sophie V. Radermecker takes the opposing view of the superstar economy by examining contemporary sales of Early Flemish paintings with unknown authorship and the effects of various substitutes for real names on price formation.
Author | : John Oliver Hand |
Publisher | : |
Total Pages | : 20 |
Release | : 1972 |
Genre | : |
ISBN | : 9780943411088 |
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 118 |
Release | : 1991 |
Genre | : Jewelry |
ISBN | : 0870996169 |
This book highlights pieces of jewellery from ancient and modern cultures in every part of the globe. Of special interest are the objects that appear in paintings and other works of art: jewel-studded gowns, glittering Renaissance brooches and an Egyptian beaded collar are among the featured works from the "Metropolitan Museum"'s collection. Necklaces, earrings, rings and bracelets fill this book and also included are objects of religious significance, military honours and other kinds of personal decoration. The captions relate anecdotes concerning the artists and wearers and describe the history and style of the jewellery pictured.
Author | : Metropolitan Museum of Art (New York, N.Y.) |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 174 |
Release | : 1987 |
Genre | : Art |
ISBN | : 0870994344 |
"In this volume, the work of the German, Dutch, Flemish, French, and English masters of the fifteenth and sixteenth centuries is explored in more than one hundred reproductions. In addition to such well-known masterpieces as Van Eyck's Crucifixion and Last Judgment, Memling's Tommaso Portinari and Maria Baroncelli, Bruegel's Harvesters, Durer's woodcut The Four Horsemen of the Apocalypse, Cranach's Judgment of Paris, and Holbein's Erasmus of Rotterdam, this volume includes many lesser-known works in oil and on paper, as well as sculpture, decorative arts, and armor from the collections of The Metropolitan Museum of Art."--Page [2] of cover.
Author | : Kate Heard |
Publisher | : Royal Collection Trust |
Total Pages | : 0 |
Release | : 2011 |
Genre | : Art |
ISBN | : 9781905686322 |
Catalog of an exhibition held at the Queen's Gallery, Palace of Holyroodhous, April, 2011 and at the Queen's Gallery, Buckingham Palace, October, 2012.